Theater Mirror’s Kilian Melloy Interviews Liars and Believers’ Georgia Lyman and Jason Slavick on Latest Show, ‘The End is Nigh’

Glen Moore in Liars and Believers’ upcoming, ‘The End is Nigh’
Photos by Ollie Kamens

By Kilian Melloy

Liars and Believers devises its shows using a collaborative process. Its shows are lively and inspired, combining various theatrical traditions in works like Yellow Bird Chase, a favorite that tours to enthusiastic audiences. But the company doesn’t create fun fluff; behind the clowning, bright design work, and physical comedy are artistic director Jason Slavick’s creative and philosophical concerns. “I have political and social goals,” Slavick admits. “Actually, everything I do has some deep intention, even Yellow Bird.”

Read more “Theater Mirror’s Kilian Melloy Interviews Liars and Believers’ Georgia Lyman and Jason Slavick on Latest Show, ‘The End is Nigh’”

Strange Turns and True Stories: Ahamefule J. Oluo on Their New Show, ‘The Things Around Us’

Ahamefule J. Oluo in ‘The Things Around Us’, coming to the Emerson Paramount Center
Photo Credits: Alex Dugan

By Kilian Melloy

Jazz musician, stand-up comic, playwright, screenwriter… Ahamefule J. Oluo is all of that and more. The author of two previous shows blending storytelling and music drawn from their own life and those of their parents, 2014’s Now I’m Fine, and 2019’s Susan, Oluo brings their latest, a solo show titled The Things Around Us, to The Emerson Paramount Center’s Robert J. Orchard Stage from February 20 – 22. The Things Around Us constitutes the third part of what’s become a trilogy, but, unlike the previous two shows, it’s a solo piece: Oluo will create the show’s music using loops rather than an orchestra. With a stand-up’s instincts for engaging with the room and a musician’s ear for the language of sound, the artist will present audiences with a unique experience that he tells us is hard to describe — but not to understand, not once you’ve had it.

Oluo took some time to chat with Theater Mirror about the show, how it grew out of past projects, and the loneliness of being backstage with no one but themself.

Read more “Strange Turns and True Stories: Ahamefule J. Oluo on Their New Show, ‘The Things Around Us’”

Theater Mirror’s Kilian Melloy Interviews Adam Theater (“Library Lion”) co-founders Ran Bechor and Karin Sharav Zalkind

Cast of Adam Theater’s ‘Library Lion’ at BCA Calderwood Pavilion January 10-25  
Photos by Nile Scott Studios

By Kilian Melloy

For the second January in a row, Adam Theater will be putting the “lion” in the Calderwood Pavilion with a production of Library Lion, a musical that celebrates the importance both of reading and of celebrating people for who they are.

The story is sweet and compelling. When a lion wanders into a library, his appearance stirs panic in some. Others, however, find his presence to be perfectly fine, so long as he follows the usual rules: No running, no shouting, no eating or drinking. The lion becomes a regular at the library (and its popular story hour) at the same time as two children are learning how to use the library as a resource, and to understand that books can fuel the imagination. But suspicion and fear linger, and when a misunderstanding happens, the lion’s place in the library’s community is put into question. It’s the kind of story that, ironically, can get a book challenged, or even banned, these days.

Read more “Theater Mirror’s Kilian Melloy Interviews Adam Theater (“Library Lion”) co-founders Ran Bechor and Karin Sharav Zalkind”

Keeping the Faith: Voncille Ross on 55 Years of Boston’s “Black Nativity”

Black Nativity’s Voncille Ross

By Killian Melloy

For 55 years, the National Center of Afro-American Artists’ (NCAAA) production of Langston Hughes’ “Black Nativity” has been a holiday tradition, a community gathering, and what some have called “Boston’s Black community’s holiday card to the world.” At the helm of this enduring celebration is Voncille Ross, Executive Producer and Director of NCAAA Black Nativity, whose connection to the production has endured nearly as long as the show itself.

Read more “Keeping the Faith: Voncille Ross on 55 Years of Boston’s “Black Nativity””

Saul Rubinek Recasts Shakespeare in the Provocative ‘Playing Shylock’

Saul Rubinek in “Playing Shylock at the Polonsky Shakespeare Center.” Photo by Dahlia Katz

By Shelley A. Sackett

Ask a Jewish audience what their first reaction is when they think about Shakespeare’s “The Merchant of Venice,” and chances are they will mention the negative portrayal of Jews by the Venetian moneylender and play’s principal villain, Shylock. Long considered a slur against Jews, the very term was condemned by the Anti-Defamation League as antisemitic as recently as last July, when Trump described bankers as “shylocks and bad people” during a rally in Iowa.

Read more “Saul Rubinek Recasts Shakespeare in the Provocative ‘Playing Shylock’”

Theater Mirror’s Kilian Melloy Interviews ‘SpaceBridge’ Creator Irina Kruzhilina

Irina Kruzhilina. Photo by Olga Scorobogach

“I was born in Russia,” New York-based theater maker Irina Kruzhilina explains as our interview commences. “My mom was born in Ukraine. My father’s a Georgian Jew, which makes the situation right now, as you can imagine, very difficult. But I think that most people who are in Russia, or those who escape, do have this background, whether it’s Russian-Ukrainian or Russian-something else.”

Raised in Moscow during the days of the Soviet Union, Kruzhilina witnessed the transformation of Russia first-hand… and then witnessed its reversion. “I moved here the year Putin became the president,” she recalls. “I immediately moved to the States, where I got my second master’s in theater and started working. I have training in theater design, and I got additional training in directing.” That training stood Kruzhilina in good stead last year when she did the scenic design for Arlekin Players’ The Gaaga — work that earned her an Elliot Norton Award.

Read more “Theater Mirror’s Kilian Melloy Interviews ‘SpaceBridge’ Creator Irina Kruzhilina”

Theater Mirror’s Kilian Melloy Interviews “Fun Home” Director Logan Ellis

Logan Ellis. Director of Fun Home. Photo by Annabel Clark

Rising theater director Logan Ellis has become a director who bridges worlds — between classical music and theater, between scrappy DIY companies and regional powerhouses, and between personal vulnerability and political urgency. Fresh out of school, he and some friends founded Theatre Battery in Kent, Washington, turning vacant mall storefronts into free community art spaces in one of the state’s most culturally diverse areas. Fifteen years later, Ellis has earned his MFA from Yale School of Drama, become Associate Producer at Skylight Theatre Company in Los Feliz (a neighborhood in Los Angeles), continued as Producing Artistic Director and Co-Founder at Theatre Battery, and pivoted into film.

Read more “Theater Mirror’s Kilian Melloy Interviews “Fun Home” Director Logan Ellis”

Kilian Melloy Interviews Playwright Ins Choi, whose play, ‘Kim’s Convenience,’ opens at The Huntington

Ins Choi

Playwright Ins Choi was born in South Korea and emigrated to Canada with his family as an infant. Taking to theater at an early age, he participated in his high school’s plays and later graduated from York University with a degree in theater, then worked with Toronto’s fu-GEN, self-described as an “Asian Canadian Theatre Company.” Turning to writing, he authored Kim’s Convenience, a play about a family of Korean immigrants in Toronto headed by a stubborn patriarch, with an understanding mother (Umma) and two adult children — the artistic, still-single Janet, and estranged son Jung — rounding out the family. The play explores a clash of cultural expectations, as Appa — “Dad” or “Daddy” in Korean, the only name he’s given in the play — attempts to assert his authority not only in the store (where he’s quick to discern which customers are likely to shoplift, his profiling inevitably veering into problematic territory) but also in the lives of his offspring. Stubborn, but ultimately loving, Appa is the pillar around which the family centers, despite the estrangement between himself and Jung.

Read more “Kilian Melloy Interviews Playwright Ins Choi, whose play, ‘Kim’s Convenience,’ opens at The Huntington”

Theater Mirror’s Kilian Melloy Interviews Arlekin Players’ Igor Golyak on Bringing Back ‘The Dybbuk’ for an Encore

Arlekin Players’ Igor Golyak

Igor Golyak, the leader of Arlekin Players, is set to oversee the return of his adaptation of Roy Chen’s modern version of the classic S. Ansky play The Dybbuk to Boston. The play was a sensation last year, thrilling audiences and earning accolades, including an Elliot Norton Award for Outstanding Production. Now it returns to Beacon Hill’s Vilna Shul, the site of its earlier run — a venue that, Golyak explains in our interview, has significant resonance.

Read more “Theater Mirror’s Kilian Melloy Interviews Arlekin Players’ Igor Golyak on Bringing Back ‘The Dybbuk’ for an Encore”

The Hive Theatre Company Takes Chances with Early-Career Artists: “Young People Are Worth It”

Margaret McFadden, Founder and Producing Artistic Director of The Hive

By Julie-Anne Whitney

Theater Mirror reviewer Julie-Anne Whitney sat down with Margaret McFadden, Founder and Producing Artistic Director of Boston’s newest theater company, The Hive, to discuss their inaugural season, the importance of creating opportunities for early-career artists, and the value of theatrical experiences for young people.

Celebrating its inaugural season with Sarah Delappe’s The Wolves (Oct 2025) and William Finn’s The 25th Annual Putnam County Spelling Bee (Jan 2026), The Hive produces contemporary theater that engages teen and young adult audiences with the intention of showing young people “how theater can relate to their lives and help them make sense of their place in the world.”

Read more “The Hive Theatre Company Takes Chances with Early-Career Artists: “Young People Are Worth It””