Theater Mirror’s Kilian Melloy Interviews ‘SpaceBridge’ Creator Irina Kruzhilina

Irina Kruzhilina. Photo by Olga Scorobogach

“I was born in Russia,” New York-based theater maker Irina Kruzhilina explains as our interview commences. “My mom was born in Ukraine. My father’s a Georgian Jew, which makes the situation right now, as you can imagine, very difficult. But I think that most people who are in Russia, or those who escape, do have this background, whether it’s Russian-Ukrainian or Russian-something else.”

Raised in Moscow during the days of the Soviet Union, Kruzhilina witnessed the transformation of Russia first-hand… and then witnessed its reversion. “I moved here the year Putin became the president,” she recalls. “I immediately moved to the States, where I got my second master’s in theater and started working. I have training in theater design, and I got additional training in directing.” That training stood Kruzhilina in good stead last year when she did the scenic design for Arlekin Players’ The Gaaga — work that earned her an Elliot Norton Award.

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Manual Cinema Continues to Enchant with ‘The 4th Witch’ at ArtsEmerson

Manual Cinema’s ‘The 4th Witch” at ArtsEmerson. Photos: Katie Doyle

The 4th Witch − Concept and direction by Drew Dir; Devised by Dir, Sarah Forance and Julia Miller; Original score and sound design by Ben Kauffman and Kyle Vegter; Mask Design by Julia Miller; Lighting Design by David Goodman‑Edberg; Costume / Wig Design by Sully Ratke. Presented by Manual Cinema at the Robert J. Orchard Stage, Emerson Paramount Center, 559 Washington St., Boston, through November 9.

By Mike Hoban

Manual Cinema has once again returned to the ArtsEmerson stages with their unfathomably unique brand of theatrical storytelling with The 4th Witch, a mind-bending work “inspired by” Shakespeare’s Macbeth. Told via shadow puppetry using live actors blended with silhouette cutouts beamed onto a movie screen by overhead projectors, the action is augmented by a haunting score played by a live ensemble with vocals. As the action is being projected onto the screen, the audience can simultaneously watch the actors and technicians dart around the stage to produce the images, while the three-piece ensemble (cello, violin, and keyboards), placed at the front of the stage, plays and sings.

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ArtsEmerson’s ‘Hang Time’ is a Searingly Powerful Call to Action

Cast of ArtsEmerson’s ‘Hang Time’. Photos by Maria Baranova

Hang Time, written and directed by Zora Howard; scenic design by Neal Wilkinson; movement direction by Charlie Oates; stunt direction by Rick Sordelet; lighting design by Reza Behjat; sound design by Megan Culley; costume design by Dominique Fawn Hill; produced by The Flea; presented by ArtsEmerson at the Jackie Liebergott Black Box Theatre/Paramount Center in Boston, MA through October 12, 2025.

by Julie-Anne Whitney

From the moment you walk into ArtsEmerson’s Black Box Theatre, you are confronted with an awful scene: three Black men hanging in mid-air. The image is provocative and shocking. You are no longer just an audience member; you have become a witness.

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Theater Mirror’s Mike Hoban interviews Pulitzer Prize Finalist, “Kristina Wong, Food Bank Influencer”

Kristina Wong in ‘Kristina Wong, #FoodBankInfluencer’ at ArtsEmerson

ArtsEmerson will bring Kristina Wong, #FoodBankInfluencer, to the Emerson Paramount Center from September 19–21, 2025. Written and performed by Pulitzer Prize finalist Kristina Wong and directed by Jessica Hanna, this “uproarious and heartfelt solo karaoke musical” promises to celebrate America’s emergency food system with “biting wit and unstoppable charm”. Theater Mirror’s Mike Hoban had a chance to speak with her last week, before the launch of the tour.

Theater Mirror: You describe this piece as being about “falling in love with the emergency food system” and that it follows the same trajectory as a musical love story. Can you explain?

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ArtsEmerson’s ‘It’s A Motherf$%*ing Pleasure’ Comically Disarms ‘Ableist Anxiety’

FlawBored’s Aarian Mehrabani, Samuel Brewer, and Chloe Palmer. Photo Credits: Alex Brenner

‘It’s A Motherf**king Pleasure’ – Written by Samuel Brewer, Aarian Mehrabani and Chloe Palmer. Directed by Josh Roche. Presented by ArtsEmerson at the Emerson Paramount Center, Jackie Liebergott Black Box, 559 Washington Street, Boston, through April 13, 2025

By Mike Hoban

ArtsEmerson’s latest offering, the incongruously-named It’s A Motherf$%*ing Pleasure by disability-led theatre company FlawBored, is a riotous, blistering indictment of identity politics that pushes audiences to look at their own discomfort when interacting with differently-abled or marginalized groups. The production uses ableism (defining people by their disabilities) as a springboard for the absurd lengths people sometimes go to attempt to make “others” feel comfortable – while it’s clear they’re grossly uncomfortable themselves. And although ableism is the focus of this show, it could easily be a stand-in for excessive white guilt or other well-intentioned but ultimately disingenuous gestures.

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‘Life & Times of Michael K’ is ArtsEmerson’s Latest Must-See Marvel

‘Life & Times of Michael K’ at ArtsEmerson. Photos by Fiona McPherson

‘Life & Times of Michael K’ — Adapted and Directed by Lara Foot in collaboration with Handspring Puppet Company. Based on the book written by J.M Coetzee. Adaptors and Puppetry Direction by Basil J.R. Jones and Adrian P. Kohler. Puppetry Design by Adrian P. Kohler. A Baxter Theatre Centre and Düsseldorf Schauspielhaus Production. Presented by ArtsEmerson at the Emerson Paramount Center, Robert J. Orchard Stage, 559 Washington St., through February 9.

By Shelley A. Sackett

In substance, Life and Times of Michael K tells the extraordinary story of an ordinary man. Adapted from the 1983 Booker Prize winner, written by South African novelist J. M. Coetzee, it details the life of the eponymous Michael K and his ailing mother during a fictional civil war in South Africa.

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Arts Emerson’s ‘Book of Mountains and Seas’ Brings Chinese Creation Myths to Life

“Book of Mountains and Seas” at ArtsEmerson

“Book of Mountains and Seas” — Composer and Librettist –Ruo Huang. Director and Production Designer – Basil Twist. Presented by Arts Emerson at the Emerson Paramount Center, 559 Washington St., Boston, through April 21.

By Shelley A. Sackett

“Book of Mountains and Seas” is an artistically adventurous new work by award-winning composer Ruo Huang and MacArthur Fellow puppeteer/artist Basil Twist. Their collaboration is an inventive twist on ancient Chinese myths about creation and destruction that, in this perilous era of climate change, are especially relevant 2,500 years later.

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“Mrs. Krishnan’s Party” a Cascade of Color and Sound

ArtsEmerson’s ‘Mrs. Krishnan’s Party’ Photos: Grabb for Image Excellence

Mrs. Krishnan’s Party. Written by Jacob Rajan and Justin Lewis. Produced by Indian Ink Theatre Company. Presented by Arts Emerson, Jackie Liebergott Black Box, Emerson Paramount Center, 559 Washington Street, Boston through April 7.

By Michele Markarian

As you are heralded through a beaded curtain, James (the personable Justin Rogers, decked out in Indian costume) ushers you to your seat and encourages you to talk with your neighbors. The setting is a storeroom of an Indian grocery store; the occasion is a surprise Onam party for the store’s owner, Mrs. Krishnan (Kalyani Nagarajan). Mrs. Krishnan isn’t exactly a large party kind of woman; since her husband died, she allows herself very few pleasures, other than church and cooking for her architect son, Apo. James, a university student who boards with Mrs. Krishnan, is determined to put on a celebration. Colorful scarves and garlands are passed out, along with balloons. James plays Indian dance music and urges us to our feet. In spite of myself – I’m not a fan of audience participation and am seated in the section for Wallflowers – the mood is infectious, and I am on my feet. 

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A Dually Death-Defying and Life-Affirming ‘Duel Reality’ at ArtsEmerson

ArtsEmerson presents Duel Reality, by 7 Fingers. At the Cutler Majestic Theater, Tremont Street, Boston, through February 18th.

By Linda Chin

7 Fingers, the Montreal-based, globally-beloved troupe of theater artist-acrobats, is back in Boston with the US premiere of Duel Reality – their 7th show at ArtsEmerson. A love story that echoes Romeo and Juliet and West Side Story, Duel Reality includes music, song, dance, fight choreography, a string of spectacular stunts and circus acts, and uplifting and heartbreaking moments. During this fast-paced one-hour production (with no intermission), I was both immersed in the storytelling and in awe of the storytellers’ physical process.

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The Terror and Beauty of Plexus Polaire’s “Moby Dick” at ArtsEmerson

Plexus Polaire’s “Moby Dick” at ArtsEmerson

by Michele Markarian

“Moby Dick” by Plexus Polaire. Inspired by Herman Melville’s novel. Directed by Yngvild Aspeli. Presented by ArtsEmerson, Emerson Paramount Center, 559 Washington Street, Boston, through January 28.

“There are three types of men – the living, the dead, and those who go to sea,” Ishmael (a charismatic Julian Spooner) tells us at the beginning of Plexus Polaire’s 85-minute version of Moby Dick . At a directionless point in his life, Ishmael joins the crew of the Peqoud and lives to tell the tale. Gorgeous and disturbing, this production uses both humans and puppets, lighting, and live music to create an atmosphere that’s dense with mystery, death, and rebirth.

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