Arts Emerson’s ‘Book of Mountains and Seas’ Brings Chinese Creation Myths to Life

“Book of Mountains and Seas” at ArtsEmerson

“Book of Mountains and Seas” — Composer and Librettist –Ruo Huang. Director and Production Designer – Basil Twist. Presented by Arts Emerson at the Emerson Paramount Center, 559 Washington St., Boston, through April 21.

By Shelley A. Sackett

“Book of Mountains and Seas” is an artistically adventurous new work by award-winning composer Ruo Huang and MacArthur Fellow puppeteer/artist Basil Twist. Their collaboration is an inventive twist on ancient Chinese myths about creation and destruction that, in this perilous era of climate change, are especially relevant 2,500 years later.

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“Mrs. Krishnan’s Party” a Cascade of Color and Sound

ArtsEmerson’s ‘Mrs. Krishnan’s Party’ Photos: Grabb for Image Excellence

Mrs. Krishnan’s Party. Written by Jacob Rajan and Justin Lewis. Produced by Indian Ink Theatre Company. Presented by Arts Emerson, Jackie Liebergott Black Box, Emerson Paramount Center, 559 Washington Street, Boston through April 7.

By Michele Markarian

As you are heralded through a beaded curtain, James (the personable Justin Rogers, decked out in Indian costume) ushers you to your seat and encourages you to talk with your neighbors. The setting is a storeroom of an Indian grocery store; the occasion is a surprise Onam party for the store’s owner, Mrs. Krishnan (Kalyani Nagarajan). Mrs. Krishnan isn’t exactly a large party kind of woman; since her husband died, she allows herself very few pleasures, other than church and cooking for her architect son, Apo. James, a university student who boards with Mrs. Krishnan, is determined to put on a celebration. Colorful scarves and garlands are passed out, along with balloons. James plays Indian dance music and urges us to our feet. In spite of myself – I’m not a fan of audience participation and am seated in the section for Wallflowers – the mood is infectious, and I am on my feet. 

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A Dually Death-Defying and Life-Affirming ‘Duel Reality’ at ArtsEmerson

ArtsEmerson presents Duel Reality, by 7 Fingers. At the Cutler Majestic Theater, Tremont Street, Boston, through February 18th.

By Linda Chin

7 Fingers, the Montreal-based, globally-beloved troupe of theater artist-acrobats, is back in Boston with the US premiere of Duel Reality – their 7th show at ArtsEmerson. A love story that echoes Romeo and Juliet and West Side Story, Duel Reality includes music, song, dance, fight choreography, a string of spectacular stunts and circus acts, and uplifting and heartbreaking moments. During this fast-paced one-hour production (with no intermission), I was both immersed in the storytelling and in awe of the storytellers’ physical process.

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The Terror and Beauty of Plexus Polaire’s “Moby Dick” at ArtsEmerson

Plexus Polaire’s “Moby Dick” at ArtsEmerson

by Michele Markarian

“Moby Dick” by Plexus Polaire. Inspired by Herman Melville’s novel. Directed by Yngvild Aspeli. Presented by ArtsEmerson, Emerson Paramount Center, 559 Washington Street, Boston, through January 28.

“There are three types of men – the living, the dead, and those who go to sea,” Ishmael (a charismatic Julian Spooner) tells us at the beginning of Plexus Polaire’s 85-minute version of Moby Dick . At a directionless point in his life, Ishmael joins the crew of the Peqoud and lives to tell the tale. Gorgeous and disturbing, this production uses both humans and puppets, lighting, and live music to create an atmosphere that’s dense with mystery, death, and rebirth.

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”And So We Walked” is a Transformative and Spiritual Journey

DeLanna Studi in “And So We Walked.” Photos by Patrick Weishampel/Blankeye

“And So We Walked”, by DeLanna Studi.  Directed by Corey Madden.  Produced by Octopus Theatricals.  Presented by Arts Emerson, Emerson Paramount Center, 559 Washington Street, Boston through April 30.

by Michele Markarian

“A true story is dangerous.  Even if you’re the best storyteller, you can’t run from the truth”.  Thus begins DeLanna Studi’s moving and personal take on her and her father’s six-week sojourn on the Trail of Tears, following the footsteps of their Cherokee ancestors, who were forced into relocation during the 1830s.  During the course of the two-and-a-half-hour show, many intimate and historical truths are revealed as Studi weaves her personal narrative alongside that of the Cherokee Nation. 

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We All Walk The Trail of Tears in ‘And So We Walked’

DeLanna Studi in “And So We Walked.” Photos by Patrick Weishampel/Blankeye

‘And So We Walked’ — Created and Performed by DeLanna Studi. Directed by Corey Madden; Scenic Design by John Coyne; Costume Design by Andja Budincich; Lighting and Projection Design by Norman Coates; Sound Design and Original Music by Bruno Louchouarn. Co-represented by Octopus Theatricals and Indigenous Performance Productions. Presented by Arts Emerson at the Emerson Paramount Center, 559 Washington St., Boston through April 30, 2023.

By Shelley A. Sackett

When the pre-written announcement acknowledging Indigenous and Enslaved Peoples is read prior to every local theatrical production, it often feels disconnected from the show that follows. Not so with Cherokee actress, artist, and activist DeLanna Studi’s stunning one-woman autobiographical presentation, ‘And So We Walked.”

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With ‘The Orchard,’ Arlekin Players Theatre’s Igor Golyak Continues To Push The Artistic Envelope 

Cast of ‘The Orchard’ at Emerson Paramount Center

‘The Orchard’ — Conceived and Directed by Igor Golyak, based on ‘The Cherry Orchard’ by Anton Chekhov. Anna Fedorova, Scenic Designer. Yuki Nakase Link, Lighting Designer. Oana Botez, Costume Designer. Alex Basco Koch, Projection Designer. Tei Blow, Sound Designer. Jakov Jakoulov, Composer. Tom Sepe, Robotics Designer. Presented by Groundswell Theatricals and Arlekin Players and its Zero Gravity Virtual Theater Lab, at Emerson Paramount Center, the Robert J Orchard Stage, 559 Washington St., Boston through November 13.

by Shelley A. Sackett

Anton Chekhov’s play, ‘The Cherry Orchard,’ opened at the Moscow Art Theatre on January 17, 1904, under the direction of the actor-director Konstantin Stanislavski. During rehearsals, the director rewrote Act Two, changing the play from Chekhov’s intended light and lively comedy into a tragedy. Chekhov is said to have disliked the Stanislavski production so much that he considered his play “ruined.”

One can’t help but wonder what the Russian playwright would make of ‘The Orchard,’ Igor Golyak’s creatively incomparable and technologically unparalleled reimagining of this iconic classic.

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Bill Irwin Is Brilliant in ArtsEmerson’s Not-to-Be-Missed “On Beckett.”

Bill Irwin in “On Beckett” at ArtsEmerson

‘On Beckett’ — Conceived and Performed by Bill Irwin. Produced by Octopus Theatricals; Scenic Design by Charles Corcoran; Costume Consultation by Martha Hally; Lighting Design by Michael Gottlieb; Sound Design by M. Florian Staab. Presented by Arts Emerson at the Emerson Paramount Center, 559 Washington St., Boston, MA through October 30.

by Shelley A. Sackett

Bill Irwin is a legendary actor, writer, director and clown artist. The Tony award-winner is as known for serious theatrical roles on Broadway as he is for his beloved Mr. Noodle on television’s “Elmo’s World.”

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“Drumfolk” a Powerful Testimony to the Triumph of Spirit and Community

Cast of ‘Drumfolk’ at ArtsEmerson

by Michele Markarian

“Drumfolk”, by Step Afrika!  Directed by Jakari Sherman.  Stephen M. Allen, Composer. Presented by Arts Emerson, Emerson Cutler Majestic Theatre, 219 Tremont Street, Boston through October 16.

I wasn’t sure what to expect from “Drumfolk”, having never been to a Step Afrika! Production, other than it must have something to do with drums, as the title suggests. What I got instead was a complete narrative experience of a period in history using dance, song, storytelling, and yes, drumming, not just with drums, but with the rhythm in the performers’ bodies. This rhythm, born when drums were forbidden to enslaved Africans, gave birth to the subsequent percussive movement known as “stepping”. 

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ArtsEmerson’s ‘Parable’ Brings Light to a Dystopian Future

Cast of ‘Parable of the Sower’ at the Emerson Cutler Majestic Theatre

‘Octavia E. Butler’s Parable of the Sower’ – Created by Toshi Reagon and Bernice Johnson Reagon; Co-Directed by Eric Ting & Signe V. Harriday;Music and Lyrics by Toshi Reagon and Bernice Johnson Reagon; Music Direction by Toshi Reagon. Choreography by Millicent Johnnie; Scenic Design by Arnulfo Maldonado; Costumes by Dede M. Ayite; Lighting Design by Christopher Kuhl. Presented by ArtsEmerson at the Emerson Cutler Majestic Theatre, 219 Tremont St., Boston through April 24.

by Mike Hoban

As the U.S. and the rest of the world appears headed for a slide into a 21st century version of the Dark Ages, propelled by corporate greed, a warped interpretation of the Bible and willful neglect of the planet, at least it’s fodder for some terrific music in the form of Octavia E. Butler’s Parable of the Sower. The post-apocalyptic sci-fi rock opera returns to the Emerson Cutler Majestic Theatre after a workshop concert version wowed audiences in 2017, and powered by a luminous cast, the show again delivers sustained brilliant musical moments.

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