Theater Mirror’s Kilian Melloy Interviews Liars and Believers’ Georgia Lyman and Jason Slavick on Latest Show, ‘The End is Nigh’

Glen Moore in Liars and Believers’ upcoming, ‘The End is Nigh’
Photos by Ollie Kamens

By Kilian Melloy

Liars and Believers devises its shows using a collaborative process. Its shows are lively and inspired, combining various theatrical traditions in works like Yellow Bird Chase, a favorite that tours to enthusiastic audiences. But the company doesn’t create fun fluff; behind the clowning, bright design work, and physical comedy are artistic director Jason Slavick’s creative and philosophical concerns. “I have political and social goals,” Slavick admits. “Actually, everything I do has some deep intention, even Yellow Bird.”

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Liars and Believers’ “Don’t Open This” an Immersive Theatrical Spectacle

Liars and Believers’ “Don’t Open This” at Arrow Street Arts

By Marc Levy

I made the trek to New York three times to see “Sleep No More,” the modern-dance reimagining of “Macbeth” and Daphne du Maurier’s “Rebecca” that since 2011 (and ending Oct. 16) has filled a literal multistory warehouse with explorable environments from a candy store to a graveyard. You race from room to room, following actors through the dark as best you can, lost in a crowd of fellow masked ghosts watching gore, sex, and witchcraft with a 1930s vibe. It’s utter sensory overload – and I’ve been kicking myself for nearly 15 years that I didn’t go see it when Cambridge’s A.R.T. helped put it on in Brookline’s Old Lincoln School for four months in 2009-2010.

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