Theater Mirror’s Kilian Melloy Interviews Adam Theater (“Library Lion”) co-founders Ran Bechor and Karin Sharav Zalkind

Cast of Adam Theater’s ‘Library Lion’ at BCA Calderwood Pavilion January 10-25  
Photos by Nile Scott Studios

By Kilian Melloy

For the second January in a row, Adam Theater will be putting the “lion” in the Calderwood Pavilion with a production of Library Lion, a musical that celebrates the importance both of reading and of celebrating people for who they are.

The story is sweet and compelling. When a lion wanders into a library, his appearance stirs panic in some. Others, however, find his presence to be perfectly fine, so long as he follows the usual rules: No running, no shouting, no eating or drinking. The lion becomes a regular at the library (and its popular story hour) at the same time as two children are learning how to use the library as a resource, and to understand that books can fuel the imagination. But suspicion and fear linger, and when a misunderstanding happens, the lion’s place in the library’s community is put into question. It’s the kind of story that, ironically, can get a book challenged, or even banned, these days.

Read more “Theater Mirror’s Kilian Melloy Interviews Adam Theater (“Library Lion”) co-founders Ran Bechor and Karin Sharav Zalkind”

Kilian Melloy Interviews Playwright Ins Choi, whose play, ‘Kim’s Convenience,’ opens at The Huntington

Ins Choi

Playwright Ins Choi was born in South Korea and emigrated to Canada with his family as an infant. Taking to theater at an early age, he participated in his high school’s plays and later graduated from York University with a degree in theater, then worked with Toronto’s fu-GEN, self-described as an “Asian Canadian Theatre Company.” Turning to writing, he authored Kim’s Convenience, a play about a family of Korean immigrants in Toronto headed by a stubborn patriarch, with an understanding mother (Umma) and two adult children — the artistic, still-single Janet, and estranged son Jung — rounding out the family. The play explores a clash of cultural expectations, as Appa — “Dad” or “Daddy” in Korean, the only name he’s given in the play — attempts to assert his authority not only in the store (where he’s quick to discern which customers are likely to shoplift, his profiling inevitably veering into problematic territory) but also in the lives of his offspring. Stubborn, but ultimately loving, Appa is the pillar around which the family centers, despite the estrangement between himself and Jung.

Read more “Kilian Melloy Interviews Playwright Ins Choi, whose play, ‘Kim’s Convenience,’ opens at The Huntington”

Theater Mirror’s Kilian Melloy Interviews Playwright Crystal Skillman as ‘Open’ Opens

Crystal Skillman

“I’m running between Tech and a few things, so I just want to make sure a little crazy right now,” playwright Crystal Skillman tells Theater Mirror. “But hey, I love crazy.”

That comes through in Skillman’s powerful, moving play “Open,” a solo show that ran Off-Broadway July 12-27 at WP Theater in New York City.

The play is intended to be produced with no set, no props… nothing, in fact, but some evocative lighting, some precise sound effects work, and a performer that can live up the sleights-of-hand that Skillman has invested in her script about a magician and the story she tells: A story of love, tragedy, and transformation.

Read more “Theater Mirror’s Kilian Melloy Interviews Playwright Crystal Skillman as ‘Open’ Opens”

Theater Mirror Interviews Kathy St. George on Her BTCA Award for Sustained Excellence

Kathy Playing Judy Garland

By Kilian Melloy

Longtime star of the Boston theater scene Kathy St. George cemented her status as a stage icon last month with the Elliot Norton Prize for Sustained Excellence — an award that seems both overdue and inevitable, given her prolific career and multiple talents as a singer, dancer, and instrumentalist, as well as a gifted actor in both comedic and dramatic roles.

Read more “Theater Mirror Interviews Kathy St. George on Her BTCA Award for Sustained Excellence”