Theater Mirror’s Kilian Melloy Interviews “Fun Home” Director Logan Ellis

Logan Ellis. Director of Fun Home. Photo by Annabel Clark

Rising theater director Logan Ellis has become a director who bridges worlds — between classical music and theater, between scrappy DIY companies and regional powerhouses, and between personal vulnerability and political urgency. Fresh out of school, he and some friends founded Theatre Battery in Kent, Washington, turning vacant mall storefronts into free community art spaces in one of the state’s most culturally diverse areas. Fifteen years later, Ellis has earned his MFA from Yale School of Drama, become Associate Producer at Skylight Theatre Company in Los Feliz (a neighborhood in Los Angeles), continued as Producing Artistic Director and Co-Founder at Theatre Battery, and pivoted into film.

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Manual Cinema Continues to Enchant with ‘The 4th Witch’ at ArtsEmerson

Manual Cinema’s ‘The 4th Witch” at ArtsEmerson. Photos: Katie Doyle

The 4th Witch − Concept and direction by Drew Dir; Devised by Dir, Sarah Forance and Julia Miller; Original score and sound design by Ben Kauffman and Kyle Vegter; Mask Design by Julia Miller; Lighting Design by David Goodman‑Edberg; Costume / Wig Design by Sully Ratke. Presented by Manual Cinema at the Robert J. Orchard Stage, Emerson Paramount Center, 559 Washington St., Boston, through November 9.

By Mike Hoban

Manual Cinema has once again returned to the ArtsEmerson stages with their unfathomably unique brand of theatrical storytelling with The 4th Witch, a mind-bending work “inspired by” Shakespeare’s Macbeth. Told via shadow puppetry using live actors blended with silhouette cutouts beamed onto a movie screen by overhead projectors, the action is augmented by a haunting score played by a live ensemble with vocals. As the action is being projected onto the screen, the audience can simultaneously watch the actors and technicians dart around the stage to produce the images, while the three-piece ensemble (cello, violin, and keyboards), placed at the front of the stage, plays and sings.

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‘Murder for Two’ Is A Goofy, Musical Valentine to Classic Whodunits.

Will McGarrahan and Jared Troilo in “Murder for Two” at Greater Boston Stage
Photos: Niles Scott Studios

‘Murder for Two’ — Book and Music by Joe Kinosian. Book and Lyrics by Kellen Blair. Directed by Tyler Rosati. Music Direction by Bethany Aiken; Scenic Design by Katy Monthei; Lighting Design by Matt Cost; Sound Design by Adam Smith. Presented by Greater Boston Stage Company, 395 Main St., Stoneham, MA through Nov. 9.

By Shelley A. Sackett

Murder for Two is a loving parody of classic murder mysteries. A two-person musical, the 100-minute (no intermission) production is more vaudevillian revue than its genre’s prototypes, relying on gimmicks, songs, and quick changes to tell a familiar story in a new way.

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Kilian Melloy Interviews Playwright Ins Choi, whose play, ‘Kim’s Convenience,’ opens at The Huntington

Ins Choi

Playwright Ins Choi was born in South Korea and emigrated to Canada with his family as an infant. Taking to theater at an early age, he participated in his high school’s plays and later graduated from York University with a degree in theater, then worked with Toronto’s fu-GEN, self-described as an “Asian Canadian Theatre Company.” Turning to writing, he authored Kim’s Convenience, a play about a family of Korean immigrants in Toronto headed by a stubborn patriarch, with an understanding mother (Umma) and two adult children — the artistic, still-single Janet, and estranged son Jung — rounding out the family. The play explores a clash of cultural expectations, as Appa — “Dad” or “Daddy” in Korean, the only name he’s given in the play — attempts to assert his authority not only in the store (where he’s quick to discern which customers are likely to shoplift, his profiling inevitably veering into problematic territory) but also in the lives of his offspring. Stubborn, but ultimately loving, Appa is the pillar around which the family centers, despite the estrangement between himself and Jung.

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Theater Mirror’s Kilian Melloy Interviews Arlekin Players’ Igor Golyak on Bringing Back ‘The Dybbuk’ for an Encore

Arlekin Players’ Igor Golyak

Igor Golyak, the leader of Arlekin Players, is set to oversee the return of his adaptation of Roy Chen’s modern version of the classic S. Ansky play The Dybbuk to Boston. The play was a sensation last year, thrilling audiences and earning accolades, including an Elliot Norton Award for Outstanding Production. Now it returns to Beacon Hill’s Vilna Shul, the site of its earlier run — a venue that, Golyak explains in our interview, has significant resonance.

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Speakeasy’s ‘Lizard Boy’ Artfully Combines Indie Rock with Comic Book Sensibility

Chelsie Nectow, Keiji Ishiguri, and Peter DiMaggio in ‘Lizard Boy’ at SpeakEasy Stage.
Photos by Benjamin Rose Photography.

‘Lizard Boy’Book, music, and lyrics by Justin Huertas. Directed by Lyndsay Allyn Cox; Music Direction by Violet Wang; Scenic Design by Qingan Zhang; Sound Design by Sean Doyle; Costume Design by Zoë Sundra, Lighting Design by Deb Sullivan. Presented by SpeakEasy Stage at the Calderwood Pavilion. Through Nov. 22.

By Mike Hoban

There are any number of musicals that examine the hardships of not fitting in − from the 1960s Rankin-Bass television special Rudolph the Red-Nosed Nose Reindeer to Wicked to Bat Boy: The Musical. The challenges of “being different” and the struggle to be accepted can be compelling fodder for any storytelling vehicle, and SpeakEasy’s delightfully silly but poignant Lizard Boy is no exception.

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The Hive Theatre Company Takes Chances with Early-Career Artists: “Young People Are Worth It”

Margaret McFadden, Founder and Producing Artistic Director of The Hive

By Julie-Anne Whitney

Theater Mirror reviewer Julie-Anne Whitney sat down with Margaret McFadden, Founder and Producing Artistic Director of Boston’s newest theater company, The Hive, to discuss their inaugural season, the importance of creating opportunities for early-career artists, and the value of theatrical experiences for young people.

Celebrating its inaugural season with Sarah Delappe’s The Wolves (Oct 2025) and William Finn’s The 25th Annual Putnam County Spelling Bee (Jan 2026), The Hive produces contemporary theater that engages teen and young adult audiences with the intention of showing young people “how theater can relate to their lives and help them make sense of their place in the world.”

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“Tick, Tick…Boom”  Delivers a Dynamic Exploration of Love, Loss and Adulthood

Anthony Pires Jr, Vanessa Calantropo, Johnny Shea in Umbrella Stage Company’s ‘Tick, Tick… Boom!’ 

“Tick, Tick…Boom”. Book, Music, and Lyrics by Jonathan Larson. Directed and Choreographed by Ilyse Robbins. Lighting Design by Ben Rush; Sound Design by Alex Berg
Scenic Designer by Erik D. Diaz. Music Direction by Jordan Oczkowski. Presented by The Umbrella Stage Company, 40 Stow Street, Concord, through November 23.

By Michele Markarian

The world of childhood promises an open road, where any and all dreams are possible, ignoring any pesky variables, like personality, talent, looks, connections, socioeconomics, and, well, fate.  Which, as Carl Jung said, “Until you make the unconscious conscious, it will direct your life and you will call it fate”.  At some point in our twenties, we decide what kind of people we want to be and the kind of life we would like to live, as it dawns on us that we really can’t have it all.  We are forced to choose, and the choosing isn’t always easy, especially for those of us who have our hearts set on a career in the performing arts.

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NSMT’s ‘The Cher Show’ Showcases Bob Mackie’s Costumes and the Woman Who Made Them Famous

The cast of THE CHER SHOW at North Shore Music Theatre. Photo©Paul Lyden.

‘The Cher Show’ — Book by Rick Elice. Original Broadway Production by Flody Suarez, Jeffrey Seller and Cher. Original Cher Costumes by Bob Mackie. Directed by Kevin P. Hill. Presented by North Shore Music Theatre, 54 Dunham Road, Beverly, through Nov. 2.

By Shelley A. Sackett

The Cher Show has a lot to offer those who love razzle-dazzle, energetic performances, vibrant costumes, and Cher, an Oscar, Emmy, and Grammy-winning New York Times best-selling author who has sold over a hundred million records. A portrayal of Cher’s life and career through three different actresses representing different stages of her life, the show spans seven decades of the resilient star’s career and features 35 of her biggest hits, including “Believe,” “Turn Back Time,” and “Strong Enough.”

For those who like dramatic depth, more than arms’-length emotion, and productions that run fewer than 3 hours, this might not be quite your cup of tea.

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ASP’s ‘Macbeth’ Is a Muddled Mashup of Time, Place and Tone

Omar Robinson, Brooke Hardman in Actors’ Shakespeare Project’s ‘Macbeth’
Photos by Benjamin Rose Photography.

‘Macbeth’ — Written by William Shakespeare. Directed by Christopher V. Edwards. Presented by Actors’ Shakespeare Project at Mosesian Center for the Arts, Watertown through October 26.

By Shelley A. Sackett

Ten minutes into ASP’s production of Macbeth, my friend leaned over and whispered, “I thought we were seeing Macbeth.”

He wasn’t being a smart aleck; he was astutely stating the obvious. While it seems au courant (at least in Boston) to catapult timeless Shakespeare into other eras with disco, hip hop, and gratuitous references to current headlines, Actors Shakespeare Project, under the direction of Christopher V. Edwards, proves definitively that it is possible to overreach and completely miss your mark.

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