With Top-Notch Performances, Front Porch Arts Collective’s ‘The Mountaintop’ Soars

Dominic Carter as MLK in Front Porch Arts Collective‘s ‘The Mountaintop’

‘The Mountaintop’ – Written by Katori Hall. Directed by Maurice Emmanuel Parent. Scenic Design by Ben Lieberman. Lighting Design by Brian Lilienthal. Sound Design by Joshua Jackson. Presented by the Front Porch Arts Collective at the Suffolk University Modern Theatre, 525 Tremont Street, Boston, through October 12, 2025

A powerful production of the play The Mountaintop is running at Suffolk’s Modern Theatre – a short Green Line ride away from the university (BU) where MLK earned a PhD in systematic theology in 1955, on the same campus where he delivered a speech entitled “The Future of Desegregation” at the Ford Hall Forum in 1963, and blocks away from the Boston Common, where he delivered a speech in 1965 and where a permanent monument honoring the life and legacy of Rev. Dr. Martin Luther King, Jr. and Coretta Scott King was unveiled in 2023.

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‘The Mountaintop’ Is A Gripping Rendering of MLK’s Last Night

Dominic Carter as MLK in Front Porch Arts Collective‘s ‘The Mountaintop’

The MountaintopWritten by Katori Hall. Directed by Maurice Emmanuel Parent. Presented by The Front Porch Arts Collective in collaboration with Suffolk University at Modern Theatre, 525 Washington St., Boston, through October 12.

By Shelley A. Sackett

Playwright Katori Hall couldn’t have asked for a better production of his Olivier Award-winning play, The Mountaintop, than the one it is receiving at the Modern Theater at Suffolk University. Under Maurice Emmanuel Parent’s pitch-perfect direction, its two stars, Dominic Carter and Kiera Prusmack, deliver impeccable performances as civil rights and social justice leader, Rev. Martin Luther King, Jr. and Camae, a motel employee. Ben Lieberson’s set is straightforward and literal, a classic 1960s era, no frills, wood-paneled motel room.

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In Company One’s ‘The Meeting Tree,’ Family Legacy Confronts Memory To Reshape The Future

Sarah Elizabeth Bedard and Anjie Parker in Company One’s ‘The Meeting Tree’.
Photos by Annielly-Camargo

‘The Meeting Tree’ — Written by B. Elle Borders. Directed by Summer L. Williams. Dramaturgy by afrikah selah and Ilana M. Brownstein. Scenic Design by Cristina Todesco; Costume Design by Amanda Mujica; Lighting Design by Elmer Martinez; Sound Design by Aubrey Dube. Presented by Company One Theatre in partnership with Front Porch Arts Collective and the City of Boston’s Office of Arts and Culture. At Strand Theatre, Boston through Aug. 9. All tickets are pay-what-you-want.

By Shelley A. Sackett

B. Elle Borders’ The Meeting Tree (her first play) is a bold and effective new work that portrays the story of six generations of women and their interconnected lives as a backdrop for her exploration of bigger ticket issues. For 75 intermission-less minutes, she keeps the audience engrossed with her skillful storytelling that combines a tale of complex, emotionally deep characters with thought-provoking questions that prompt reflection about family history, the legacy of slavery in the United States, and the power of personal connection to overcome history.

In polarized times, Borders seems to ask, is redemption and healing possible? And if it is, at what price?

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GBSC’s Marie and Rosetta Shines light on Two Unsung (S)Heroes of American Music History

(Pier Lamia Porter as Marie and Lovely Hoffman as Sister Rosetta in Greater Boston Stage Company’s ‘Marie and Rosetta’. Photos by Nile Scott Studios)

By Julie-Anne Whitney

‘Marie and Rosetta’ – Written by George Brant, Directed by Pascale Florestal; Music Direction by Erica Telisnor; Scenic Design by Baron E. Pugh; Lighting Design by Kathleen Zhou; ​Sound Design by John Stone; Costume Design by Michelle Villada. Co-Produced by Greater Boston Stage Company and The Front Porch Arts Collective at 395 Main Street Stoneham, MA through November 10, 2019.

In collaboration with The Front Porch Arts Collective, Greater Boston Stage Company (GBSC) continues their 20th Anniversary Season with the New England premiere of George Brant’s Marie and Rosetta. This 90-minute biographical play with music follows the revolutionary American gospel rock musician, Sister Rosetta Tharpe, and her protégée, gospel singer Marie Knight, on the eve of their first rehearsal before embarking on a concert tour that would change their lives forever.

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