Theater Mirror Talks with Academy Award Winner Ernest Thompson (‘On Golden Pond’) as his Upcoming One-Person Play, ‘Archie Parish’s Parting Words’ Opens

Ernest Thompson was only 28 when he wrote the play he’s perhaps best known for: On Golden Pond, the story of a retired university professor named Norman Thayer who is slowly succumbing to dementia but who agrees, together with his wife, to watch after his young grandson for a summer. Initially wary, the two end up becoming friends as well as family thanks to shared fishing adventures (and misadventures). Despite Norman’s failing health — he suffers a cardiac incident in the course of the play, as well as suffering a slow mental decline — the play ends on a note of hope and grace.

Thompson adapted his play for a movie that’s still renowned today for its casting of Henry Fonda and Katharine Hepburn. That film won Thompson the Oscar for Best Adapted Screenplay, as well as garnering dual wins for Best Actor and Best Actress for Ford and Hepburn.

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Theater Mirror’s Kilian Melloy Interviews Playwright Crystal Skillman as ‘Open’ Opens

Crystal Skillman

“I’m running between Tech and a few things, so I just want to make sure a little crazy right now,” playwright Crystal Skillman tells Theater Mirror. “But hey, I love crazy.”

That comes through in Skillman’s powerful, moving play “Open,” a solo show that ran Off-Broadway July 12-27 at WP Theater in New York City.

The play is intended to be produced with no set, no props… nothing, in fact, but some evocative lighting, some precise sound effects work, and a performer that can live up the sleights-of-hand that Skillman has invested in her script about a magician and the story she tells: A story of love, tragedy, and transformation.

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Theater Mirror Interviews Kathy St. George on Her BTCA Award for Sustained Excellence

Kathy Playing Judy Garland

By Kilian Melloy

Longtime star of the Boston theater scene Kathy St. George cemented her status as a stage icon last month with the Elliot Norton Prize for Sustained Excellence — an award that seems both overdue and inevitable, given her prolific career and multiple talents as a singer, dancer, and instrumentalist, as well as a gifted actor in both comedic and dramatic roles.

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Theater Mirror’s Shelley Sackett Interviews Modern Dance Visionary Mark Morris

The Mark Morris Dance Company in The Look of Love. Photo: Julieta Cervantes

The Mark Morris Dance Group returns to Boston with Morris’ evening-length work, The Look of Love at Emerson Cutler Majestic Theatre from January 23 through January 26. The piece is a wistful and heartfelt homage to the chart-topping hits of Burt Bacharach, a towering figure of popular music, newly arranged by jazz pianist, composer, and MMDG musical collaborator Ethan Iverson. Bacharach’s melodies and unique orchestrations soar with influences from jazz, rock, and Brazilian music. The stage comes alive in a powerful fusion of dance and music with an exceptional ensemble of vocals, piano, trumpet, bass, and drums, led by singer, actress, and Broadway star Marcy Harriell.

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Cirque Dreams ‘Holidaze’ Comes to Boston This Weekend

Cast of Cirque Dreams Holidaze

This weekend, the touring company of the Cirque Dreams Holidaze will touch down at the Boch Center Shubert Theatre for a six-show weekend run. The Broadway-style show combines circus acts with the Christmas holiday theme and runs from December 6th through the 8th. Theater Mirror caught up with Camilla Bäckman, the Finnish violinist and vocalist for the show, earlier this week. She describes how her experience of “running away to join the circus” landed her a broader career in the arts, including a new phase where she will take on musical theater.

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Theater Mirror Talks with Emmy Award-winning Actor Gordon Clapp, on returning to Boston for Speakeasy Stage’s ‘Pru Payne’

Karen MacDonald and Gordon Clapp in the SpeakEasy Stage Company production of Pru Payne. Photo: Nile Scott Studios

Gordon Clapp, best known for his Emmy-winning role of Detective Greg Medavoy in the long-running TV series NYPD Blue, returns to the Boston stage for the second time this year, following up his acclaimed portrayal of poet Robert Frost (Robert Frost: This Verse Business) last spring. This time around, Clapp appears in Pru Payne, an unlikely love story set in a memory care unit by Pulitzer Prize nominee and Newton native Steven Drukman (“Another Fine Mess”). Clapp plays a retired custodian who falls in love with the title character, a contemporary Dorothy Parker type whose memory is failing. The cast includes Boston theater stalwarts Karen MacDonald, Marianna Bassham, Greg Maraio, and De’Lon Grant, and runs through November 16th at the Roberts Studio Theatre, Boston Center for the Arts.

Theater Mirror spoke with Clapp during the rehearsal process.

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Amaya Braganza, ‘Hadestown’s Eurydice, Talks with Theater Mirror before Boston Stop of National Tour

J.Antonio-Rodriguez and Amaya Braganza in ‘Hadestown’
Photos by T Charles Erickson

Next week, the national touring company of Hadestown, winner of eight 2019 Tony Awards (including Best Musical) and the 2020 Grammy Award for Best Musical Theater Album, rolls into Boston for a limited run at the Boch Center Wang Theater, April 23-28. Theater Mirror’s Mike Hoban caught up with Amaya Braganza, ‘Hadestown’s’ Eurydice to talk about her transition from child performer to Broadway lead.

By Mike Hoban

Theater Mirror: I know that you did Annie on Broadway when you were 10, and obviously, they didn’t just pick you out of a crowd, so how did your career start?

Amaya: I grew up in California and started doing musical theater in community shows when I was about five. My first show was Annie, as one of the orphans – and I still have a picture from that show. When I was eight, I was part of a musical theater program where we took dance classes and did competitions and shows. That’s where I met my best childhood friend, Mia. She told me about this open call in New York for Annie on Broadway and we decided to go. Her mom had airplane and hotel points, and they took me to New York. It was an open call, and I think there were almost 1000 people there, with a bunch of kids lined up outside of a New York high school. I did the open call, and then I kept getting callbacks throughout the week, and then I ended up booking the show and found I had a real love for theater.

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Theater Mirror interviews Emmy Award-winning Actor Gordon Clapp, who brings his one-man Robert Frost show to the BCA

Gordon Clapp as Robert Frost

Emmy-winning actor Gordon Clapp (NYPD Blue) will bring his acclaimed portrayal of poet Robert Frost to Boston this Spring in the one-man show “Robert Frost: This Verse Business” by local playwright A.M. Dolan.The show portrays the great poet and platform legend whose public “talks” were hot tickets for nearly half a century. Theater Mirror spoke with Clapp as he prepared for the April 23-28 run at the Calderwood Pavilion in Boston.

by Mike Hoban

Theater Mirror: I understand that you’ve long had a love affair with Robert Frost’s work. How did you first discover him?

Gordon: It was the Kennedy inauguration (where Frost read “The Gift Outright”) – I’m that old – but I knew of him before that. Later in school, we were assigned “Out, Out,” which is a reference to “Out out brief candle!” (from Macbeth). It’s a very dark poem. In an idyllic setting, this horrific event happens. A boy gets his hand cut off by a buzzsaw in rural New England in the backyard of his home, and it really had an impact on me as a boy of that age in that setting, some fifty years later, and I just got addicted to Frost’s poetry. I would do little readings all through college, and a few years after college, I read his three-volume biography by Lawrence Thompson and said to myself, “I’ve got to bring this guy to the stage.” It took me thirty years to get around to it, but when I turned 60, I thought, “Now I can get away with playing the older Frost.”

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Theater Mirror Speaks with Comedian Gabe Mollica, who is bringing his one-man show, “Solo: A Show About Friendship,” to the BCA

Comedian Gabe Mollica brings his Off-Broadway comedy, “Solo: A Show About Friendship,” to the Calderwood Pavilion at the BCA from April 16-21st. He dives deep into what it means to have friends in your 30s, his special relationship with Stephen Sondheim, working at a summer camp for children with chronic illnesses, and what happens when you break up with your best friend. Theater Mirror caught up with Gabe recently as he prepared for his Boston engagement.

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Dance Musical ‘Message In A Bottle’ Featuring the Music of Sting, Comes to Emerson Colonial (Interview)

The Emerson Colonial Theatre’s will present a seven show run of the touring dance/theater production Message In A Bottle, based on the music of Sting and works from his band The Police. Featuring 28 songs, some re-mastered and re-interpreted, and developed by Kate Prince, Artistic Director of ZooNation: The Kate Prince Company, Message tells the story of displaced refugees and their struggle to find a new home. Theater Mirror’s Mike Hoban spoke with Associate Choreographer Lukas McFarlane in anticipation of the show’s opening on March 26 (through March 30).

by Mike Hoban

Theater Mirror: How did the idea for Message in a Bottle come about?

Lukas: Kate Prince (the show’s creator) grew up with the music of Sting and the Police and is huge fan. One day she was listening to Sting’s “Desert Rose” and thought, what if we (put together) a show using the music of Sting and the Police? She wrote an email to one of our producers, Sadler’s Wells, and within a couple weeks Sadler’s had her in a meeting with Sting in a hotel lobby pitching this idea to him, which was really cool and quite surreal for her.

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