Tag: American Repertory Theater

“Wonder” Delivers a Joyful Ride to a Kinder Landscape

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Garrett McNally and Donovan Louis Bazemore in ‘Wonder’ at the A.R.T.
Photos by Hawver and Hall

“Wonder”. Book by Sarah Ruhl. Music and Lyrics by A Great Big World (Ian Axel and Chad King). Directed by Taibi Magar. Presented by American Repertory Theater, 64 Brattle Street, Cambridge, through February 8.

By Michele Markarian

“I like ice cream, outer space and video games,” Auggie (Garrett McNally), a typical seventh grader, tells us at the beginning of “Wonder”. Auggie, however, has a facial difference that sets him apart from other kids, making him a target of bullying and ostracization. For years, his mother, Isabel (Alison Luff), has been homeschooling him, but now she fears he has more to learn than what she can teach him. To counter this, Isabel has enrolled Auggie in middle school, much to his dismay. While his oversized space helmet and invisible friend Moonboy (Nathan Salstone) keep him feeling safe at home, they won’t serve Auggie well at school. Auggie’s sister Via (Kaylin Hedges) is also on edge. As the sibling of someone whose facial differences account for a lot of his parents’ attention, Via doesn’t always get her fair share; the fact that her best friend Miranda (Paravi) isn’t speaking to her for unknown reasons doesn’t help. Miranda, as it turns out, is having a hard time dealing with her parents’ divorce. As one of Auggie’s teachers, Mr. Browne (Raymond J. Lee) likes to say, “Be kind, for everyone is fighting an invisible battle.” 

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A.R.T.’s Uplifting ‘Wonder’ Wonders What Makes A Life Wonderful

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Nathan Salstone, Garrett McNally, and members of the cast of ‘Wonder’ at the A.R.T.
Photos by Hawver and Hall

‘Wonder’ — Book by Sarah Ruhl. Music and lyrics by A Great Big World (Ian Axel and Chad King). Directed by Taibi Magar. Choreographed by Katie Spelman. Music supervision by Nadia DiGiallonardo. Presented by American Repertory Theater at Loeb Drama Center, 64 Brattle St., Cambridge, through Feb. 8.

By Shelley A. Sackett

Middle school is widely recognized as one of life’s toughest crucibles, a time of major physical, emotional and social change. A petri dish of hormonal upheaval, intense social pressures and increased academic demands, it has all the ingredients for an emotive perfect storm.

Now imagine navigating these turbulent waters as a boy with facial differences facing transition from homeschooling to private school, where he will, for the first time, have to mix with other kids, and that perfect storm suddenly lurks as a tsunami of epic proportions.

This is the premise of Wonder, the new coming-of-age musical drama débuting at American Repertory Theater. Based on R.J. Palacio’s best-selling 2012 young adult novel, Sarah Ruhl’s play tells the story of Auggie Pullman, a boy born with Treacher Collins syndrome, a rare genetic disorder that interferes with the development of facial features.

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A.R.T.’s ‘300 Paintings’ Brings Humor to Harrowing Story of Mental Illness 

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Sam Kissajukian in performance of ‘300 Paintings’ at A.R.T. Credit: Evgenia Eliseeva.

300 Paintings, Created and performed by Sam Kissajukian; Produced by Sally Horchow and Matt Ross in association with Octopus Theatricals; Presented by American Repertory Theater at Farkas Hall in Cambridge, MA through October 25, 2025. 

by Julie-Anne Whitney

Aussie comedian Sam Kissajukian didn’t know anything about art when he quit stand-up comedy four years ago. During his 10-year career, he toured throughout Australia, Europe, the UK, and the USA. Despite his success, he confessed, “I just did whatever the audiences wanted me to do, and I hated it. I hated myself.” For him, comedy had become performative and superficial – “It made me feel invisible inside.” After abandoning his comedy career, Kissajukian devoted himself to painting. What he didn’t know at the time was that he had been living with bipolar disorder, and he was about to enter into a brutal six-month manic episode that would completely sever him from reality. 

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A.R.T.’s Ephemeral ‘Passengers’ Awes with Acrobatics, Music and Dance

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Cast of ‘Passengers’ by The 7 Fingers (Les 7 Doigts) at A.R.T.

The 7 Fingers ‘Passengers.’ Written and Directed by Shana Carroll. Composition and Musical Direction by Colin Gagné; Lyrics by Colin Gagné and Shana Carrol; Scenic Design by Ana Cappelluto; Costume Design by Camille Thibault-Bédard; Lighting Design by Éric Champoux; Projection Design by Johnny Ranger; Sound Design by Colin Gagné and Jérôme Guilleaume. Presented by American Repertory Theater at Loeb Drama Center, 64 Brattle St., Cambridge, through Sept. 26.

By Shelley A. Sackett

Train travel has always evoked a magical aura of nostalgia and romanticism, an opportunity to slow down, observe and contemplate while suspended between past and future, between here and there. American Repertory Theater’s production of Passengers, a contemporary circus performance that combines acrobatics, dance, music and a gossamer thread of dramatic narrative, makes a case that train travel (as a metaphor for life) is all about the journey, not the destination.

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Charming, Engaging, and Clever — A.R.T.’s Musical ‘Two Strangers’ Has It All!

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Sam Tutty and Christiani Pitts in A.R.T.’s ‘Two Strangers (Carry a Cake Across New York)’.
Photos: Joel Zayac

‘Two Strangers (Carry a Cake Across New York).’ Written by Jim Barne and Kit Buchan. Directed and Choreographed by Tim Jackson. Scenic and Costume Design by Soutra Gilmour; Lighting Design by Jack Knowles; Sound Design by Tony Gayle and Cody Spencer; Orchestrations by Lux Pyramid; Music Direction by Jeffrey Campos. Presented by A.R.T.’s Loeb Drama Center, 64 Brattle St., Cambridge through June 29.

By Shelley A. Sackett

Two Strangers (Carry a Cake Across New York), in its American debut at the American Repertory Theatre,is the perfect antidote to our bleak, cold spring. This sunny, upbeat two-hander musical romantic comedy is as beguiling as it is impeccably acted, directed and produced. In short, it is a full-blown fabulous evening of musical theater at its finest.

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A.R.T.’s ‘Night Side Songs’ Is Magical, Boundary-Breaking Theater

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Jonathan Raviv and Brooke Ishibashi in A.R.T.’s ‘Night Side Songs’. Photo: Nile Scott Studios

‘Night Side Songs.’ Words and Music by the Daniel and Patrick Lazour. Directed by Taibi Magar. Scenic Design by Matt Saunders; Costume Design by Jason A. Goodwin; Lighting Design by Amith Chandrashaker; Sound Design by Justin Stasiw. Music Direction and Piano Arrangements by Alex Bechtel. Presented by American Repertory Theater in association with Philadelphia Theatre Company at Hibernian Hall, 184 Dudley St., Boston through April 20.

By Shelley A. Sackett

Night Side Songs, the remarkable production by A.R.T. now at Hibernian Hall, bills itself as “communal music-theater experience performed for—and with—an intimate audience that gives voice to doctors, patients, researchers, and caregivers to celebrate the resilience of the human spirit.” This description barely scratches the surface of the uncharted grounds this play explores, and the transfixing heights it reaches.

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A.R.T.’s ‘The Odyssey’ Catapults Homer’s Ancient Epic Poem into the 21st Century

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Members of the cast in A.R.T.’s world-premiere production of The Odyssey.
Photo Credits: Nile Scott Studios and Maggie Hall.

‘The Odyssey’ – Written by Kate Hamill. Based on the epic poem by Homer. Scenic Design by Sibyl Wickersheimer; Costume Design by An-Lin Dauber; Lighting Design and Projection Design by Jeanette Oi-Suk Yew; Sound Design and Music Composition by Paul James Prendergast. Presented by American Repertory Theater at Loeb Drama Center, 64 Brattle St., Cambridge, MA, through March 16.

By Shelley A. Sackett

“If you’ve gone through something traumatic, can you ever go back to who you were? Can you ever go back home?” is the essential question American Repertory Theater’s Terrie and Bradley Bloom Artistic Director Diane Paulus asks audience members to consider as they experience the world premiere of Kate Hamill’s A.R.T.-commissioned newest work, ‘The Odyssey.’ This spectacularly produced reimagination of Homer’s 8th/7th century B.C. epic poem is the latest retelling of a classic tale by Hamill, who, once again, displays her special talent for penning plays that magically remain true to the original while interweaving parallel contemporary issues, culture and language.

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A Theatrical Alchemy, A.R.T.’s ‘Diary of a Tap Dancer’ Is More Than the Sum of Its Parts

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Ayodele Casel (center) and the cast of A.R.T.s ‘Diary of a Tap Dancer.’
Photos: Nile Scott Studios and Maggie Hall
 

‘Diary of a Tap Dancer’ – Written and Choreographed by Ayodele Casel. Directed by Torya Beard. Musical Direction by Nick Wilders; Scenic Design by Tatiana Kahvegian; Costume Design by Camilla Dely; Lighting Design by Brandon Stirling Baker; Sound Design by Sharath Patel; Projection Design by Katherine Freer; Compositions, Orchestrations, and Arrangements by Carlos Cippelletti, Ethan D. Packchar. Presented by American Repertory Theater at the Loeb Drama Center, 64 Brattle St., Cambridge, through January 4, 2025.

By Shelley A. Sackett

Ayodele Casel’s ‘Diary of a Tap Dancer’ defies pigeonholing. First, it is a crackerjack tap dance concert, choreographed and performed by a jubilant devotée of the genre whose sensitivity to its rhythmic musicality keeps the action moving and the audience’s toes tapping along.

Second, it is a narrative documentary that “shines a light on women hoofers,” especially the unknown and forgotten black tap dancers of the 1920s through the ‘50s who blazed a trail for others, like Casel, to follow. Projection Designer Katherine Freer has curated a six-screen still and moving visual accompaniment that introduces us to all the dancers who might have been written out of history — women like Juanita Pitts, Jeni Le Gon, Cora LaRedd, Louise Madison and Marion Coles —  but for her efforts to draw attention to them.

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A.R.T.’s Innovative “Romeo and Juliet” Elevates and Grounds Shakespeare’s Masterpiece

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Emilia Suárez (Juliet) and Rudy Pankow (Romeo) in A.R.T.’s  Romeo and Juliet.
Photo Credits: Nile Scott Studios and Maggie Hall

‘Romeo and Juliet’ – By William Shakespeare. Directed by Diane Paulus. Movement and Choreography by Sidi Larbi Cherkaoui; Original Music Composed by Alexandre Dai Castaing; Scenic Design by Amy Rubin; Costume Design by Emilio Sosa; Lighting Design by Jen Schriever; Sound Design by Daniel Lundberg. Presented by American Repertory Theater at the Loeb Drama Center, 64 Brattle St., Cambridge through October 6.

By Shelley A. Sackett

Diane Paulus, Artistic Director at American Repertory Theater, has raised the bar on production values so often, we’ve come to expect the unexpected from her. From 1776 to Pippin to Gershwin’s Porgy and Bess, Gloria: A Life, Jagged Little Pill, Waitress, SIX, and more, theatergoers in Boston have benefitted from her inspiring collaborations and razor-sharp skills to enjoy Broadway-bound productions right in their own backyard.

Romeo and Juliet is no exception.

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A.R.T.’s “Gatsby” Is This Summer’s Blockbuster

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Cory Jeacoma, Solea Pfeiffer, and the cast of A.R.T.’s ‘Gatsby.’
Photo Credits: Julieta Cervantes

“Gatsby.” Book by Martyna Majok based on the novel, “The Great Gatsby” by F. Scott Fitzgerald. Directed by Rachel Chavkin. Music by Florence Welch and Thomas Bartlett. Lyrics by Florence Welch. Choreography by Sonya Tayeh. Orchestration and Arrangements by Thomas Barlett. Scenic Design by Mimi Lien. Lighting Design by Alan C. Edwards. Presented by American Repertory Theater at the Loeb Drama Center, 64 Brattle St., Cambridge, through August 3.

By Shelley A. Sackett

“Gatsby” is a tour-de-force chockful of bells and whistles. A.R.T. spares nothing for its world premiere of the musical adaptation of Fitzgerald’s Jazz Age chronicle. Two colossal heaps of metallic sculpture reminiscent of the infernal “Hadestown” underworld are a Jenga/“Where’s Waldo” of identifiable automobile parts and crumpled rubble (set by Mimi Lien). Draped in gleaming tinsel and expertly lighted by Alan C. Edwards, these gloomy twin towers are a continual reminder of the dangers of decadence and the debris it leaves in its wake.

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