“Wonder” Delivers a Joyful Ride to a Kinder Landscape

Garrett McNally and Donovan Louis Bazemore in ‘Wonder’ at the A.R.T.
Photos by Hawver and Hall

“Wonder”. Book by Sarah Ruhl. Music and Lyrics by A Great Big World (Ian Axel and Chad King). Directed by Taibi Magar. Presented by American Repertory Theater, 64 Brattle Street, Cambridge, through February 8.

By Michele Markarian

“I like ice cream, outer space and video games,” Auggie (Garrett McNally), a typical seventh grader, tells us at the beginning of “Wonder”. Auggie, however, has a facial difference that sets him apart from other kids, making him a target of bullying and ostracization. For years, his mother, Isabel (Alison Luff), has been homeschooling him, but now she fears he has more to learn than what she can teach him. To counter this, Isabel has enrolled Auggie in middle school, much to his dismay. While his oversized space helmet and invisible friend Moonboy (Nathan Salstone) keep him feeling safe at home, they won’t serve Auggie well at school. Auggie’s sister Via (Kaylin Hedges) is also on edge. As the sibling of someone whose facial differences account for a lot of his parents’ attention, Via doesn’t always get her fair share; the fact that her best friend Miranda (Paravi) isn’t speaking to her for unknown reasons doesn’t help. Miranda, as it turns out, is having a hard time dealing with her parents’ divorce. As one of Auggie’s teachers, Mr. Browne (Raymond J. Lee) likes to say, “Be kind, for everyone is fighting an invisible battle.” 

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A.R.T.’s Uplifting ‘Wonder’ Wonders What Makes A Life Wonderful

Nathan Salstone, Garrett McNally, and members of the cast of ‘Wonder’ at the A.R.T.
Photos by Hawver and Hall

‘Wonder’ — Book by Sarah Ruhl. Music and lyrics by A Great Big World (Ian Axel and Chad King). Directed by Taibi Magar. Choreographed by Katie Spelman. Music supervision by Nadia DiGiallonardo. Presented by American Repertory Theater at Loeb Drama Center, 64 Brattle St., Cambridge, through Feb. 8.

By Shelley A. Sackett

Middle school is widely recognized as one of life’s toughest crucibles, a time of major physical, emotional and social change. A petri dish of hormonal upheaval, intense social pressures and increased academic demands, it has all the ingredients for an emotive perfect storm.

Now imagine navigating these turbulent waters as a boy with facial differences facing transition from homeschooling to private school, where he will, for the first time, have to mix with other kids, and that perfect storm suddenly lurks as a tsunami of epic proportions.

This is the premise of Wonder, the new coming-of-age musical drama débuting at American Repertory Theater. Based on R.J. Palacio’s best-selling 2012 young adult novel, Sarah Ruhl’s play tells the story of Auggie Pullman, a boy born with Treacher Collins syndrome, a rare genetic disorder that interferes with the development of facial features.

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