Tag: romeo and Juliet

Huntington Brings Comically-Infused ‘Romeo and Juliet’ Into the 21st Century

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George Hampe and Lily Santiago in Huntington’s ‘Romeo & Juliet

By Mike Hoban

Written by William Shakespeare, Directed by Peter DuBois; Scenic Design, Wilson Chin; Costume Design, Ilona Somogyi; Lighting Design, Russell H. Champa; Original Music & Sound Design, Obadiah Eaves; Choreographer, Daniel Pelzig; Fight Direction, Rick Sordelet & Christian Kelly-Sordelet. Presented by the Huntington Theatre Company at 264 Huntington Ave., Boston through March 31

Over the years there have been a multitude of theatrical updates of Romeo and Juliet, Shakespeare’s tragic tale of doomed teen lovers, with the best of those inarguably being the Bernstein/Laurents/Sondheim masterpiece, West Side Story. The latest take comes from the Huntington Theatre Company’s Artistic Director Peter Dubois, who – with the help of a plethora of Boston’s local stage luminaries – transports the story into the 21st century while leaving the original text intact. It’s a surprisingly comic and wildly entertaining version of the classic, but it also does an admirable job of driving home the idea that the toxic “blind tribalism” that is threatening to destroy democracy in America today is hardly a new development.

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The Underlings Theatre Co Sends Shakespeare Back to High School

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by James Wilkinson

 

‘Romeo and Juliet’ Written by William Shakespeare. Directed by Lelaina Vogel. Voice and Text Coaching: Daniel Thomas Blackwell. Scenic Design: Christine Williamson. Costume Design: Rachael Linker. Lighting Design: Evyn Newton. Sound Design: Joshua Garcia. Presented by Underlings Theatre Co. at Chelsea Theatre Works Black Box Theater through March 3.

 

Do I even need to provide a summary of the plot to Romeo and Juliet? The details of Shakespeare’s tale of star-crossed lovers has seemingly seeped down into the marrow of western civilization. Try as you might, you can’t escape it. Even if you managed to somehow get through high school without reading the original text, you would be forgiven for thinking you knew the story by seeing any of the hundreds of adaptations and riffs on the story in movies, books, operas, television, ballets, musicals, and just about every other form of media out there. The ubiquity of the story in popular culture creates an interesting problem for any theatre company that might decide to take a stab at staging the play. How do you present a play when everyone in attendance thinks that they already know everything? It’s a challenge that the recently formed Underlings Theatre Co has taken up with their new production of the classic play, now running at Chelsea Theatre Works.

 

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