Barmakian, Melendy Light Up GBSC’s Thrilling ‘Wait Until Dark’

Cast of GBSC’s ‘Wait Until Dark’. Photos by Nile Scott Studio

‘Wait Until Dark’ – Written by Frederick Knott and adapted by Jeffrey Hatcher.Directed by Weylin Symes; Scenic Design by Katy Monthei;  Lighting Design by Jeff Adelberg; Costume Design by Deirdre Gerrard; Sound Design by Caroline Eng; and Fight Choreography by Naomi Kim. Presented by Greater Boston Stage Company at 395 Main St, Stoneham, MA, through March 22nd.

By Mike Hoban

Greater Boston Stage has once again mined the suspense genre and struck theatrical gold with an exhilarating production of the white-knuckle thriller, Wait Until Dark. Featuring a stellar cast that blends GBSC regulars with a handful of talented relative newcomers, they adroitly deliver on the twists and turns of playwright Frederick Knott’s serpentine narrative with precision and heart.

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‘To Kill a Mockingbird’ Is A Welcome Addition to Umbrella Theatre’s Season

The Cast of ‘To Kill a Mockingbird’ at The Umbrella Arts Center
Photos by Jim Sabitus

‘To Kill a Mockingbird’ — Dramatized by Christopher Sergel. Based on the Book by Harper Lee. Directed by Scott Edmiston. Scenic Design by Janie Howland; Lighting Design by SeifAllah Salotto-Cristobal; Costumes by Rachel Padula-Shufelt; Sound Design by Chris Brousseau; Original Music on Cello by Valerie Thompson. Presented by The Umbrella Stage Company, 40 Stow St., Concord, MA, through March 22.

By Shelley A. Sackett

To Kill a Mockingbird, the 1960 Pulitzer Prize-winning novel written by Harper Lee and dramatized in 1970 by Christopher Sergel, tells the story of events that take place in the small town of Maycomb, Alabama, during the Depression (1932 to 1935). The plot and characters are based on Lee’s observations of her family, neighbors and an actual event that took place in 1936 near her hometown, Monroeville, Alabama.

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“Penelope” Plays an Emotional Waiting Game

Marissa Licata, Dan-Rodriguez, Aimee Doherty and Kett-Lee in Lyric Stage’s ‘Penelope’

“Penelope”.  Music, lyrics and arrangements by Alex Bechtel.  Book by Alex Bechtel, Grace McLean, Eva Steinmetz. Directed by Courtney O’Connor.  Music Direction by Dan Rodriguez.  Presented by The Lyric Stage Company of Boston, 140 Clarendon Street, Boston, through March 1.

By Michele Markarian

Odysseus is a popular figure these days. In 2018, he appeared in Madeline Miller’s novel “Circe” as a virile and manipulative broken warrior.  There was Kate Hamill’s “Odyssey” that premiered at A.R.T. last year. There’s an upcoming film version, directed by Christopher Nolan and starring Matt Damon, scheduled for release this July. “Penelope”, written by Alex Bechtel, is a one-woman cabaret depicting a waiting, sometimes patiently, sometimes not, wife of Odysseus, whose loyalty and love is played adoringly by Aimee Doherty.

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ASP Brings Modern and Relevant ‘Little Women’ to Watertown

Kaila Pelton-Flavin, Olivia Fenton, Sarah Newhouse, Aislinn Brophy, and Chloe McFarlane in Actors’ Shakespeare Project’s Little Women. Photos by Benjamin Rose Photography.

Little Women by Kate Hamill; Directed by Shana Gozansky; Set Design by Jenna MacFarland Lord; Scenic Design by Danielle Ibrahim; Costume Design by Zoe Sundra; Lighting Design by Deb Sullivan; Sound Design by Julian Crocamo; Intimacy Direction by Liv Dumaine; Stage Managed by Dominique D. Burford. Produced by Actors’ Shakespeare Project (ASP) at the Dorothy and Charles Mosesian Center for the Arts in Watertown, MA. Runs through March 1, 2026.

By Julie-Anne Whitney

It takes courage to adapt such a widely beloved novel as Louisa May Alcott’s Little Women. Playwright Kate Hamill’s bold theatrical reimaginings of classic literature have, themselves, become hugely popular amongst regional theater companies. Hamill has been named one of the most produced playwrights in America every season since 2017, and Boston theater companies have been producing her plays for years (i.e., The Odyssey, Ms. Holmes & Ms. Watson, Emma, Dracula, Vanity Fair, Pride and Prejudice, Sense and Sensibility). Hamill’s unique skill is taking a well-known story, maintaining its core themes, and then turning it on its head by presenting the story through a decidedly contemporary and/or feminist lens and offering a fresh, unexpected perspective of characters we know and love.

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