Theater Mirror’s Kilian Melloy Interviews “Fun Home” Director Logan Ellis

Logan Ellis. Director of Fun Home. Photo by Annabel Clark

Rising theater director Logan Ellis has become a director who bridges worlds — between classical music and theater, between scrappy DIY companies and regional powerhouses, and between personal vulnerability and political urgency. Fresh out of school, he and some friends founded Theatre Battery in Kent, Washington, turning vacant mall storefronts into free community art spaces in one of the state’s most culturally diverse areas. Fifteen years later, Ellis has earned his MFA from Yale School of Drama, become Associate Producer at Skylight Theatre Company in Los Feliz (a neighborhood in Los Angeles), continued as Producing Artistic Director and Co-Founder at Theatre Battery, and pivoted into film.

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Manual Cinema Continues to Enchant with ‘The 4th Witch’ at ArtsEmerson

Manual Cinema’s ‘The 4th Witch” at ArtsEmerson. Photos: Katie Doyle

The 4th Witch − Concept and direction by Drew Dir; Devised by Dir, Sarah Forance and Julia Miller; Original score and sound design by Ben Kauffman and Kyle Vegter; Mask Design by Julia Miller; Lighting Design by David Goodman‑Edberg; Costume / Wig Design by Sully Ratke. Presented by Manual Cinema at the Robert J. Orchard Stage, Emerson Paramount Center, 559 Washington St., Boston, through November 9.

By Mike Hoban

Manual Cinema has once again returned to the ArtsEmerson stages with their unfathomably unique brand of theatrical storytelling with The 4th Witch, a mind-bending work “inspired by” Shakespeare’s Macbeth. Told via shadow puppetry using live actors blended with silhouette cutouts beamed onto a movie screen by overhead projectors, the action is augmented by a haunting score played by a live ensemble with vocals. As the action is being projected onto the screen, the audience can simultaneously watch the actors and technicians dart around the stage to produce the images, while the three-piece ensemble (cello, violin, and keyboards), placed at the front of the stage, plays and sings.

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‘Murder for Two’ Is A Goofy, Musical Valentine to Classic Whodunits.

Will McGarrahan and Jared Troilo in “Murder for Two” at Greater Boston Stage
Photos: Niles Scott Studios

‘Murder for Two’ — Book and Music by Joe Kinosian. Book and Lyrics by Kellen Blair. Directed by Tyler Rosati. Music Direction by Bethany Aiken; Scenic Design by Katy Monthei; Lighting Design by Matt Cost; Sound Design by Adam Smith. Presented by Greater Boston Stage Company, 395 Main St., Stoneham, MA through Nov. 9.

By Shelley A. Sackett

Murder for Two is a loving parody of classic murder mysteries. A two-person musical, the 100-minute (no intermission) production is more vaudevillian revue than its genre’s prototypes, relying on gimmicks, songs, and quick changes to tell a familiar story in a new way.

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