Cape Playhouse’s ‘Deathtrap’ is a Killer Comedy

(Susan Wands, Robert Petkoff, Robbie Simpson in Cape Playhouse’s ‘Deathtrap’ Photo: Emma Quinn)

by Kobi Kassal

The Cape Playhouse closes their 93rd season with one of Broadway’s most successful comedic thrillers of all time. Ira Levin’s Deathtrap is brought to life, or should I say death, in a new production mounted by Tony-nominated director, Marcia Milgrom Dodge. Don’t worry – this review is spoiler free.

The play originally premiered right in our own backyard here at the historic Wilbur Theatre in Downtown Boston before moving on to play almost 1,800 performances on Broadway. Deathtrap also found success in the 1982 film adaptation starring Christopher Reeve and Michael Caine. Set in a stylish converted stable turned house in Westport, CT, the play opens with a down-on-his-luck playwright, Sidney Bruhl, who cannot seem to write a new play to save his life. He and his wife Myra have been living off her family money and are quickly running out of options until up-and-coming playwright Clifford Anderson writes a new hit that lands on Sidney’s desk. They joke about murdering Clifford and taking the play for themselves…and I won’t go into any more detail. Along the way we also meet Sidney’s lawyer, Mr. Poter Milgrim as well as a kooky European named Helga with mystic ESP powers who can predict the future.

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Review: Noises Off – Cape Playhouse

Cast of ‘Noises Off’ at Cape Playhouse (Photos: Emma Quinn)

by Kobi Kassal

Curtain up for Noises Off, now playing at the Cape Playhouse until August 17th. The 93-year-old theater has once again produced an exhilarating production that proves to be a masterclass in comedy on Cape Cod.

Esteemed playwright Michael Frayn wrote his farce-within-a-farce in 1982 and New York Times critic Frank Rich once declared it, “the funniest play written in my lifetime”. No wonder this show has been produced three times on Broadway in its 37 year history; not to mention numerous productions around the world. Frayn’s intricate story tells the tale of the play “Nothing On” that the audience witnesses three different productions of during the course of the show. Act I shows the final dress rehearsal of the show; Act II flips the set showing the audience the show from backstage; and Act III features the final performance of their touring production. Directing this behemoth of a play is no easy feat, not to mention doing it in 2 weeks, so kudos to Jeffrey Denman for doing a first-rate job.

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