‘BORN FOR THIS’ Raises Hopes and Spirit

BOX INFO: ArtsEmerson presents the New England premiere of new musical “Born for This,” based on the true story of BeBe Winans, through July 15: Tuesdays-Thursdays, excluding July 4, at 7:30 p.m.; Fridays, 8 p.m.; Saturdays, 2,8 p.m.; Sundays 2,7 p.m. Emerson Cutler Majestic Theater, 219 Tremont St., Boston.$20-$80, prices subject to change; senior, student, group, package discounts. ArtsEmerson.org, 617-824-8400.

 

Hey, you sinners and believers, get ready to shout, sing, clap those hands and rejoice with hallelujahs and hosannas at new musical “Born for This.” A high-powered, stellar, spectacular, 20-strong member cast of well-known Broadway, national and international fame drives this vibrant two-act, two-hour production. Because the play began had its infancy in Boston in 2013 and 2014, Mayor Thomas J. Walsh declared its official opening this year, June 22, as Boston’s “Born for This” Day.  The show’s last day is July 15, so grab the kids, and don’t miss this inspirational story of reaching for the stars and achieving it.

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‘Born For This’ Lifts Us Up with Music, Comedy

(Left to right: Donald Webber Jr. as BeBe Winans, Liisi LaFontaine as Whitney Houston, and Loren Lott as CeCe Winans in BORN FOR THIS. Photo ©Joan Marcus 2018)

 

By Mike Hoban

 

Born for This – Music and Lyrics by BeBe Winans. Book by Charles Randolph-Wright, BeBe Winans, and Lisa D’Amour. Directed by Charles Randolph-Wright; Scenic Design by Neil Patel; Lighting Design by Jason Lyons; Sound Design by Jon Weston; Choreography by Warren Adams. Presented by ArtsEmerson. At Emerson Cutler Majestic Theatre, Boston, through July 15.

 

You’re not likely to find a more consistently entertaining musical on Boston stages this year than Born for This, gospel and pop star Bebe Winan’s autobiographical work now in its latest incarnation at the Emerson Cutler Majestic Theatre. A powerhouse score delivered by an extraordinary cast combined with a very funny script are sure to make this show an overwhelming crowd-pleaser (if the opening night crowd is any indication), even if the book won’t make anyone forget Les Miserables or Ragtime anytime soon.

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