“ALMOST, MAINE” Little Theatre of Fall River

 

Reviewed by Tony Annicone

 

84 year old Little Theatre of Fall River’s summer show at the Fire Barn is “Almost, Maine” by John Cariani. The show is a series of nine vignettes exploring love as well as the joys and perils of romance. Cariani employs elements of magical realism as he explores the mysteries of the human heart. Welcome to Almost, Maine, a town so far north that it’s almost in Canada. And it almost doesn’t exist because its residents never got around to getting organized. So it is known as Almost. On a Friday night in the middle of winter, residents of a small, mythical town in northern Maine are falling in and out of love at an alarming rate. Knees are getting bruised; hearts are getting broken; but the bruises heal and hearts almost mend in what can be described as a charming midwinter night’s dream. Director Bob Gillet assembles a topnotch 19 member cast to carry out these funny roles earning them a thunderous ovation at the close of the night.

 

Bob thinks up some clever bits and lots of physical comedy for his cast to perform in this well written script. Each of the nine segments contain two characters. Bob gives each member of his cast a chance to shine in their scenes. He gives them a lot of slapstick but they play the characters realistically. The title of the vignettes are the Prologue, “Her Heart”, “Sad and Glad”, “This Hurts”, “Getting It Back”, “They Fell”, “Where It Went”, “Story of Hope” and “Seeing the Thing.” Pete and Ginette are the only recurring characters in the show. They show they will go the distance to make their love last. The northern lights and the unit set are by Kenneth Raposa.

I don’t want to give away too much of the plot of each scene which will ruin it for the audience. There are some funny one liners in the show including My parents moved south to Vermont which is one of them. Some of the crazy shenanigans include the hitchhiker who camps out in the backyard of a stranger to mend a broken heart this one is an emotionally draining well done dramatic scene by Stefani and Nishan Lawton, sledding pals who are the patient sweetheart and the tomboy who fights him when they do a striptease that has to be seen to be believed played wonderfully by Jason Trenholm and Krista Watson and a woman, named Hope, who finally commits to her childhood love, getting a surprise in an emotion packed scene. Hope is excellently played by Linda Monchik while Roger Mello plays the childhood love in scene. Other predicaments include where a girl hits a man with an ironing board because he doesn’t feel pain, teaching him to feel for the first time in his life. Jessica Kent and Eric Oliveira do a great job as this young couple.

 

Tyler Rowe beautifully plays a nervous workman who runs into his ex-girlfriend, wonderfully played by Shauna Brosky and the tattoo on his arm that leads him to another girl. Rachel Campoli plays the waitress in this scene who gives the scene a surprising twist. Lee Bonia is a weary married man who goes skating with his wife played by Laura Bomback while waiting for the other shoe to drop. Michael McGill plays a seemingly clueless boyfriend while Kim Mitchell plays his girlfriend who finally realize that they love each other. One of the funniest scenes occurs at the start of Act 2 when two gal buddies who discover they are falling all over the place in love after their two boyfriends dump them. The two buddies are well played by Kelly Morrell and Lisa Beausoleil. The prologue and epilogue are one of the girl, Karen Valcourt who walks around the world to be with the man she loves played by Ron Caisse. So for a fun filled night to enjoy a new comedy, be sure to catch “Almost, Maine” at The Firebarn. The power of this cast wins them a standing ovation at the close of the night.

ALMOST, MAINE (14 to 24 June)

Little Theatre of Fall River, The Firebarn, 340 Prospect St, Fall River, MA

1(508)675-1852 or www.littletheatre.net

Broadway Fire in Reagle’s “Technicolor Dreamcoat”

 

By CJ Williams

 

Directed and Choreographed by Susan M. Chebookjian, based on original Choreography by Anthony Van Laast. Lighting Design by David Wilson. Set Design by Peter Colao and Richard Schreiber. Music Direction by Dan Rodriguez. Presented by Reagle Music Theatre at 617 Lexington St, Waltham through June 18.

 

“Joseph and the Amazing Technicolor Dreamcoat” is Broadway-theater fare in unexpectedly Beantown-local affordability – and the Broadway musical is put on to amazing effect at the Reagle Music Theatre in Waltham. For all its crowd-pleasing choruses, and a cast that could sing and dance down Carnegie Hall, “Dreamcoat” nonetheless pulls a nice undercurrent of depth as well.

Read more “Broadway Fire in Reagle’s “Technicolor Dreamcoat””

REMEMBER ME? Newport Playhouse

 

Reviewed by Tony Annicone

 

Newport Playhouse’s second show of their 35th season is “Remember Me” by Sam Bobrick. On the surface it seems that Brian and Mary Hanson seem to have a very comfortable marriage after 25 years. He is a tax attorney and she’s an interior decorator. They seem to have it all. Then one day after Brian leaves to play tennis, Mary’s old college boyfriend, Peter Lawrence shows up or does he? Mary and Brian have to sort things out with Brian eventually hiring a dimbulb actress to try to fool Mary. But will the couple live happily every after? Will Peter wreck their happiness? Will Tori, the young actress bring them together or drive them apart? For these and other unanswered questions, be sure to catch “Remember Me” which will leave you laughing in the aisles while bringing up some funny relationship situations that audiences can readily relate to. The gorgeous purple colored living room set is by Tonya Killavey. Hard working stage managers Olivia Sahlin and Lauren Beaudoin keep things running smoothly all night long.

 

Director Daniel Lee White picks topnotch performers to play these four roles. Many funny situations abound with Brian constantly drinking Mary’s coffee before leaving for his game and forgetting to kiss her before he leaves. Pamela Lambert commands the stage as Mary. Her comic one liners, her facial expressions and line delivery are terrific. Some of her funniest moments include deep breathing exercises with both men and saying her dream fantasy was Henry Kissinger when it was actually Harrison Ford. Michael Johnson plays the worried husband, Brian. His clever antics leave you in stitches. His slow burns and constant exasperation are hilarious. He also sprays foot spray and gets a fire extinguisher to banish Peter from their lives. He also spits out a muffin after saying it tastes like foot spray. Is their humdrum marriage in trouble or is it just a figment of the imagination. Great job by both leads.

 

Jonathan Perry is seductive as the long lost boyfriend, Peter. He brings up many memories of the past to entice his girlfriend of the past by unbuttoning his shirt and give her shoulder and massages. He also has a comic scene later on in the show where he appears without a shirt at after mad passionate lovemaking. The second act contains a surprise about Peter after he gets punched in the face. Charles Kehres plays Peter on the weekends. The biggest scene stealer of the show is Katrina Rossi as Tori. She makes many inappropriate comments like being a vegetarian but eats shrimp and prime rib, is an actress but never had any lines and likes Shakespeare because she loves his movies. Tori also likes to climb on the furniture and takes off her shoes to do so and she also insults everyone winning many laughs while doing so. One of her funniest lines to Brian is “Boy, are you needy.” Katrina is reminiscent of Lesley Ann Warren from “Victor/Victoria” movie with her hilarious speaking voice. So for a fun filled show with an all you can eat buffet before it and an entertaining cabaret afterwards, be sure to catch “Remember Me” at the Newport Playhouse.

REMEMBER ME (31 May to 1 July)

Newport Playhouse, 102 Connell Highway, Newport, RI

1(401)848-7529 or www.newportplayhouse.com

NSMT Serves Up A Delicious Slice of White Bread with Delightful ‘Music Man’

 

by Mike Hoban

 

‘Music Man’ – Book, Music, and Lyrics by Meredith Willson. Story by Willson and Franklin Lacey. Directed by Bob Richard. Choreography, Diane Laurenson. Music Direction by Milton Granger; Scenic Design by Kyle Dixon; Lighting Design by Franklin Meissner; Sound Design by Danny Erdberg; Costume Coordinator and Additional Costume Design by Paula Peasley-Ninestein. Presented by North Shore Music Theatre, Beverly, through June 18.

 

“I’m as corny as Kansas in August” may be a line from a song from another classic musical, (South Pacific, “A Wonderful Guy”) but it could certainly double as a description of Music Man, the delightful 1957 musical now being given an inspired revival at the North Shore Music Theatre. Set in 1912 Iowa, birthplace of Meredith Willson, writer of the book, music, and lyrics for the Broadway hit, Music Man may be the quintessential white bread musical, but damn – er, darn – is it good.

 

Read more “NSMT Serves Up A Delicious Slice of White Bread with Delightful ‘Music Man’”

MMAS Opens Season with THE BOYS NEXT DOOR

Reviewed by Tony Annicone

 

Mass Music and Arts Society’s opening show of their summer season is “The Boys Next Door” by Rhode Island native, Tom Griffin who recently passed away. It is a funny and touching play about four mentally handicapped men living in a communal residence under the guidance and watchful eye of a caring but burnt out social worker. The story is told by a series of vignettes and scenes, with some of the performers speaking directly to the audience. Director Kelly Crawford picks splendid and talented performers to fill these well written roles. She mixes the comic and dramatic moments together marvelously to a very appreciative audience who gives them a resounding standing ovation at the curtain call.

 

Kelly pays attention not only to the comic scenes and one liners but also to the dramatic scenes, too. She makes the audience empathize with the characters, presenting a well rounded and well thought out show. The splendid institutional set is by Ted Talanian and painted by Glenn Fournier. The array of colorful costumes are by John Ristaino. Leading the cast is Adam Law as the befuddled and patient social worker, Jack.  He speaks to the audience on what is happening and reacts to the many comic and dramatic situations he finds himself in. Adam’s interactions with the four residents are warm and poignant and he is excellent in this role. The ringleader of these four men is Arnold played excellently by Kevin Mischley. His strong portrayal as the hyperactive, Arnold who has a persecution complex and is a compulsive chatterer, is right on the money. Kevin conveys the deep seated insecurity and nervous behavior with his line delivery. He has many funny scenes including wetting his pants with water, wanting to relocate to Russia because no one is listening to his problems, removing all the rugs from the apartment, polishing the bully’s shoes at the movie theatre and describing Helen’s tick while she dances. His final scene while he waits for a train to Russia is both funny and touching when Jack reappears to help him out.

 

One of the biggest scene stealers is Kevin Hayes as Norman who works in a donut shop and eats as many as he sells. Norman says “Oh Boy” numerous times and has a dynamite melt down scene with Barry after he calls him too fat to play golf and his comic line is “Golf Sups.” Norman falls in love with Sheila played by Laura Gustafson. Sheila loves the key ring he wears, so on their “romantic date”, he gives Sheila her very own key ring. Kevin is hilarious as he constantly introduces himself to everyone he meets and tells them to take a seat. His interactions with the whole cast are splendid especially comic is the dishwashing scene when he complains about the cheese and eggs stuck all the dishes he washes. Laura is terrific and her acting prowess shines through making her scenes tender and humorous especially when she demands Norman’s keys and imitates Helen’s tick. The romantic dating scene leaves everyone in stitches at their perfect comic timing. They first do a couple of comic dances which win much laughter with the top of her head on his chest. However the last comic dance becomes a dream dance at the end of Act 1 which is fabulous as it depicts them as a normal couple. It is very poignant moment in the show.

 

Brian Vogel delivers a strong performance as Lucien P. Smith, the most profoundly retarded member of the group who has the mind of a five year old child. He constantly says “I be Lucien P. Smith” but he shows the most compassion and love to his fellow housemates and Jack. Brian has many funny one liners and makes them all hit pay dirt. Some of his hilarious moments include spraying furniture spray for air freshener, dusting the furniture with a sock, killing a rat in the living room and having his two hand puppets fight with each other. Brian also delivers a poignant speech directly to the audience to describe his plight and also tugs on your heartstrings when he sobs when Jack leaves them at the going away party. The fourth member of this group, Barry is fantastically played by Greg Smith. He displays great depth as Barry, who is a brilliant schizophrenic. The character becomes unraveled and devastated when he is visited by his verbally and physically abusive father after nine years. The scenes which lead up to his father’s arrival and with his father are heart wrenching because up to this point Barry has been a vital and energetic “golf pro” with a great deal of confidence. Greg also has many funny moments as the golfing expert earlier in the show. However the tragic scene later on with his facial expressions and inability to speak after his father’s vicious visit are stunning to behold. Bravo!

 

The brutal and abusive, one armed father, Mr. Klemper is well played by Bill Roberts. He takes this mean, gutter mouthed Mr. Klemper and turns him into a virtual whirlwind onstage destroying everything in his path especially his fragile son. Rounding out this talented cast is Jim Cannizzaro and Jill Albanese. He plays Barry’s golfing student, Mr. Hedges,  Arnold’s movie theater boss and the senator at Lucian’s hearing. Jill plays the very deaf, Mrs. Fremus who misunderstands everything Barry says to her, Mrs. Warren, a young neighbor whose son’s hamster ran away and Clara, a retarded girl who keeps saying no while she constantly gobbles popcorn. So for a fantastic show with topnotch acting and direction, be sure to catch “The Boys Next Door” at MMAS.

THE BOYS NEXT DOOR (8 to 24 June)

MMAS, Black Box Theatre, 377 North Main St, Mansfield, MA

1(508)339-2822 or www.mmas.org

 

Drama Abounds in “Days of Atonement”

 

By Michele Markarian

 

Days of Atonement. Written by Hanna Azoulay-Hasfari, translated by Shir Freibach. Directed by Guy Ben-Aharon. Presented by Review,, 527 Tremont Street, Boston through June 25.

 

It is the eve of Yom Kippur.  Amira (Dana Stern), a student filmmaker, calls her three estranged sisters to their mother’s apartment in Netivot, to try and locate their elderly Moroccan/Israeli mother, who has disappeared without a note. Malka (Jackie Davis) the oldest sister, is in her own state of perpetual crisis, convinced that her husband David is cheating on her. Evelyn (Adrianne Krstansky), the second oldest, is deeply Orthodox. Pregnant again, in an advanced age and already with eight daughters, she refuses to have an abortion, even though her doctor is recommending it – Evelyn has diabetes. Fanny (Ramona Lisa Alexander), whom Malka suspects has slept with David, had been thrown out of the house as a teenager, her mother jealous of her developing body. Although a successful realtor, Fanny still has emotional wounds that make her reunion difficult and bitter. Amira, the youngest, born after their father has died, is suffering from mental health issues. Each sister feels like she had it the worst growing up.  It’s a play fraught with tension, resentment and, appropriately set on Yom Kippur, forgiveness and repentance.

Read more “Drama Abounds in “Days of Atonement””

Nora Theatre’s ‘Midvale High School Fiftieth Reunion’ Is A Charmer

 

by Mike Hoban

 

The Midvale High School Fiftieth ReunionWritten by Alan Brody, Directed by Lee Mikeska Gardner; Scenic Design by Steven Royal; Costume Design by Chelsea Kerl; Lighting Design by John Malinowski; Sound Design by Nathan Leigh; Choreography by Marlena Yanetti and Felton Sparks. Presented by The Nora Theatre Company at Central Square Theater, 450 Massachusetts Avenue, Cambridge through July 2.

 

Is it possible to fall in love for the first time long after AARP has begun mailing you membership offers? That’s the question that Midvale High School Fiftieth Reunion, the superb comic drama now having its world premiere at the Central Square Theater, seems to be asking. This thoughtful and very funny play takes one of life’s ridiculously emotionally trying rituals and uses it as a springboard for an unlikely but utterly charming love story. It also sends up all the awkward moments one encounters at the oft-dreaded high school reunion (crushes revealed, not remembering friend’s names, feigned interest in other’s lives) while cleverly inserting backstory for the characters via a series of revealing flashbacks.

Read more “Nora Theatre’s ‘Midvale High School Fiftieth Reunion’ Is A Charmer”

THE MUSIC MAN (Theatre by the Sea, Matunuck, RI)

Reviewed by Tony Annicone

 

Bill Hanney’s Theatre by the Sea’s second show of their 84th season is “The Music Man” by Meredith Willson. This musical first opened on Broadway on December 19, 1957 and ran for 1375 performances. Robert Preston played the leading role of Harold Hill both onstage and in the 1962 film version. The show is set in Iowa in 1912 and is the story of the fast talking Harold Hill who cons the good citizens of River City into buying musical instruments and band uniforms by promising to create a boy’s band in the town.

Read more “THE MUSIC MAN (Theatre by the Sea, Matunuck, RI)”

Huntington’s ‘Ripcord’ Delivers Laughs Alongside Odd Couple’s Darker Side

 

by Mike Hoban

 

‘Ripcord’ – Written by David Lindsay-Abaire. Directed by Jessica Stone. Scenic Design by Tobin Ost; Costume Design by Gabriel Berry; Lighting Design by David J. Weiner; Sound Design and Composition by Mark Bennett; Projection Design by Lucy Mackinnon. Presented by the Huntington Theatre Company at the Calderwood Pavilion, Boston Center for the Arts, 527 Tremont St. Boston through July 2

 

There probably aren’t many plays – even comedies – that could include a scene as implausible as having a septuagenarian drugged, kidnapped, and tricked into jumping out of an airplane without straining its credibility to the point of snapping, but David Lindsay-Abaire manages to not only pull it off but make it convincing in his very funny and ultimately touching Ripcord, now running at the Huntington Theatre through July 2. That scene is just one of the many horrors that two female roommates inflict upon one another to great comic effect as they each try to win the bet to settle a turf battle set in an assisted living facility.

Read more “Huntington’s ‘Ripcord’ Delivers Laughs Alongside Odd Couple’s Darker Side”

“Godspell” (Bishop Hendricken’s Summer Stage)

Reviewed by Tony Annicone

 

Bishop Hendricken’s Summer Stage show this year is “Godspell” with music and new lyrics by Stephen Schwartz and book by John-Michael Tebelak, originally opened off-Broadway on May 17, 1971. It is the loose account of the life and death of Christ and is constructed as a continuous stream of stories, told through parables, many taken from the gospels of St. Matthew and St. Luke. The show lives on in the minds of many as one of those “hippie” musicals and is performed in two acts. “Godspell” is the Old English spelling of gospel. The show is sketch like in nature and suited to improvisations and ad libs. The updated references include the current president and other contemporary themes told in a comical manner. The timeless message of “Godspell” has always been about finding your quiet, unshakeable faith amid a loud,very cold, very shallow modern world. Director Julia Paolino casts these roles splendidly while music director Richie Sylvia taught the 70 member cast the beautiful harmonies of the numbers while Ryan Cox plays lead keyboards and conducts a marvelous seven piece orchestra. Richie taught the diverse type songs to this young cast. Choreographer Teresa Pearson taught the different styles of dance including Charleston, soft shoe, kick line and jazz. Their combined efforts plus their extremely talented cast wins a standing ovation at curtain call.

The set and the costumes are by Carrie Devanney. Jack Ruscetta stars as Jesus and is excellently cast in this role. One of Jesus’ most powerful numbers is “Alas for You” where the words ring true for contemporary audiences as it did back in biblical times and in the 1970’s when the show was first written. Jack’s first song is “Save the People” where the cast dances around him. He also sings “Beautiful City” that he wants a city for all people to enjoy. The Last Supper and the death scene are marvelously portrayed not leaving a dry eye in the house including mine. The opening philosophers section has beautiful harmonies in it as they sing individually first and then in harmony and counterpoint later on.

Julia does a terrific job blocking her huge cast and gives them each their moment to shine in this high energy show. The first act is more vaudevillian while the second act becomes more somber after “Turn Back O Man.” Stephen Lee as John the Baptist sings “Prepare Ye” with his powerful voice to open the show. Ryan Farrell plays Judas displaying his strong voice where he and Jack stop the show with “All For The Best” done in counterpoint with hats and canes. “Day by Day” is given a lovely rendition by Madelyn Dutilly with her beautiful voice where the disciples learn to share with each other. Another fantastic group number occurs when Samantha Hopgood and Madeline Morin belt out “Bless the Lord” with their strong voices. Samantha also sings “Learn Your Lessons Well” with Samantha Schliefer.

A rousing number is “We Beseech Thee” with powerful vocals by Ryan McKenn, Nicholas Bullock and Emily Fielding with a dynamite dance by the cast. The betrayal scene is stunning, too. “By My Side” is sung by the quartet of Madeline Morin, Michaela Vieira, Gillian Austin and Emily Fielding. The tear jerking “On the Willows” is brilliantly sung by the quartet of Nicholas Bullock, Ryan Farrell and Joseph and Thomas Burdick. This song is done as Jesus says goodbye to his followers during the last supper and there isn’t a dry eye in the house. My favorite song in the show is “Turn Back O Man” sung excellently by Lily Brewster as she tries to seduce Jesus and the men in the audience. Jack’s voice soars in his section of this song. “All Good Gifts” is sung by Joseph Burdick with his tenor voice soaring off the charts during it. Elizabeth Barrett sings “Light of the World” to close Act 1. “Long Live God” and “Prepare Ye” are done in counterpoint as Jesus is crucified at the end of the show and “Beautiful City” is also sung in this section. The ending of this musical will leave you emotionally drained at its intensity but uplifted because Jesus left hope for the future. In these trying and uncertain times who could ask for anything better for the world. So be sure to catch “Godspell” at Summerstage before time runs out,

GODSPELL ( 3 to 6 August)

Summer Stage, Bishop Hendricken High School, 2615 Warwick Ave, Warwick, RI

1(401)739-3450 ext 172 or www.hendrickentheatre.com/ARTS