GBSC’s ‘The Play That Goes Wrong’ Pays Hilarious Homage to Community Theater

Cast of GBSC’s ‘The Play That Goes Wrong‘. Photos by Maggie Hall Photography

The Play That Goes Wrong’ – Conceived and written by Henry Lewis, Jonathan Sayer, and Henry Shields. Directed by Tyler Rosati; Original Scenic Design by Peter Colao; Scenic Design by Danielle Ibrahim; Lighting Design by Katie Whittemore; Costume Design by E. Rosser; Sound Design by James Cannon. Presented by Greater Boston Stage Company at 395 Main Street, Stoneham through April 19th

By Mike Hoban

One of the beautiful things about live theater, in addition to the communal experience, is that literally anything can happen onstage. Dropped lines, missing props, doors that won’t open, and, sadly, even accidents that injure the actors (as happened with “Spider-Man Turn Off the Dark” in New York). All of these mishaps and more – way more – occur in rapid-fire succession during Greater Boston Stage Company’s (GBSC) riotous production of The Play That Goes Wrong, which also serves as an homage to the “show must go on!” determination of community and fringe theater troupes.

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Lyric’s ‘The Play That Goes Wrong’ Gets Its Comedy Right

Kelby T. Atkin, Dan Whelton, Michael Liebhauser, Marc Pierre, Mitch Kiliulis in Lyric’s The Play That Goes Wrong. Photos by Mark S. Howard

The Play That Goes Wrong – Conceived and written by Henry Lewis, Jonathan Sayer, and Henry Shields. Directed by Fred Sullivan, Jr.; Scenic Design by Peter Colao; Costume Design by Gail Buckley; Lighting Design by John Malinowski; and Sound Design by Dewey Dellay. Presented by The Lyric Stage Company of Boston, 140 Clarendon St., Boston through December 18.

by Mike Hoban

Fans of farce and physical comedy are in for a treat with The Play That Goes Wrong, now being presented by Lyric Stage. Pratfalls, spit takes, corpses that won’t lie still and even a fart joke are delivered rat-a-tat by a solid cast, and although the genre may not be everyone’s cup of tea, it’s hard to imagine that there won’t be at least a few belly laughs for even the most discerning playgoers. And for anyone who’s ever been involved in community or fringe theater productions, you can safely revisit your fears of impending doom from the safety of your seat. 

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