Theater Mirror’s Kilian Melloy Talks with Joy Behar  about Her New Play, “My First Ex-Husband”

Joy Behar in “My First Ex-Husband” at The Huntington. Photo: Joan Marcus

By Kilian Melloy

An arranged marriage in an Orthodox Jewish community. A husband whose love of dressing in his woman’s clothing isn’t a dealbreaker — until he starts using her makeup, too. Men with wandering eyes and, err, vital organs. A husband of half a century who is still as randy as ever… to his wife’s despair. These are just a few of the hilarious real-life marriages described in the round-robin collection of monologues titled My First Ex-Husband by standup comedian, talk show host, author, and playwright Joy Behar. The play is coming to The Huntington Calderwood at the Boston Center for the Arts for a run from Sept. 12 – 28.

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The Huntington’s Must-See ‘John Proctor Is the Villain’ Conjures Pure Theatrical Magic

Isabel Van Natta, Jules Talbot, Victoria Omoregie, Haley Wong in ‘John Proctor is the Villain’ at The Huntington. Photo Credit: T Charles Erickson

‘John Proctor Is the Villain’ — Written by Kimberly Belflower. Directed by Margot Bordelon. Scenic Design by Kristen Robinson; Costume Design by Zöe Sundra; Lighting Design by Aja M. Jackson; Sound Design by Sinan Reflik Zafar. Presented by The Huntington at Performing at the Calderwood Pavilion at the BCA, 527 Tremont Street, Boston, through March 10, 2024.

By Shelley A. Sackett

In 1692, a witchcraft panic in Salem, Massachusetts, led to the conviction and execution of 19 innocent people (14 women and five men) for a crime that not only was never committed but that never happened in the first place.

A mixture of irrational fear, unchecked religious and patriarchal power, and a persecuting mentality led to the emergence of witch hunts and subsequent witch trials.

Arthur Miller fictionalized and immortalized this historical event in 1953 with The Crucible, a mainstay of most high school English Literature curricula. He intended it as an allegory for and indictment of the rabid McCarthyism of the 1950s, when the U. S. government blithely persecuted citizens accused of being communists based, often, on nothing more than innuendo and hearsay.

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Huntington Theatre’s ‘The Bluest Eye’ Is A Triumph

Cast of The Huntington Theatre’s production of The Bluest Eye by Lydia R. Diamond

by Shelley A. Sackett

‘The Bluest Eye’ Based on the book by Toni Morrison, adapted for stage by Lydia R. Diamond, Dramaturgy by Sandy Alexandre. Directed by Awoye Timpo; Set Design by Jason Ardizzone-West; Costume Design by Dede Ayite and Rodrigo Muñoz; Lighting Design by Adam Honoré; Sound Design by Aubrey Dube; Original Music by Justin Ellington; Choreography by Kurt Douglas; Music Direction by David Freeman Coleman. Presented by Huntington Theatre Company at Boston Center for the Arts through March 26. Digital recordings available Feb. 14 through April 9.

Brimming with sparkling ensemble acting, inspired staging and soulful song and dance, Huntington Theatre’s The Bluest Eye packs a wallop. Thanks to Lydia R. Diamond’s faithful yet nuanced adaptation, Toni Morrison’s groundbreaking début novel about two poor Black families in 1940s Lorain, Ohio is brought to the stage with all its poetry, pathos and humor intact. You can almost feel Morrison’s presence in the audience, beaming pride and approval.

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