The Huntington’s Must-See ‘John Proctor Is the Villain’ Conjures Pure Theatrical Magic

Isabel Van Natta, Jules Talbot, Victoria Omoregie, Haley Wong in ‘John Proctor is the Villain’ at The Huntington. Photo Credit: T Charles Erickson

‘John Proctor Is the Villain’ — Written by Kimberly Belflower. Directed by Margot Bordelon. Scenic Design by Kristen Robinson; Costume Design by Zöe Sundra; Lighting Design by Aja M. Jackson; Sound Design by Sinan Reflik Zafar. Presented by The Huntington at Performing at the Calderwood Pavilion at the BCA, 527 Tremont Street, Boston, through March 10, 2024.

By Shelley A. Sackett

In 1692, a witchcraft panic in Salem, Massachusetts, led to the conviction and execution of 19 innocent people (14 women and five men) for a crime that not only was never committed but that never happened in the first place.

A mixture of irrational fear, unchecked religious and patriarchal power, and a persecuting mentality led to the emergence of witch hunts and subsequent witch trials.

Arthur Miller fictionalized and immortalized this historical event in 1953 with The Crucible, a mainstay of most high school English Literature curricula. He intended it as an allegory for and indictment of the rabid McCarthyism of the 1950s, when the U. S. government blithely persecuted citizens accused of being communists based, often, on nothing more than innuendo and hearsay.

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Feminists Get the Green Light in The Huntington’s ‘John Proctor is the Villain’

Cast of ‘John Proctor is the Villain’ at The Huntington. Photo Credit: T Charles Erickson

The Huntington presents ‘John Proctor is the Villain.’ Written by Kimberly Belflower. Directed by Margot Bordelon. Scenic Design by Kristen Robinson. Costume Design by Zoë Sundra. Lighting Design by Aja M. Jackson. Sound Design by Sinan Refik Zafar. At the BCA’s Calderwood Pavilion through March 10, 2024.

by Linda Chin

The Huntington’s provocative John Proctor is the Villain, by playwright Kimberly Belflower, is set in the present day, in a small – and small-minded – town in Appalachian Georgia. Four female students of diverse backgrounds, frustrated/inspired by discussions in their co-ed 11th grade Honors English/Sex-Education class centered on male heroes in The Crucible and scientific descriptions of sex, are eager to start a new ‘Feminism Club.’ Not surprisingly, the teenagers have different definitions of what “feminism” means and “feminists” are, different (and evolving) understandings of why it matters, and what the club’s purpose would be. The four young feminists are all on board to be the club’s founders, but will the School Board of the one-stoplight town give them the green light?

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