Arlekin Players presents Our Class. Written by Tadeusz Slobodzianek. Adapted by Norman Allen. Directed by Igor Golyak. Scenic Design by Jan Pappelbaum. Costume Design by Sasha Ageeva. Lighting Design by Jeff Adelberg. Sound Design by Ben Williams. Projection and Video Design by Eric Dunlap, Igor Golyak with Andrea Mincic. Choreography by Or Schraiber. At Boston Center for the Arts, Calderwood Pavilion, 527 Tremont Street, Boston, through June 22nd. 

By Linda Chin

With four 2024 Lucille Lortel Awards (Outstanding Revival, Director, Ensemble, Scenic Design) for its Off-Broadway premiere of Our Class in hand, Arlekin Players’ artistic director, Igor Golyak and producing director Sara Stackhouse have brought their production home to Greater Boston for audiences to “enjoy”. The play’s limited run at the BCA during June – Immigration Heritage Month – is timely given the 15-year-old Needham-based company’s history as an ensemble of immigrants from countries in the former Soviet Union. Written by Tadeusz Slobodzianek and adapted by Norman Allen, Our Class follows the stories of ten Polish classmates, half Jewish and half Catholic, who lived together in the small village of Jedwabne across eight decades of the 20th century.

Read more “Arlekin Players ‘Our Class’ Exposes the Danger of Erasing the Past and Repressing the Truth”

‘Our Class’ – Written by Tadeusz Słobodzianek. Adapted by Norman Allen. Directed by Igor Golyak. Staged by Arlekin at the Calderwood Pavilion at Boston Center for the Arts, Boston, through June 22.

By Shelley A. Sackett

No one can take his audience on an emotional and artistic roller coaster like Igor Golyak, founder and artistic director of Arlekin Players Theatre & Zero Gravity (Zero-G) Theater Lab. With “Our Class,” in production through June 23 at the Calderwood Pavilion, he introduces us to characters we initially relate to and bond with, spins an artistically ingenious cocoon, and then tells a tale that rips our heart to shreds and leaves us too overwhelmed to even speak.

Read more “‘Our Class’ Confronts And Challenges Revisionist History”