Review by James Wilkinson

‘King John’ – Written by William Shakespeare. Directed by Kimberly Gaughan. Assistant Director: Elena Toppo. Lighting: Erik Bailey. Sound/Music Design: Kimberly Gaughan and Daniel Boudreau. Presented by Praxis Stage at the Calderwood Pavilion at the Boston Center for the Arts January 30-February 16, 2020.

You’re not going to catch me arguing everything that ever fell out of Shakespeare’s head reeks of brilliance. The man may have hit unparalleled levels of artistic genius, but every artist has an off day. Trust me, Shakespeare had several. I’m always confused when I see notices for productions of The Comedy of Errors because its existence means at least two people got together in a room and said, “This is going to be good.” (I promise you, it won’t) There’s a flip side to that coin, though, underrated plays that don’t see nearly as many productions as their more notable counterparts. (There’ll always be a special place in my heart for the outright lunacy that is Titus Andronicus.) Praxis Stage’s new production makes the argument that King John belongs in that latter category and it’s damn strong one at that. It’s not a perfect production, but I’m going to go ahead and dump most of the flaws it has on the shoulders of Shakespeare. In any case, the positives with Praxis’ production vastly outweigh the negatives. There’s a hipness to it, an inner groove that you succumb to. It slinks right up and before you can say a word, lights your cigarette then vanishes. The move is so effortlessly cool that it’s only later you realize you probably shouldn’t be smoking.

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