Tag: FRONT PORCH COLLECTIVE

‘Black Odyssey Boston’ is Near-Perfection

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Ramona Lisa Alexander (Circe) and Brandon G. Green (Ulysses Lincoln) with Akili Jamal Haynes in the background in ‘Black Odyssey Boston’. Photo: Maggie Hall. Photo: Maggie Hall.

by Nicholas Whittaker

‘Black Odyssey Boston’ – Directed by Benny Sato Ambush. Written by Marcus Gardley. Choreographer: Melissa Alexis. Scenic Designer: Jon Savage. Lighting Designer: Aja M Jackson. Sound Designer: Dewey Dellay. Music/Choral Director: Allyssa Jones. Properties Designer: Elizabeth Rocha. Stage Manager: Phyllis Y. Smith. Assistant Stage Manager: Sara Hutchins. Presented by Front Porch Collective and Underground Railway Theater at Central Square Theater through May 19th

To call Black Odyssey Boston a retelling of the Greek myth of Ulysses “but with Black people” would be a gross mischaracterization. Such a play, after all, would be politically weak and artistically disappointing. What good is seeing Black bodies on stage if the stage is not affected by their Blackness, if Black folks are not allowed to tell their own narratives, rather than be stand-ins for a drama they do not know? And what good is a mere “retelling” of one of the oldest stories we have, a parroting of the past?

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LYRIC STAGE & FRONT PORCH COLLECTIVE’S ‘BREATH AND IMAGINATION’ TAKES YOU TO CHURCH

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by Nicholas Whittaker

 

 ‘Breath and Imagination’ – Written by Daniel Beaty; Directed by Maurice Emmanuel Parent; Music Director, Asher Denburg; Additonal Music Direction, Doug Gerber; Scenic Design, Baron E. Pugh; Costume Design, Elisabetta Polito; Lighting Design, Aja M. Jackson; Sound Design, David Wilson. Presented by the Front Porch Collective and Lyric Stage Company at 140 Clarendon St. Boston through December 23

 

In the early movements of Breath and Imagination: The Story of Roland Hayes, a memory by Daniel Beaty, the eponymous character’s mother Angel Mo’ instructs her young son on a sung phrase. Together, they pore over the short phrase, focusing not on the precise notes, but on the spirit of the song, the intricacies of vocal flows and riffs and tone and emotion that characterize the tradition of Black gospel and church music. Together, they transform the phrasing from a mere collection of notes to a song, a deeply felt religious moment of love, joy, and community.

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