Flat Earth Theatre Looks to the Classics to Explain the Present

 

by James Wilkinson

 

‘Antigone’Written by Jean Anouilh, and adapted by Lewis Galantiere. Presented by Flat Earth Theatre. Directed by Lindsay Eagle. Set Design: Darren Cornell. Assistant Set Design: Marina Sartori and Emily Penta. Costume Design: E. Rosser. Props Design: Emily Penta. Lighting Design: PJ Strachman. Sound Design: Chris Larson. Graphic Designer: Jake Scaltreto. Violence Designer: Matt Arnold. Dramaturg: Betsy S. Goldman. Artistic Sign Language Consultant: Kristin Johnson. Presented by Flat Earth Theatre at The Mosesian Center for the Arts, 321 Arsenal St. through March 31

 

You don’t need to wait for the Greek chorus to tell you that things will not be turning out okay. A palpable aura of dread surrounds Flat Earth Theatre’s production of Antigone from the moment you enter the space. The audience takes their seats by passing through the a wreckage of a recent war, stared down by a trio of imposing soldiers, guided through the shadows by a dim set of industrial lights. A droning sound off in the distance envelops the space, keeping you from truly relaxing into your seat. It’s a wonderfully intoxicating environment to be stepping into. Most people tend to associate classical works with dusty libraries and dry academia. It’s nice to be reminded that in the right directorial hands, there’s a vital, thrilling world to be conjured with those texts.

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