“Ain’t Misbehavin’” Sets the Joint Jumpin’

Sheree Marcelle, Jackson Jirard, Lovely Hoffman, Christina Jones, and Anthony Pires, Jr. in ‘Ain’t Misbehavinat Central Square Theater. Photos by Nile Scott

by Michele Markarian

“Ain’t Misbehavin’” – The Fats Waller Musical. Conceived by Richard Maltby Jr. and Murray Horowitz, Musical Adaptations, Orchestrations and Arrangements by Luther Henderson.  Directed and Choreographed by Maurice Emmanuel Parent. Co-produced by The Nora@Central Square Theater, The Front Porch Arts Collective, and Greater Boston Stage Company, 450 Massachusetts Avenue, Cambridge, through May 29.

Years ago, for our parents’ 20th wedding anniversary, my siblings and I bought them tickets to see “Ain’t Misbehavin’”.  I don’t remember why we picked this particular show, except that they liked musicals and this one was new. They came back from their evening raving about how incredible it was; they talked about it for days. From what I was hearing, it was the music that hooked them, as they didn’t tell us much in the way of the storyline. The memory of their experience stayed with me, for who doesn’t want to be deeply rocked by a musical? After seeing “Ain’t Misbehavin’” for the first time in Central Square, I totally get where they were coming from. 

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The Joint is Jumping with Theatre by the Sea’s AIN’T MISBEHAVIN’

 

Reviewed by Tony Annicone

 

The first musical of Theatre by the Sea’s historic 85th season is Fats Waller’s musical revue “Ain’t Misbehavin’.” The Harlem Renaissance of the 1920’s and 1930’s comes to life onstage as a tribute to the black musicians of that era. It was an era of growing creativity, cultural awareness and ethnic pride. This musical revue first opened in the Manhattan Theatre on February 8, 1978 and ran for 1,604 performances, winning three Tony Awards including the Best Musical. Five performers present an evening of rowdy, raunchy and humorous songs that encapsulate the various moods of that time period.

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