(John Scurti, Morocco Omari, and J. Bernard Calloway in ‘The Purists at the Huntington Theatre. Photo Credit: T Charles Erickson)
by Michele Markarian
“The Purists” – Written by Dan McCabe. Directed
by Billy Porter. Presented by Huntington Theatre Company at the Calderwood
Pavilion at the BCA, 527 Tremont Street, Boston through October 6.
There
are some casts so talented that they manage to salvage a mediocre script. There
are some scripts so compelling that they manage to salvage a mediocre cast. A
timely play about friendship, division and tolerance, “The Purists” is both exquisitely
well-written and exceptionally well cast.
(Kristin Stokes, Chris McCarrell, and Izzy Figueroa in the Huntington Theatre Company’s production of The Lightning Thief: The Percy Jackson Musical)
by Michele Markarian
‘The Lightning Thief: The Percy Jackson
Musical’ – Book by Joe Tracz. Music and Lyrics by Rob Rokicki. Adapted from the
book “The Lightning Thief” by Rick Riordan. Directed by Stephen Brackett. At
the Huntington Theatre Company, 264 Huntington Avenue, Boston, through July 28th.
When my son was in middle school, every kid was reading the Percy Jackson series by Rick Riordan, beginning with The Lightning Thief. I never read it myself, having little interest in ‘tween literature. My expectations were low coming to see this show; my grown-up companion’s even lower, as he thought I had told him we were seeing a musical about Percy Faith. Much to our surprise and delight, The Lightning Thief is an absolute blast of a ride from beginning to end. In addition to the lively score and clever book, the extremely talented and likeable cast of seven makes this an unforgettable theatrical experience.
‘Yerma’ – Conceived by Melinda Lopez and Melia Bensussen, Adapted and Translated by Melinda Lopez, based on the play by Federico Garcia Lorca. Directed by Melia Bensussen; Scenic Design by Cameron Anderson; Costume Design by Olivera Gajic; Lighting Design by Brian J. Lilienthal; Sound Design by Brendan F. Doyle & Mark Bennett; Original Music by Mark Bennett; Music Direction by Jesse Sanchez; Choreography by Misha Shields. Presented by the Huntington Theatre Company at the Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street, Boston through June 30
Right from the outset of Yerma, the absorbing and surrealistic adaptation/translation of Federico Garcia Lorca’s 1934 work by Boston playwright Melinda Lopez, there are subtle hints that, despite appearances, there may be trouble on the horizon for the marriage of the title character and her husband Juan. But that foreshadowing is unlikely to prepare us for the path that this strange and poetic story will take, as it morphs into an unsettling tale of obsession and eventually, madness. The Huntington Theatre Company is presenting this world premiere play with music at the Boston Center for the Arts’ Calderwood Pavilion through June 30th.
(Cast of ‘Indecent’, at the Huntington Theatre. Photo Credit: T Charles Erickson)
By
Mike Hoban
Indecent – Written by Paula Vogel; Directed by Rebecca Taichman; Music Supervision by Lisa Gutkin; Scenic Design by Riccardo Hernandez; Choreography by David Dorfman; Sound Design by Matt Hubbs; Lighting Design by Christopher Akerlind; Costume Design by Emily Rebholz; Projection Design by Tal Yarden. Presented by the Huntington Theatre Company at the Huntington Avenue Theatre, 264 Huntington Ave., Boston through May 25
“There
is a story we want to tell you…about a play that changed my life. Every night
we tell this story, but somehow, I can never remember the end.”
So begins Lemml (Lou) the Stage Manager/Narrator of Indecent, at the outset of the Huntington Theatre’s spellbinding production of Paula Vogel’s Tony Award-winning play with music. This often surreal account of the history of the controversial Yiddish play God of Vengeance takes us from its beginnings at a workshop read in 1906, through its final performances by the original cast performing for Polish Jews in an attic in the Warsaw Ghetto. It’s a deeply moving and wildly entertaining theatrical experience featuring traditional Yiddish music and dance as well as snatches of the original play, but the compelling narrative that runs throughout the 100 minute piece is of the political difficulties of presenting truth in art – or in everyday life for that matter.
George Hampe and Lily Santiago in Huntington’s ‘Romeo & Juliet
By Mike Hoban
Written by William
Shakespeare, Directed by Peter DuBois; Scenic Design, Wilson Chin; Costume
Design, Ilona Somogyi; Lighting Design, Russell H. Champa; Original Music &
Sound Design, Obadiah Eaves; Choreographer, Daniel Pelzig; Fight Direction,
Rick Sordelet & Christian Kelly-Sordelet. Presented by the Huntington
Theatre Company at 264 Huntington Ave., Boston through March 31
Over the years there have been a multitude of theatrical updates of Romeo and Juliet, Shakespeare’s tragic tale of doomed teen lovers, with the best of those inarguably being the Bernstein/Laurents/Sondheim masterpiece, West Side Story. The latest take comes from the Huntington Theatre Company’s Artistic Director Peter Dubois, who – with the help of a plethora of Boston’s local stage luminaries – transports the story into the 21st century while leaving the original text intact. It’s a surprisingly comic and wildly entertaining version of the classic, but it also does an admirable job of driving home the idea that the toxic “blind tribalism” that is threatening to destroy democracy in America today is hardly a new development.
(Cast of “Spamilton” – Photos by Roger Mastroianni)
By Michele Markarian
“Spamilton”
– Created, Written and Directed by Gerard Alessandrini. Presented by Huntington
Theatre Company, Calderwood Pavilion at the BCA, 527 Tremont Street, Boston, through
April 7.
Where
to start with this show? Well, in the
Obamas’s bedroom, where Barack puts on the cast recording of “Hamilton” before
he and Michelle go to sleep. Lo and behold, Lin-Manuel Miranda (Adrian Lopez)
is onstage, in full “Hamilton” garb, and the first number is a spoof on him (“In New York you can be a real ham”
sung to the tune of “Alexander Hamilton”).
I don’t know where they found Lopez, but onstage he is the spitting
image of Miranda, and captures his vocal inflections perfectly. It’s uncanny to watch.
Daveed Diggs (Dominic Pecikonis) and Aaron Burr (Datus Puryear) provide
their own admonishments, but lest you think you’re in for an entire evening of
roasting Lin-Manuel, the show, under the excellent musical direction and
accompaniment of Curtis Reynolds, spins into a loving roast of Broadway itself,
past and present.
Skeleton Crew – Written by Dominique Morisseau; Directed byMegan Sandberg-Zakian Scenic Design by Wilson Chin; Costume Design by Ari Fulton; Lighting Design by Adam Honoré; Sound Design by Nathan Leigh. Presented by the Huntington Theatre Company at the Calderwood Pavilion at the BCA, 527 Tremont St., Boston, through March 31.
Most of us know what it is like to compromise our ideals to some degree in the workplace, whether we’re working in a boardroom for a large corporation or slinging burgers in a fast food joint. The nature of everyday workplace life often requires us to make ethical decisions that place job security and/or advancement above our personal ideals and dreams, and it only becomes more difficult to do the right thing when the stakes are raised to a level that will directly affect our ability to survive.
Bad Dates – Written by Theresa Rebeck; Directed by Jessica Stone; Scenic Design by Alexander Dodge; Costume Design by Sarah Laux; Lighting Design by David J. Weiner; Sound Design by Drew Levy. Presented by the Huntington Theatre Company, Huntington Avenue Theatre, 264 Huntington Ave., Boston through March 3rd.
Bad Dates, Theresa Rebeck’s one-woman play now making its return to the Huntington after a smash run in 2004, is billed as a comedy, but it’s actuality it’s much more than that. At the outset it appears to be just another amusing discourse on dating – which is always a rich vein to mine for laughs – but as the plot unfolds it becomes sneakily poignant. And in the hands of the gifted comic actress Haneefah Wood and director Jessica Stone, the piece is transformed into a masterful piece of storytelling.
Huntington Theatre’s opening show of their season is “Merrily We Roll Along” Stephen Sondheim’s, musical of friendship and ambition. It is based on the 1934 play with the same name by George S. Kaufman and Moss Hart. “Merrily We Roll Along” has a book by George Furth that opens in 1976 and travels back in time to tell the story of Franklin Shepherd, a successful Broadway composer who leaves his theatre and songwriting career behind him to become a Hollywood movie producer.
