Love is a Battlefield in Les Liaisons Dangereuses

 

By Michele Markarian

 

Les Liaisons Dangereuses, written by Christopher Hampton, from the novel by Pierre Choderins de Laclos. Directed by Lee Mikeska Gardner. Presented by The Nora Theatre Company, Central Square Theater, 450 Massachusetts Avenue in Cambridge through July 1.

 

Lee Mikeska Gardner’s opening staging of Les Liaisons Dangereuses is intriguing. Ten men, similarly dressed in white blouses and dark pants – with variations on the neckline of the blouse – choose a trinket, one by one, with a gesture or expression that tells the audience something about the character they’ll be playing.

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North Shore Music Theatre Delivers a Rousing, Touching ‘Mame’

 

Reviewed by Tony Annicone

 

The opening musical of North Shore Music Theatre’s 63rd season is “Mame”, originally titled “My Best Girl”, it is based on the 1955 fictional novel Auntie Mame by Patrick Dennis and a 1956 play starring Rosalind Russell. The musical version by Jerry Herman opened on Broadway on May 24, 1966, ran for 1,508 performances and starred Angela Lansbury and Bea Arthur who both won Tony Awards for their roles as Mame and Vera.

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Wellesley Repertory Theater Offers up A ‘Piece of My Heart’

 

 

Review by James Wilkinson

 

A Piece of My HeartWritten by Shirley Lauro. Directed by Nora Hussey. Set Design by Janie Howland. Costume Design by Chelsea Kurl. Lighting Design by Matt Whiton. Projection Design by Johnathan Carr. Sound Design by George Cooke. Dramaturgy by Laura Zawarski. Presented by Wellesley Repertory Theatre, at Wellesley College 106 Central Street, Wellesley through June 24.

 

There’s been a long overdue push in recent years, for the inclusion of a wider range of voices and experiences in mainstream culture. I found myself thinking about this while I was watching Wellesley Repertory Theatre’s production of Shirley Lauro’s A Piece of My Heart – precisely because the production is a prime example of what can happen when you let the perspectives of underrepresented groups into the room. Suddenly we’re able to come at institutions, narratives and historical events from new angles. The Vietnam War looms large for artists of a certain generation and can seem like a “been there/done that” topic. Artistic mediums have been dissecting both the war itself and the circumstances surrounding it since before it was even over. But as I was watching Wellesley Rep’s show, I realized that while I could easily name a number of cultural artistic touchstones that told the story of the men in that war, (Born on the Fourth of July, Apocalypse Now, Platoon, Full Metal Jacket, The Deer Hunter, the works of Tim O’Brien, etc.), there weren’t any stories that immediately came to mind that focused on the women who acted beside those men. That’s where Lauro’s play and Wellesley Rep’s production comes in. In addition to being a finely crafted evening of theater, A Piece of My Heart provides a necessary history lesson on a traditionally underserved group, female Vietnam Vets.

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The Joint is Jumping with Theatre by the Sea’s AIN’T MISBEHAVIN’

 

Reviewed by Tony Annicone

 

The first musical of Theatre by the Sea’s historic 85th season is Fats Waller’s musical revue “Ain’t Misbehavin’.” The Harlem Renaissance of the 1920’s and 1930’s comes to life onstage as a tribute to the black musicians of that era. It was an era of growing creativity, cultural awareness and ethnic pride. This musical revue first opened in the Manhattan Theatre on February 8, 1978 and ran for 1,604 performances, winning three Tony Awards including the Best Musical. Five performers present an evening of rowdy, raunchy and humorous songs that encapsulate the various moods of that time period.

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Ogunquit’s “Smokey Joe’s Cafe,” is a Spectacular Songfest

 

by Sheila Barth

 

There’s no other way to say it.

 

Ogunquit Playhouse’s opening season,90-minute, one-act, super songfest, “Smokey Joe’s Cafe,” based on the music of multi-award winners Jerry Leiber and Mike Stoller, is sensational, spectacular, stupendous, and superlative in every way.

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Theater Uncorked Debuts With One-Night Only Performance of ‘Sweeney Todd’

 

Sweeney Todd in Concert – A Pop-Up Musical. Directed by Allison Olivia Choat. Music Direction by Gina Naggar. One night only on June 2nd at First Church in Cambridge (11 Garden St, Cambridge, MA 02138) at 7:30 pm.

 

After 40 years in Boston area theater – with the first 31 spent in community theater – three-time IRNE winner Shana Dirik has assumed the position of Producing Artistic Director with her own company, Theater Uncorked. The company’s first project will be a one night event, “Sweeney Todd in Concert – A Pop-Up Musical”, and will be directed by 2018 Elliott Norton Award Winner Allison Olivia Choat. Dirik (Mrs. Lovett), Ben DiScipio (Sweeney Todd) and Paul Farwell (Judge Turpin) will reprise their roles from the 2009 Metro Stage Company production, which earned Dirik and DiScipio IRNE Awards. Theater Mirror spoke with Dirik about the new company as she prepared for the June 2nd performance.

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Israeli Stage’s ‘The Last Act’ is a Timely, Tightly Coiled Drama

 

By Michele Markarian

 

The Last Act. Written by Joshua Sobol. Directed by Guy Ben-Aharon. Presented by Israeli Stage Company, Calderwood Pavilion at the Boston Center for the Arts, 527 Tremont Street, Boston, through June 1.

 

The Last Act, a world premiere by reknowned Israeli playwright Joshua Sobol, couldn’t get produced in Israel’s government-sponsored theaters for fear of losing funding (reader, I must confess, as someone who is a little disenchanted with US politics right now, I felt a certain amount of schadenfreude upon learning this). Israel’s loss is our gain; this excellent, tautly constructed play is a statement, not just about the Israeli-Palestinian conflict, but what happens when we let currents of the zeitgeist influence our better instincts. One can certainly relate the events of The Last Act to what is happening with the Black Lives Matter movement, as well as anti-Muslim, anti-Mexican, anti-Semitism, anti-other sentiments in America today. The added element of Big Brother makes The Last Act a very, very timely and universal piece.

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Lyric’s ‘The Wiz’ Wows

 

 

By Michele Markarian

 

The Wiz.  Book by William F. Brown. Music and Lyrics by Charlie Smalls, from the story The Wonderful Wizard of Oz by Frank L. Baum. Directed by Dawn M. Simmons. Musical Director Allyssa Jones. Presented by Lyric Stage Company of Boston, 140 Clarendon Street, Boston, MA, through July 1.

 

Long before Hamilton came into existence – okay, the 1970s – there were musicals that we theater geeks revered, their music and lyrics working their way into our vernacular. A Chorus Line was one. The Wiz was another, making a pop star of its Dorothy, the young, talented Stephanie Mills.

 

“Who does this show?” I practically shouted at my husband, upon learning of the Lyric Stage’s production of The Wiz, grateful that for once, I wouldn’t have to twist his arm to go see something.

 

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Strong Performances Lift Gloucester Stage’s “Madame Defarge”

 

Madame Defarge – Inspired by Charles Dickens’ “A Tale of Two Cities”; Book, Music and Lyrics by Wendy Kesselman; Directed by Ellie Heyman. Presented by Gloucester Stage Company, 267 East Main Street, Gloucester through June 2

 

The Gloucester Stage Company is opening its season in ambitious fashion, with the world premiere of Madame Defarge, an absorbing and well-staged new musical based on the character from Dickens’ “A Tale of Two Cities”. Powered by a fiery performance by Jennifer Ellis and committed work by a deep and talented supporting cast, the production overcomes a complex storyline (that may be confusing to those unfamiliar with the Dickens tale) to deliver a satisfying theatrical experience in the cozy confines of Gloucester Stage.

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A Spectacular New Musical, ‘MADAME DeFARGE’ Ignites Gloucester Stage

 

By Sheila Barth

BOX INFO: Two-act, two-hour new musical, book, music and lyrics by Wendy Kesselman, inspired by Charles Dickens’ “A Tale of Two Cities,” making its world premiere, with a Boston all-star cast, appearing at Gloucester Stage Company, now through June 2: Wednesday-Saturday, 7:30 p.m.; Saturday,Sunday, 2 p.m. 267 E. Main St., Gloucester. $35-$45, senior, 18-under years old, and other discounts. 978-281-4433, gloucesterstage.com.

For two hours, theatergoers sat hushed, in reverential silence. A woman in the audience wept, her tears heart-rending, in the final scenes of Gloucester Stage Company’s spectacular production of Wendy Kesselman’s new musical, “Madame DeFarge”. The deeply moving play is inspired by Charles Dickens’ “A Tale of Two Cities”.

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