‘Silent Sky’ Shines Brightly at MRT

 

By Mike Hoban

 

‘Silent Sky’ – Written by Lauren Gunderson; Directed by Sean Daniels; Set Design by James J. Fenton; Costume Design by Anne Kennedy; Lighting Design by Brian J. Lilienthal; and Original Composition and Sound by David Keeton. Presented by Merrimack Repertory Theatre at the 50 East Merrimack Street through November 12

 

Lauren Gunderson’s ‘Silent Sky’, now being given glorious life by Merrimack Rep’s first rate production, is proof positive that science can indeed be fun. It certainly helps that it’s the science of the stars – and its infinite possibilities – at the heart of this dramedy, which is uplifting without hitting us over the head with the very real importance of its subject matter. Silent Sky tells the story of Henrietta Swan Leavitt, the groundbreaking astronomer who devised a method of analysis that established “the relationship between period and luminosity in Cepheid variables” – which essentially provided the building blocks for the discovery that the universe is considerably bigger (by billions of times) than previously thought.

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“Lost Tempo” Hits All the Right Notes

 

Review by James Wilkinson

 

‘Lost Tempo’ – Written by Cliff Odle; Directed by Diego Arciniegas; Scenic Design by Jeffrey Petersen; Costume Design by Rachel Padula-Shufelt; Lighting Design by Evey Connerty-Marin; Sound Design by J Jumbelic. Presented by Boston Playwrights’ Theatre at 949 Commonwealth Avenue, Boston through October 22.

 

I’m a sucker for a truly immersive theater set. There’s something about the way it envelops you, inviting you in. You’re allowed to let everything outside of the theater fade away. Forget about where you parked the car, what you had for dinner, the work at home you’ve been putting off. The curtain hasn’t even risen and already you’ve been dropped into the world of the play. Read more ““Lost Tempo” Hits All the Right Notes”

JESUS CHRIST SUPERSTAR

Reviewed by Tony Annicone

 

The Renaissance City Theatre Inc., the producing entity of the Granite Theatre’s current show is “Jesus Christ Superstar”, Andrew Lloyd Webber and Tim Rice’s rock opera. The show chronicles the last seven days in the life of Jesus of Nazareth as seen through the eyes of his disciple Judas Iscariot, who became disillusioned by the movement. At the opening of the show, Judas agonizes over his perception that Jesus’ followers have become fanatical and unrealistic, hailing him as a god and twisting his words into monstrous prophecies.

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Rod Ferguson Brings Music, Laughs with “Some Others I’ve Seen”

 

by Mike Hoban

 

Following a successful summer run in Provincetown, Rod Ferguson is bringing his unique cabaret style to Club Café in the South End for the next two Thursdays in October. His new show, “Some Others I’ve Seen: Stumbling Towards Love” combines musical selections from the 40’s (“You’d Be So Nice To Come Home To”, “You’re Nobody Till Somebody Loves You,” “Where or When”) with a series of well-crafted (and very funny) personal anecdotes to create an evening of cabaret that allows you to check your mind at the door, sing along – and laugh like hell.

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Theater Mirror Interviews Rod Ferguson on his one-man show, “Some Others I’ve Seen”

 

by Michael Cox

 

We sat down with the “wickedly funny” cabaret comedian Rod Ferguson to talk about his one-man show, “Some Others I’ve Seen,” the third in a series he has presented at Club Café featuring “the songs you love to hear with the stories I loves to tell.” This time the music is inspired by the swing era show tunes of the 1940s. Accompanied by Club Café’s own Brian Patton on the piano, “Some Others I’ve Seen” runs October 12, 19 and 26 at 7 PM. Tickets are available at clubcafe.com.

 

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THE GREAT GATSBY (Burbage Theatre Company, Pawtucket)

 

Reviewed by Tony Annicone

 

Burbage Theatre Company’s second show of their season is “The Great Gatsby” by F. Scott Fitzgerald. This is their first show in their new location in Pawtucket. This classic novel from 1925 has been adapted for the stage by Simon Levy, it remains the evocative story of the pursuit of wealth and romance in The Jazz Age of the roaring 1920’s. Enigmatic self-made millionaire Jay Gatsby pursues the married, moneyed Daisy Buchanan as his party guests drink and Charleston their frenzied way of life at his opulent Long Island mansion.

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Bill Hanney’s NSMT ‘EVITA’ Evokes Excitement and Tears

 

By Sheila Barth

 

BOX INFO: Under two-hour, two-act, multimedia musical production of Andrew Lloyd Webber and Tim Rice’s 1980 multi-Tony Award winner and others, appearing through October 8: Tuesday-Thursday, 7:30 p.m.; Friday, Saturday, 8 p.m.; matinees, Wednesday, Saturday Sunday, 2 p.m. Bill Hanney’s North Shore Music Theatre, 62 Dunham Road, Beverly. $57-$82; kids 18-under, 50 percent discount. nsmt.org, 978-232-7200.

 

While dynamic, dying, populist First Lady Eva Peron sings to the masses,”Don’t Cry for Me, Argentina,” members of Bill Hanney’s North Shore Music Theatre audiences stifled tears, identifying with the grieving masses who deified the beautiful performer-turned-political leader.

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Jesus Christ Superstar, Bristol Community College, Fall River

Jesus Christ Superstar, Bristol Community College, Fall River

Janice MacDonald’s Studio Theatre Company

October 19-21, 2017

 

By Sue Nedar

 

Going into the theatre last night, I was filled with hopeful anticipation.  Jesus Christ Superstar, Sir Andrew Lloyd Webber and Tim Rice’s crown jewel piece, is this reviewer’s all-time favorite show.  It holds a very special sentimental place in my heart – but that’s another story.

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“SHREK, THE MUSICAL” (Stadium Theatre, Woonsocket, RI)

Reviewed by Tony Annicone

 

Stadium Theatre’s fall show is “Shrek, the Musical”, based on the Oscar winning Dreamworks animation movie with the same name from 2001. It has music by Jeanine Tesori and book and lyrics by David Lindsay-Abaire with the original source material from William Steig’s 1990 book “Shrek.” The story begins when Shrek tells the audience his parents sent him out of the house at the age of 7 and into the world to make a living. They warn him because of his looks, everyone will hate him and he will come to a bad end. The audience joins Shrek and his loyal steed, Donkey on their quest to rescue the beautiful if slightly temperamental Princess Fiona from a tower guarded by a love sick fire-breathing dragon. Throw in the diminutive Lord Farquaad who is in love with Fiona, a gang of fairytale misfits, and a gingerbread cookie with attitude to the list of wild and crazy characters that Shrek and the audience meet along the way. Shrek is an outsider who goes on a journey to discover where he belongs in the world. This is something everyone can relate to as well as an important lesson to learn that you should learn to accept everybody no matter how they look. Add splendid singing and dancing by this 41 member cast with excellent direction by Ashley Lopes, terrific choreography by Jennifer Webb and marvelous music direction by Alex Tirrell. This high energy musical is rewarded with a spontaneous standing ovation at the curtain call with the whole audience singing “I’m a Believer” with Shrek and his cast mates.

Ashley picks the best performers for these roles and infuses them with keen insight into the comic and dramatic moments that enthrall the crowd. Jennifer’s choreography is breathtaking especially the tap dance, the twist, the Charleston and some Motown dances. The 19 songs and music soar under Alex’s direction with his excellent 12 piece orchestra. Leading this huge cast is Aidan Horrigan as Shrek. He is dynamic in this role, winning over the audience with his sympathetic portrayal. Aidan’s songs include “Big Bright Beautiful World”, when he sings about being alone in the swamp, “When Words Fail” when he tries to explain his feelings to Fiona, “Build a Wall” when he is angry with everyone around him and “Beautiful Ain’t Always Pretty”, when he falls in love at last. His duet with Fiona is “I Think I Got You Beat” which is reminiscent of “Anything You Can Do” from “Annie Get Your Gun” where they compete with each other in an hilarious burping and farting contest. Aidan closes the show with “I’m A Believer” of Monkee fame with the whole cast dancing to it.

 

Brian Lopes is a hoot as the Donkey. He is a hoot with his wild and crazy antics as well as his delivery of the witty one liners. Brian’s powerful voice is heard in “Don’t Let Me Go” when he first meets Shrek, “Travel Song” where he explains he’s a GPS in fur, “Forever” is when the Donkey discovers the Dragon is holding Fiona captive, “Who I’d Be”, “Make a Move” when he encourages Shrek to pursue Fiona and “This Is Our Story” which brings the Donkey a happy ending. Multitalented beautiful red head, Dalita Getzoyan is superb as the spunky, Fiona. This character isn’t afraid of anyone and speaks her mind freely. Her lovely voice is heard in the very poignant “I Know It’s Today, where she sings about being rescued by a prince ( sung in perfect three part harmony with Jennifer Leamy as Young Fiona and Elizabeth Larabee as Teen Fiona) “This Is How A Dream Comes True”, “Who I’d Be” where she, Shrek and the Donkey sing of the secrets they are hiding, “Morning Person”, a stunning show stopping tap dance that opens Act 2, “I Think I Got You Beat”, the farting song and “This Is Our Story” where she and Shrek get together at last. Marvelous work by the three leading players.

 

The rest of the cast lives up to the high standards of the leading players. Dillon Tognacci plays the part of Lord Farquaad excellently. He is the villain of the show as he wants Shrek killed so he can have Fiona for his own. Dillon is a hoot as this Snidley Whiplash character as he oozes evilness from every pore of his being. He plays the part on his knees with fake legs and his dancing has to be seen to be believed. His strong voice soars in his two big song and dance numbers “What’s Up Duloc?” and “The Ballad of Farquaad.” Dillon is hilarious while stealing many a scene with his strong comic timing. Farquaad’s even smaller father, Grumpy of Snow White fame is played by tiny Jake Smolan who also plays Young Shrek. He is a hoot as Grumpy who finally puts Farquaad in his place. Michaelyn St. Pierre plays the comical Dragon marvelously. She displays her powerful voice in “Forever” with Brian as she falls in love with Donkey. Leading the fairytale characters is Pinocchio played splendidly by Connor Buonaccorsi and he is hilarious as his nose keeps growing longer every time he tells a lie. Connor speaks in a high pitched voice and leads the chorus in “Story of My Life”, “The Goodbye Song” and “The Freak Flag” which is where the fairytale characters do a Motown dance that captivates the audience. He also plays the Pied Piper and he and the rats do a terrific tap dance. Bryn Martin who is a  gorgeous blonde is a hoot as Gingy, the gingerbread cookie who is tortured by Farquaad so he can find his princess and become king. Her fabulous singing voice is heard in “The Freak Flag.” Madison LaPlante has a fabulous voice which soars in “Freak Flag” song where she plays Humpty Dumpty. There are many twists and turns leading up to its heartwarming ending. So for a wonderful musical treat that can be enjoyed by audiences of all ages, be sure to catch “Shrek, the Musical” at the Stadium Theatre.

SHREK, THE MUSICAL (12 to 14 October)

Stadium Theatre, 28 Monument Square, Woonsocket, RI

1(401)762-4545 or www.stadiumtheatre.com

 

ANNIE, (Pawtucket Community Players)

Reviewed by Tony Annicone

 

The first show of The Community Players 97th season is “Annie” which celebrates its 40th anniversary this year. This show is based on Harold Gray’s comic strip Little Orphan Annie, it won 7 Tony Awards and ran for 2,377 performances. With a combination of street smarts and optimism, Annie rises from next to nothing in 1930’s New York. She is determined to find her parents, who left her in the orphanage years ago in the clutches of the evil Miss Hannigan. With the help of the other orphans, Annie manages to foil Hannigan’s greedy plans and find a family with billionaire Oliver Warbucks, his secretary, Grace and Annie’s lovable dog, Sandy. It has insightful direction by Brian Mulvey, topnotch music direction by Ron Procopio who plays lead keyboards and conducts a 7 piece orchestra and some energetic dance numbers by Leslie Racine Vazquez. Their combined expertise wins the cast a resounding standing ovation at the close of the show.

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