A Sumptuous and Satisfying ‘Evita’ At Reagle Music Theatre

Isabella Bria Lopez, Ryan Mardesich in Reagle Music Theatre’s ‘Evita’

‘Evita’Lyrics by Tim Rice. Music by Andrew Lloyd Webber. Directed and Choreographed by Rachel Bertone. Music Direction by Dan Rodriguez. Scenic Design by Cameron McEachern. Lighting and Production Design by Baron Pugh. Costume and Wig Design by Ellie De Lucia. Sound Design by Sebastian Nixon. Presented by Reagle Music Theatre of Greater Boston at the Robinson Theater, 617 Lexington St., Waltham, through July 20th. 

By Linda Chin

The Tony Award-winning musical/rock opera Evita by rock stars Andrew Lloyd Webber and Tim Rice tells the inspiring story of Eva Perón, née Maria Eva Duarte, who escaped her poverty-stricken rural village (where she wasn’t educated past grade six) at age 15, moved to Buenos Aires to pursue a career as an actress, and became First Lady of Argentina at age 27. With dynamic duo Rachel Bertone (Director & Choreographer) and Dan Rodriguez (Music Director) at the helm, a period and picture-perfect unit set designed by Cameron McEachern (and evocative lighting design by Baron Pugh), and the powerful voice of Isabella Bria Lopez in the titular role, audiences attending Evita at Reagle Music Theater can expect a sumptuous and satisfying experience.

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A.R.T.’s Spectacular ‘Evita’ Raises the Bar on the Term, “Production Values”

Shereen Pimentel (Eva) in Evita at American Repertory Theater. Photo Credits: Emilio Madrid.

Lyrics by Tim Rice. Music by Andrew Lloyd Webber. Directed by Sammi Cannold. Choreography by Emily Maltby, Valeria Solomonoff; Music Direction by Mona Seyed-Bolorforosh; Scenic Design by Jason Sherwood; Costume Design by Alejo Vietti,; Lighting Design by Bradley King. Presented by the American Repertory Theater in Association with Shakespeare Theatre Company at the Loeb Drama Center, 64 Brattle St., Cambridge through July 30.

by Shelley A. Sackett

A cross between an iron maiden and a fairy princess gown, the replica of Eva Peron’s famous Dior strapless gown hangs suspended over a neon-framed stage. Like a mummified 3-dimensional diorama, the white bejeweled dress takes on a life of its own, its bodice both unsettling and beckoning, warning the audience: look but do not touch.

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Bill Hanney’s NSMT ‘EVITA’ Evokes Excitement and Tears

 

By Sheila Barth

 

BOX INFO: Under two-hour, two-act, multimedia musical production of Andrew Lloyd Webber and Tim Rice’s 1980 multi-Tony Award winner and others, appearing through October 8: Tuesday-Thursday, 7:30 p.m.; Friday, Saturday, 8 p.m.; matinees, Wednesday, Saturday Sunday, 2 p.m. Bill Hanney’s North Shore Music Theatre, 62 Dunham Road, Beverly. $57-$82; kids 18-under, 50 percent discount. nsmt.org, 978-232-7200.

 

While dynamic, dying, populist First Lady Eva Peron sings to the masses,”Don’t Cry for Me, Argentina,” members of Bill Hanney’s North Shore Music Theatre audiences stifled tears, identifying with the grieving masses who deified the beautiful performer-turned-political leader.

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NSMT’s EVITA is Magnificent

 

Reviewed by Tony Annicone

 

North Shore Music Theatre’s fourth musical of their 62nd season is “Evita” by Andrew Lloyd Webber and Tim Rice. This rock opera is about Eva Peron, bit actress, mistress and wife to Argentine dictator, Juan Peron. This show is a collage of Eva’s rise to power and her early death. It is a look at a woman loved by the poor, hated by the rich and powerful and who was not above taking matters into her capable hands, whether it be charity funds, colonels on the rise to political power or, finally, political power itself.

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