Epic Theatre’s ‘Agnes of God’

Reviewed by Tony Annicone

Epic Theatre tackles the 1979 drama Agnes of God by John Pielmeier and comes up victorious. The title is a pun from the Latin word Agnes Dei which means Lamb of God. Pilmeier received the inspiration for writing this show after reading an article about a nun having a baby in a convent in Brighton, New York in 1977.  A young novice nun is accused of murdering the infant she gave birth to in a cloistered convent in Canada. Agnes is suspected of the crime and claims not to remember anything about it. A psychiatrist is sent to evaluate her, only to face off with a steely and strict Mother Superior who is trying to protect the girl. During the course of this show secrets are exposed and faith is challenged, leaving you to question who you believe and why? It examines miracles, child abuse, sin and other topics, too. Director Lynne Collinson casts these roles perfectly and obtains strong and stunning performances from all of them.

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‘Suddenly Last Summer’ at Epic Theatre Company, Cranston

Reviewed by Tony Annicone

Epic Theatre Company’s first show of 2020 is Tennessee William’s “Suddenly Last Summer.” This one act show is set in 1936 in the New Orleans garden of the home of wealthy Violet Venable. It begins after the death of a young man away on a holiday. She speaks nostalgically about her late son, Sebastian to her guest, a doctor. Her son was a poet who died under mysterious circumstances in Spain the previous summer. His mother has put his memory up on a pedestal. The only witness to Sebastian’s demise was her niece, Catherine who has been under psychiatric care at St. Mary’s asylum since then. Violet wants her son’s reputation preserved from her niece’s revelation of his violent and lurid death that might reveal a family secret. The wealthy woman wants to protect her son at any cost and the change it might bring about might not be the one she wants or expects. When everything is revealed the consequences for past actions rear their ugly head and once again the downtrodden are marginalized by the haughtiness of wealth and position. Director Geoff Leatham casts these seven roles splendidly. He gives them the insight into each of William’s finely drawn characters and obtains the depth each role calls for. A gut wrenching finale of the show leaves every performer and audience member in tears.

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