Dorset Theatre Festival Closes The 2022 Season in Triumph with Its Remarkable World Première of “Thirst”

 David Mason and Kathy McCafferty in THIRST at the Dorset Theatre Festival. Photos by Joey Moro

‘Thirst’ — Written by Ronán Noone. Directed by Theresa Rebeck; Scenic Design by Christopher and Justin Swader; Sound Design by Fitz Patton; Lighting Design by Mary Ellen Stebbins, Costume Design by Fabian Fidel Aguilar. Presented by Dorset Theatre Festival, Dorset, Vermont. The run has ended.

by Shelley A. Sackett

Arriving early for “Thirst,” playwright Ronán Noone’s dazzling new play, is a stroke of good ole Irish luck. A crisp sound system pumps toe-tapping traditional pub music, setting a jig-worthy mood. Functional period lamps bathe the livable kitchen set in warmth, creating a cozy tone for arguably the best theatrical experience of the 2022 summer season.

By the time the Irish lilted announcements herald the play’s start, the audience has been transported to another time and another place.

And what a time and place it is.

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‘Private Lives’ a Classy Production of Classic Summer Fare at DTF

(Rachel Pickup as Amanda and Shawn Fagan as Elyot in the Dorset Theatre Festival production of ‘Private Lives. Photos: Joey Moro)

Reviewed by Shelley A. Sackett

‘Private Lives’ – Written by Nöel Coward. Directed by Evan Yionoulis; Set Design: Lee Savage. Lighting Design: Donald Holder. Costume Design: Katherine B. Roth. Sound Design: Jane Shaw. Fight Choreographer: BH Barry. Presented at the Dorset Playhouse, 104 Cheney Road, Dorset, VT through July 6.

Nothing welcomes light summery breezes like a witty Nöel Coward comedy of manners, and the Dorset Theatre Festival is spot on in its choice of the timeless Private Lives to open its 42nd season. The plot is deceptively simple. Divorced spouses Elyot (Shawn Fagan) and Amanda (the sublime and worth-the-price-of-admission Rachel Pickup) have remarried and are honeymooning with their respective new spouses, Sybil (Anna Crivelli) and Victor (Hudson Oz). By the divine intervention of Coward’s wicked imagination, they end up in adjacent rooms on the night they are each to start their new lives. When they see each other across their shared balcony’s hedge, the sparks fly and they impulsively flee their hapless new partners to resume what they have idealized as their romantic destiny.

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