AKA Theatre Doesn’t Play it Safe with ‘Extermities’

(Alissa Cordeiro in AKA Theatre’s “Extremities’

Review by James Wilkinson

‘Extremities’Written by William Mastrosimone. Directed by Alexandra Smith. Scenic/Properties Designer: Erin McCarthy. Costume Designer: Heather Oshinsky. Fight Choreographer: Jessica Scout Malone. Presented by AKA Theatre at First Church Cambridge through April 13

You’d be forgiven for thinking that we’d entered Sam Shepard country. The playing space for Extremities, AKA Theatre’s new production, just feels a bit off in the way that recalls the plays of the late American master. The furniture looks dated and is sparsely placed around the stage. There’s very little in the way of color or a sense of life. The one houseplant visible has lost most of its leaves and is barely hanging on to what’s left. An ashtray, half-full with cigarette butts, sits on the coffee table. There’s a kitchen set-up off to the side with a gas burner stove that looks like it has seen better days. You just can’t quite put your finger on what’s causing the sense of foreboding in the air (eventually we’ll learn that the play takes place in the early 1980’s….Take that however you want…). When the characters eventually come onstage, even they seem to have walked right out of a Shepard play. There’s a fast-talking farmhand (complete with cowboy belt buckle) with a grin a mile wide that just makes your skin crawl. Something dangerous is on its way.

Read more “AKA Theatre Doesn’t Play it Safe with ‘Extermities’”

AKA Theatre Dives Into the Woods

 

Review by James Wilkinson

 

In the Forest She Grew FangsWritten by Stephen Spotswood. Directed by Kelly Smith. Scenic/Properties Designer: Maggie Kearnan. Lighting Designer: Samuel J. Biondolillo. Assistant Lighting Designer: Brian Ward. Sound Designer: Julianne Mason. Costume Designer: Rachael Linker. Movement Designer: Jessica Scout Malone. Produced by AKA Theatre at The Calderwood Pavilion at the Boston Center for the Arts November 16-December 2, 2018.

 

AKA Theatre’s production of Stephen Spotswood’s In the Forest She Grew Fangs is a mad fever dream of a play. The events occur in a recognizable Smalltown, USA, but the production is chasing after something much more heightened. The dead branches of the surrounding woods are closing in like the claws of a wild animal. At every opportunity, the performance space is soaked with burning reds and deep blues. Acts of violence lurk somewhere on the periphery of the characters’ daily routines. A hunter finds an animal that’s been torn to pieces. It hints at a greater threat hidden within the characters that will erupt center stage in the play’s final stretch.

Read more “AKA Theatre Dives Into the Woods”