NSMT’s “A Christmas Carol” Delights

David Coffee (Ebenezer Scrooge) and Alex Puette (Jacob Marley) in A CHRISTMAS CAROL at North Shore Music Theatre – Dec 6-22. Photo©Paul Lyden

Reviewed by Tony Annicone

Bill Hanney’s North Shore Music Theatre’s holiday show again this year is the 29th Anniversary production of A Christmas Carol, A Musical Ghost Story which is an annual favorite. This version of this well-known holiday tale was written by former NSMT artistic director, Jon Kimball which he adapted back in 1989. As Jon explains “A Christmas Carol is a timeless story that still resonates with people of all ages and carries a message that is as genuine and poignant now as it was when it was first written back in 1843. This splendid musical version captures the true spirit and meaning of the holiday season for one and all. David Coffee returns in triumph for his 26th time of playing Scrooge. Audiences have been lucky once more this season by seeing David in “Freaky Friday” and as always are beyond thrilled that he is returning to this iconic role once again. This show marks David’s 60th production at NSMT. Current artistic director Kevin Hill directs this year’s presentation of its favorite holiday show once again and makes it fresh and new with new dances, clever new ad libs and more comic moments.

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Trinity Rep’s ‘A Christmas Carol’ More Theatrics Than Theater

Ghost of Christmas Future (Taavon Gamble) visits Scrooge (Jude Sandy) in Trinity Rep’s ‘A christmas Carol. Photos by Mark Turek

Reviewed by Shelley A. Sackett

‘A Christmas Carol’ – by Charles Dickens. Original Music by Richard Cumming; Directed by Kate Bergstrom; Music Direction by Michael Rice; Choreography by Taavon Gamble; Set Design by Patrick Lynch; Costume Design by Olivera Gajic; Lighting Design by Barbara Samuels; Sound Design by Broken Chord. Presented by Trinity Repertory Company, 201 Washington St., Providence through December 29.

Trinity Repertory Company’s 2019 musical version of A Christmas Carol starts out promisingly. Produced in the Elizabeth and Malcolm Chace Theater, Director Kate Bergstrom makes use of that venue’s intimate theater-in-the-round configuration by staging pockets of singing performers above every seat section. The pageantry of a live orchestra, quality-voiced actors in Dickensian-era costumes, and an excellent sound system is enough to enrapture a toe-tapping audience. Unfortunately, uneven performances and an overreliance on gimmicky, ostentatious staging trickery will soon burst that magical bubble.

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