“THE DINING ROOM” (The Arctic Playhouse – West Warwick, RI)

Reviewed by Tony Annicone

 

The latest show at The Arctic Playhouse is the “The Dining Room” by A.R. Gurney from 1982. This comedy is set in a dining room of a well to do household and covers decades of upper middle class families in New England starting in 1930. The action is comprised of 18 brief vignettes where 6 performers,3 women and 3 men play 57 multiple roles.

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Ragtime (Little Theatre of Fall River)

Reviewed by Tony Annicone

 

Little Theatre of Fall River’s closing musical of their season is the 1998 hit musical “Ragtime” which is based on E. L. Doctorow’s 1975 novel. The epic sweep of this musical is captured in its opening prologue, a nine minute kaleidoscope of fictional characters mingling with historical ones. At the dawn of the twentieth century, everything is changing and anything is possible. Set in the volatile melting part of turn of the century, New York, three distinctly American tales are woven together, that of a stifled upper class wife, a determined Jewish immigrant and a daring young Harlem musician. They are all united by their courage, compassion and belief in the promise of the future. Together they confront history’s timeless contradictions of wealth and poverty, freedom and prejudice, hope and despair, and what it means to live in America. This epic musical is excellently directed by Aaron Gendreau-Visco, Deb Sadler and Bobby Perry. They capture the flavor and the essence of early 1900 New York. This is definitely one show not to be missed.

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SPRING AWAKENING (Wilbury Theatre Group – Providence, RI)

“SPRING AWAKENING”

Reviewed by Tony Annicone

 

Wilbury Theatre Group’s closing show of their season is “Spring Awakening”, the 2007 Tony Award winning musical by Duncan Sheik and Steven Sater which won 7 Tonys. This musical ran for 888 performances on Broadway and is a fusion of morality, sexuality and rock n’ roll that explores the journey from adolescence to adulthood. The musical is an adaptation of the controversial 1891 play with the same name by Frank Wedekind which was banned in Germany due to its portrayal of abortion, homosexuality, rape, child abuse and suicide.

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Stoneham’s “Gabriel” is Gripping Theater

by Michele Markarian

 

‘Gabriel’ – Written by Moira Buffini. Directed by Weylin Symes. Presented by Stoneham Theatre, 395 Main Street, Stoneham, through May 14.

 

It’s a rare piece of writing that immerses you in its world so intensely that to leave it is almost a shock to the system. Elena Ferrante’s My Brilliant Friend series is this kind of writing. Throw in a five-star cast with superlative direction, lights, sound and set, and you have Stoneham Theatre’s masterful production of “Gabriel”.

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WFT ‘s Spins Delightful ‘Charlotte’s Web’ with New Staging

(Glenn Cook photo)

 

By CJ Williams

‘Charlotte’s Web’ by E.B. White in adaptation by Joseph Robinette;  Scene Design by Jim Byrne; Directed byEmily Ranii; Stage Management by Katie Graves;  Choreographed by  T. Lawrence-Simon;  Costume Design by Zoe Sundra; Lighting Design by Frank Meissner Jr; J Sound Design by Josh Northcutt, playing at Wheelock Family Theater, 80 Riverway, Boston, MA 02215 through May 14th

‘Charlotte’s Web’, now playing at Wheelock Family Theater, is a delight up and down. But just because it’s delightful, doesn’t mean it doesn’t run deep. In fact, anyone who knows E.B. White’s charming classic knows the themes dance from levity to despair, new life to the ever-threatening shadow of death, humor to poignancy. All the same, if you’ve seen a story, you’ve seen it, right?

 

Maybe not.

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“The Best of Everything” at 2nd Story (Warren, Rhode Island)

 

By Richard Pacheco

 

“The Best of Everything” at the 2nd Story Theatre is a play based on the Rona Jaffe controversial best selling novel about sexual politics in 1960’s Manhattan. Set in the pre-women’s liberation era, “The Best of Everything”, tells the story of five young and impressionable secretaries who are new to Manhattan and publishing and their adventures to find a nice boy to take them out to dinner, and possibly lasting love while dodging the garter snappers and lotharios at Fabian Publishing. While it was highly provocative and controversial at the time, it seems rather tame and mild today.

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“VICTOR VICTORIA” Ocean State Theatre Company

 

Reviewed by Tony Annicone

 

The current musical at Ocean State Theatre Company is “Victor Victoria”, the 1995 musical which is based on the 1982 movie starring Robert Preston and Julie Andrews. The 1982 movie was a remake of movie from 1933 called “Viktor Viktoria”, a German film comedy. A penniless soprano, named Victoria Grant, colludes with a struggling gay impresario to disguise herself as a man named Victor, who entertains as a female impersonator known as “Victoria.” This down on her luck singer finds fame as a drag queen.

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Love and Mercy in New Rep’s “The Gift Horse”

 

By Michele Markarian

 

The Gift Horse, by Lydia R. Diamond. Directed by Jim Petosa. Scenic Design by Jon Savage, Costume Design by Penney Pinette; Lighting Design by Alberto Segarra; Sound Design by Dewey Dellay. Presented by The New Repertory Theatre, 321 Arsenal Street, Watertown through May 14.

 

Ruth (Obehi Janice) is an energetic and engaging teacher and artist who is struggling to conceal, even from herself, a painful secret from her childhood. Once in college, she falls in love with, and then befriends, Ernesto (Alejandro Simoes), her gay neighbor. Ernesto and Ruth connect in all ways but one, but with Ernesto’s recommendation and support, Ruth is introduced to her therapist and future husband, Brian (Maurice Emmanuel Parent). Brian helps Ruth unravel the mystery of her inability to be intimate with a man, and despite Ernesto’s and Brian’s resistance to one another, they all manage to come together and create a different kind of family than the one Ruth grew up in.

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Avenue Stage’s ‘Fish Schticks’ a Delight

 

By Beverly Creasey 

 

Michael O’Halloran’s cheeky comedy, FISH FOOD (playing in Avenue Stage’s DOT 2 DOT space through this weekend only) is a delightful send-up of the hotel business. From management to bellhops, they’re all a little nutty, as one might full well expect after listening to the country’s first Hotelier-President carry on. O’Halloran writes from experience, having been employed at one of Boston’s tony hotels.

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