MY FAIR LADY New Bedford Festival Theatre

“MY FAIR LADY”

Reviewed by Tony Annicone

 

New Bedford Festival Theatre’s 28th season’s musical is the classic Broadway smash musical “My Fair Lady” by Lerner and Loewe. This musical is hailed as the greatest musical of all time. It is the timeless story of Professor Henry Higgins, the crotchety, middle aged bachelor and phonetician and the Cockney flower girl, Eliza Doolittle, who becomes part of his experiment to transform her into a “lady.” She agrees to take lessons from Higgins after he insults her after their first meeting.

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“BEAUTY AND THE BEAST” Theatre by the Sea

Reviewed by Tony Annicone

 

Welcome to the wonderful world of Walt Disney and one of the first of his animated movie musicals to be brought to life as a musical on Broadway back on April 19, 1994. Based on the 1991 Disney movie, the play tells the story of the story of a spell cast on a prince which transformed him into a ferocious Beast.

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BLITHE SPIRIT (RISE Playhouse, Woonsocket, RI)

 

Reviewed by Tony Annicone

 

RISE’s current production is “Blithe Spirit”, a farce by Noel Coward. This show focuses around the paranormal experience of Charles Condomine, a novelist and socialite of Kent, England. In search of inspiration for his new novel, Charles hires an eccentric medium for research purposes, and ends up in contact with the spirit of his first wife, Elvira, who makes her presence well known, much to the consternation of his second wife, Ruth. Add their doctor, his wife and a dippy, half-witted maid to the ingredients of this farce. At the time Coward wrote this play in 1941, England was in the grip of World War 2, and death was not a humorous topic.

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“ALMOST, MAINE” Little Theatre of Fall River

 

Reviewed by Tony Annicone

 

84 year old Little Theatre of Fall River’s summer show at the Fire Barn is “Almost, Maine” by John Cariani. The show is a series of nine vignettes exploring love as well as the joys and perils of romance. Cariani employs elements of magical realism as he explores the mysteries of the human heart. Welcome to Almost, Maine, a town so far north that it’s almost in Canada. And it almost doesn’t exist because its residents never got around to getting organized. So it is known as Almost. On a Friday night in the middle of winter, residents of a small, mythical town in northern Maine are falling in and out of love at an alarming rate. Knees are getting bruised; hearts are getting broken; but the bruises heal and hearts almost mend in what can be described as a charming midwinter night’s dream. Director Bob Gillet assembles a topnotch 19 member cast to carry out these funny roles earning them a thunderous ovation at the close of the night.

 

Bob thinks up some clever bits and lots of physical comedy for his cast to perform in this well written script. Each of the nine segments contain two characters. Bob gives each member of his cast a chance to shine in their scenes. He gives them a lot of slapstick but they play the characters realistically. The title of the vignettes are the Prologue, “Her Heart”, “Sad and Glad”, “This Hurts”, “Getting It Back”, “They Fell”, “Where It Went”, “Story of Hope” and “Seeing the Thing.” Pete and Ginette are the only recurring characters in the show. They show they will go the distance to make their love last. The northern lights and the unit set are by Kenneth Raposa.

I don’t want to give away too much of the plot of each scene which will ruin it for the audience. There are some funny one liners in the show including My parents moved south to Vermont which is one of them. Some of the crazy shenanigans include the hitchhiker who camps out in the backyard of a stranger to mend a broken heart this one is an emotionally draining well done dramatic scene by Stefani and Nishan Lawton, sledding pals who are the patient sweetheart and the tomboy who fights him when they do a striptease that has to be seen to be believed played wonderfully by Jason Trenholm and Krista Watson and a woman, named Hope, who finally commits to her childhood love, getting a surprise in an emotion packed scene. Hope is excellently played by Linda Monchik while Roger Mello plays the childhood love in scene. Other predicaments include where a girl hits a man with an ironing board because he doesn’t feel pain, teaching him to feel for the first time in his life. Jessica Kent and Eric Oliveira do a great job as this young couple.

 

Tyler Rowe beautifully plays a nervous workman who runs into his ex-girlfriend, wonderfully played by Shauna Brosky and the tattoo on his arm that leads him to another girl. Rachel Campoli plays the waitress in this scene who gives the scene a surprising twist. Lee Bonia is a weary married man who goes skating with his wife played by Laura Bomback while waiting for the other shoe to drop. Michael McGill plays a seemingly clueless boyfriend while Kim Mitchell plays his girlfriend who finally realize that they love each other. One of the funniest scenes occurs at the start of Act 2 when two gal buddies who discover they are falling all over the place in love after their two boyfriends dump them. The two buddies are well played by Kelly Morrell and Lisa Beausoleil. The prologue and epilogue are one of the girl, Karen Valcourt who walks around the world to be with the man she loves played by Ron Caisse. So for a fun filled night to enjoy a new comedy, be sure to catch “Almost, Maine” at The Firebarn. The power of this cast wins them a standing ovation at the close of the night.

ALMOST, MAINE (14 to 24 June)

Little Theatre of Fall River, The Firebarn, 340 Prospect St, Fall River, MA

1(508)675-1852 or www.littletheatre.net

ALICE IN WONDERLAND at The Arctic Playhouse in West Warwick

Reviewed by Henryce Zannini

The current production at The Arctic Playhouse in West Warwick is “Alice in Wonderland,” adapted by Brainerd Duffield from the story by Lewis Carroll. It is the wild story of Alice, who tumbles down a mysterious rabbit hole and finds herself in a strange land where she meets its many odd residents. This nonsense world of Wonderland comes to life with phenomenal costumes provided by John Cagno and “Fantasy Factory Costume” in collaboration with costumer Nancy Rodrigues. The clever set, consisting of revolving panels and created by Joe Welch, also contributes to the magic of Wonderland. When I first walked into the theatre, I felt like I was walking into Wonderland. The aisles are painted in a madcap checkerboard style, and the music that is playing is captivating. This definitely set the mood before the play even began! Eileen Goretaya and Kyle Renee keep the show running smoothly from prop changes to lights to sound.

Director Rachel Hanauer has expertly cast this show, with eight of the eleven actors playing two to four roles apiece. Rachel, a talented singer with a specialty in opera, infuses the show with several recognizable classical pieces of music, to which I found myself happily humming along. This was a great added touch that worked perfectly—not my humming, but the music itself! Rachel successfully directed this show to make it equally appealing to both children and adults.

Alice is beautifully played by Jenna Petrarca. For a young lady who is just entering high school, Jenna is an extraordinary actress. I was mesmerized by Jenna from the very beginning to the very end. Her ability to subtlety transform from a somewhat insecure child into a young girl who can stand up for herself in spite of apparent dangers is flawless. Rachel’s interaction with all 24 characters (yes, 24!) is engaging and so much fun to watch. As Jenna continues to explore theatre, she is going to be a force to be reckoned with!

As Alice falls asleep, she believably falls down the rabbit hole amidst a cacophony of sounds and explosions of flashing, colorful lights. That hole belongs to the White Rabbit, played by Joham A. Rosario. With his quavering voice and quivering knees, Joham is hysterically frenzied, and you can’t help but fall in love with him. Although he is nervous and always in a hurry, he is still somewhat confident. Joham pulls this character off with ease and expertise. As he unintentionally guides Alice through Wonderland, his performance is a pure delight.

Alice next meets the Queen of Hearts, played with great aplomb by Katherine Kimmel. Her character is larger than life, commanding a booming presence every time she enters. Although she plays the perfect authoritative tyrant who enjoys playing croquet with flamingoes as mallets, Katherine is still amusing. The Queen of Hearts constantly orders the beheading of people, which let’s face it, is not a pleasant thing; but again, Katherine manages to have us laughing, even though the Wonderland inhabitants fear her. Her ability to balance fear and funny is amazing.

Rounding out the cast are Shannon McMillan, Stefan DiPippo, Jonathan Sproule, Elizabeth Nelson, Jessica Gates, Selina Amargo, Rose Peralta, and Emerson McGrath, who play the remaining 22 roles. How they manage their constant makeup and costume changes is beyond me! So much craziness abounds among these characters! There’s the Fish Footman (Peralta) with a kooky fish head, a hookah-smoking Caterpillar (Amargo), The Duchess who spouts inapropos morals (Gates), and the 5 of Spades (DiPippo), attempting to paint white roses red. Then there’s the singing and dancing Turtle (Nelson), the crazy and colorful tea loving Mad Hatter (Sproule), Tweedledum (McMillan) shuffling about and popping in and out, and the ever so matter-of-fact (but is it fact?) Humpty Dumpty (McGrath).

A quote from the play perfectly summarizes these characters: “We’re all mad here!” To meet all 24 mad characters, and Alice, be sure to catch this thoroughly refreshing and entertaining show at the Arctic Playhouse! And be sure to look for some of my favorites, including the river of salt tears, the Cheshire Cat, the crying baby, the tea party, uglification, the soup song, and hold your tongue. As always, there’s free popcorn, coffee, and homemade cookies!

“Alice in Wonderland”
June 15, 16, 21, 22, 23, 28, 29, and 30 at 8:00 pm
June 17 and 24 at 2:00 pm

www.thearcticplayhouse.com

Broadway Fire in Reagle’s “Technicolor Dreamcoat”

 

By CJ Williams

 

Directed and Choreographed by Susan M. Chebookjian, based on original Choreography by Anthony Van Laast. Lighting Design by David Wilson. Set Design by Peter Colao and Richard Schreiber. Music Direction by Dan Rodriguez. Presented by Reagle Music Theatre at 617 Lexington St, Waltham through June 18.

 

“Joseph and the Amazing Technicolor Dreamcoat” is Broadway-theater fare in unexpectedly Beantown-local affordability – and the Broadway musical is put on to amazing effect at the Reagle Music Theatre in Waltham. For all its crowd-pleasing choruses, and a cast that could sing and dance down Carnegie Hall, “Dreamcoat” nonetheless pulls a nice undercurrent of depth as well.

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REMEMBER ME? Newport Playhouse

 

Reviewed by Tony Annicone

 

Newport Playhouse’s second show of their 35th season is “Remember Me” by Sam Bobrick. On the surface it seems that Brian and Mary Hanson seem to have a very comfortable marriage after 25 years. He is a tax attorney and she’s an interior decorator. They seem to have it all. Then one day after Brian leaves to play tennis, Mary’s old college boyfriend, Peter Lawrence shows up or does he? Mary and Brian have to sort things out with Brian eventually hiring a dimbulb actress to try to fool Mary. But will the couple live happily every after? Will Peter wreck their happiness? Will Tori, the young actress bring them together or drive them apart? For these and other unanswered questions, be sure to catch “Remember Me” which will leave you laughing in the aisles while bringing up some funny relationship situations that audiences can readily relate to. The gorgeous purple colored living room set is by Tonya Killavey. Hard working stage managers Olivia Sahlin and Lauren Beaudoin keep things running smoothly all night long.

 

Director Daniel Lee White picks topnotch performers to play these four roles. Many funny situations abound with Brian constantly drinking Mary’s coffee before leaving for his game and forgetting to kiss her before he leaves. Pamela Lambert commands the stage as Mary. Her comic one liners, her facial expressions and line delivery are terrific. Some of her funniest moments include deep breathing exercises with both men and saying her dream fantasy was Henry Kissinger when it was actually Harrison Ford. Michael Johnson plays the worried husband, Brian. His clever antics leave you in stitches. His slow burns and constant exasperation are hilarious. He also sprays foot spray and gets a fire extinguisher to banish Peter from their lives. He also spits out a muffin after saying it tastes like foot spray. Is their humdrum marriage in trouble or is it just a figment of the imagination. Great job by both leads.

 

Jonathan Perry is seductive as the long lost boyfriend, Peter. He brings up many memories of the past to entice his girlfriend of the past by unbuttoning his shirt and give her shoulder and massages. He also has a comic scene later on in the show where he appears without a shirt at after mad passionate lovemaking. The second act contains a surprise about Peter after he gets punched in the face. Charles Kehres plays Peter on the weekends. The biggest scene stealer of the show is Katrina Rossi as Tori. She makes many inappropriate comments like being a vegetarian but eats shrimp and prime rib, is an actress but never had any lines and likes Shakespeare because she loves his movies. Tori also likes to climb on the furniture and takes off her shoes to do so and she also insults everyone winning many laughs while doing so. One of her funniest lines to Brian is “Boy, are you needy.” Katrina is reminiscent of Lesley Ann Warren from “Victor/Victoria” movie with her hilarious speaking voice. So for a fun filled show with an all you can eat buffet before it and an entertaining cabaret afterwards, be sure to catch “Remember Me” at the Newport Playhouse.

REMEMBER ME (31 May to 1 July)

Newport Playhouse, 102 Connell Highway, Newport, RI

1(401)848-7529 or www.newportplayhouse.com

NSMT Serves Up A Delicious Slice of White Bread with Delightful ‘Music Man’

 

by Mike Hoban

 

‘Music Man’ – Book, Music, and Lyrics by Meredith Willson. Story by Willson and Franklin Lacey. Directed by Bob Richard. Choreography, Diane Laurenson. Music Direction by Milton Granger; Scenic Design by Kyle Dixon; Lighting Design by Franklin Meissner; Sound Design by Danny Erdberg; Costume Coordinator and Additional Costume Design by Paula Peasley-Ninestein. Presented by North Shore Music Theatre, Beverly, through June 18.

 

“I’m as corny as Kansas in August” may be a line from a song from another classic musical, (South Pacific, “A Wonderful Guy”) but it could certainly double as a description of Music Man, the delightful 1957 musical now being given an inspired revival at the North Shore Music Theatre. Set in 1912 Iowa, birthplace of Meredith Willson, writer of the book, music, and lyrics for the Broadway hit, Music Man may be the quintessential white bread musical, but damn – er, darn – is it good.

 

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MMAS Opens Season with THE BOYS NEXT DOOR

Reviewed by Tony Annicone

 

Mass Music and Arts Society’s opening show of their summer season is “The Boys Next Door” by Rhode Island native, Tom Griffin who recently passed away. It is a funny and touching play about four mentally handicapped men living in a communal residence under the guidance and watchful eye of a caring but burnt out social worker. The story is told by a series of vignettes and scenes, with some of the performers speaking directly to the audience. Director Kelly Crawford picks splendid and talented performers to fill these well written roles. She mixes the comic and dramatic moments together marvelously to a very appreciative audience who gives them a resounding standing ovation at the curtain call.

 

Kelly pays attention not only to the comic scenes and one liners but also to the dramatic scenes, too. She makes the audience empathize with the characters, presenting a well rounded and well thought out show. The splendid institutional set is by Ted Talanian and painted by Glenn Fournier. The array of colorful costumes are by John Ristaino. Leading the cast is Adam Law as the befuddled and patient social worker, Jack.  He speaks to the audience on what is happening and reacts to the many comic and dramatic situations he finds himself in. Adam’s interactions with the four residents are warm and poignant and he is excellent in this role. The ringleader of these four men is Arnold played excellently by Kevin Mischley. His strong portrayal as the hyperactive, Arnold who has a persecution complex and is a compulsive chatterer, is right on the money. Kevin conveys the deep seated insecurity and nervous behavior with his line delivery. He has many funny scenes including wetting his pants with water, wanting to relocate to Russia because no one is listening to his problems, removing all the rugs from the apartment, polishing the bully’s shoes at the movie theatre and describing Helen’s tick while she dances. His final scene while he waits for a train to Russia is both funny and touching when Jack reappears to help him out.

 

One of the biggest scene stealers is Kevin Hayes as Norman who works in a donut shop and eats as many as he sells. Norman says “Oh Boy” numerous times and has a dynamite melt down scene with Barry after he calls him too fat to play golf and his comic line is “Golf Sups.” Norman falls in love with Sheila played by Laura Gustafson. Sheila loves the key ring he wears, so on their “romantic date”, he gives Sheila her very own key ring. Kevin is hilarious as he constantly introduces himself to everyone he meets and tells them to take a seat. His interactions with the whole cast are splendid especially comic is the dishwashing scene when he complains about the cheese and eggs stuck all the dishes he washes. Laura is terrific and her acting prowess shines through making her scenes tender and humorous especially when she demands Norman’s keys and imitates Helen’s tick. The romantic dating scene leaves everyone in stitches at their perfect comic timing. They first do a couple of comic dances which win much laughter with the top of her head on his chest. However the last comic dance becomes a dream dance at the end of Act 1 which is fabulous as it depicts them as a normal couple. It is very poignant moment in the show.

 

Brian Vogel delivers a strong performance as Lucien P. Smith, the most profoundly retarded member of the group who has the mind of a five year old child. He constantly says “I be Lucien P. Smith” but he shows the most compassion and love to his fellow housemates and Jack. Brian has many funny one liners and makes them all hit pay dirt. Some of his hilarious moments include spraying furniture spray for air freshener, dusting the furniture with a sock, killing a rat in the living room and having his two hand puppets fight with each other. Brian also delivers a poignant speech directly to the audience to describe his plight and also tugs on your heartstrings when he sobs when Jack leaves them at the going away party. The fourth member of this group, Barry is fantastically played by Greg Smith. He displays great depth as Barry, who is a brilliant schizophrenic. The character becomes unraveled and devastated when he is visited by his verbally and physically abusive father after nine years. The scenes which lead up to his father’s arrival and with his father are heart wrenching because up to this point Barry has been a vital and energetic “golf pro” with a great deal of confidence. Greg also has many funny moments as the golfing expert earlier in the show. However the tragic scene later on with his facial expressions and inability to speak after his father’s vicious visit are stunning to behold. Bravo!

 

The brutal and abusive, one armed father, Mr. Klemper is well played by Bill Roberts. He takes this mean, gutter mouthed Mr. Klemper and turns him into a virtual whirlwind onstage destroying everything in his path especially his fragile son. Rounding out this talented cast is Jim Cannizzaro and Jill Albanese. He plays Barry’s golfing student, Mr. Hedges,  Arnold’s movie theater boss and the senator at Lucian’s hearing. Jill plays the very deaf, Mrs. Fremus who misunderstands everything Barry says to her, Mrs. Warren, a young neighbor whose son’s hamster ran away and Clara, a retarded girl who keeps saying no while she constantly gobbles popcorn. So for a fantastic show with topnotch acting and direction, be sure to catch “The Boys Next Door” at MMAS.

THE BOYS NEXT DOOR (8 to 24 June)

MMAS, Black Box Theatre, 377 North Main St, Mansfield, MA

1(508)339-2822 or www.mmas.org

 

Drama Abounds in “Days of Atonement”

 

By Michele Markarian

 

Days of Atonement. Written by Hanna Azoulay-Hasfari, translated by Shir Freibach. Directed by Guy Ben-Aharon. Presented by Review,, 527 Tremont Street, Boston through June 25.

 

It is the eve of Yom Kippur.  Amira (Dana Stern), a student filmmaker, calls her three estranged sisters to their mother’s apartment in Netivot, to try and locate their elderly Moroccan/Israeli mother, who has disappeared without a note. Malka (Jackie Davis) the oldest sister, is in her own state of perpetual crisis, convinced that her husband David is cheating on her. Evelyn (Adrianne Krstansky), the second oldest, is deeply Orthodox. Pregnant again, in an advanced age and already with eight daughters, she refuses to have an abortion, even though her doctor is recommending it – Evelyn has diabetes. Fanny (Ramona Lisa Alexander), whom Malka suspects has slept with David, had been thrown out of the house as a teenager, her mother jealous of her developing body. Although a successful realtor, Fanny still has emotional wounds that make her reunion difficult and bitter. Amira, the youngest, born after their father has died, is suffering from mental health issues. Each sister feels like she had it the worst growing up.  It’s a play fraught with tension, resentment and, appropriately set on Yom Kippur, forgiveness and repentance.

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