Huntington’s BAD DATES Delivers Laughs…And More

February 5, 2018February 12, 2018 Theater MirrorLeave a comment

Bad Dates – Written by Theresa Rebeck; Directed by Jessica Stone; Scenic Design by Alexander Dodge; Costume Design by Sarah Laux; Lighting Design by David J. Weiner; Sound Design by Drew Levy. Presented by the Huntington Theatre Company, Huntington Avenue Theatre, 264 Huntington Ave., Boston through March 3rd.

Bad Dates, Theresa Rebeck’s one-woman play now making its return to the Huntington after a smash run in 2004, is billed as a comedy, but it’s actuality it’s much more than that. At the outset it appears to be just another amusing discourse on dating – which is always a rich vein to mine for laughs – but as the plot unfolds it becomes sneakily poignant. And in the hands of the gifted comic actress Haneefah Wood and director Jessica Stone, the piece is transformed into a masterful piece of storytelling.

A CHORUS LINE – Stadium Theatre (Woonsocket, RI)

February 3, 2018March 3, 2018 Theater MirrorLeave a comment

A CHORUS LINE

Reviewed by Tony Annicone

The current show at the Stadium Theatre is “A Chorus Line”, the 1976 winner of the Tony Award for Best Musical and Best Book and the Pulitzer Prize for Drama. It is a musical based on the lives and experiences of Broadway dancers. Original director/choreographer Michael Bennett wanted to do a show with the spotlight on the class of performers known as the gypsies. The action takes place on a bare stage, where the casting for a new musical is almost complete. For 17 dancers, it is a chance of a lifetime. It is the one opportunity to do what they always dreamed of, not only to be a star, but a chance to get a job and have the chance to dance. Through a series of interviews from funny to heartbreaking, it ushers the audience into the lives of these dancers until the final eight are chosen. The original Broadway show opened on April 15, 1975 and ran 6,137 performances, closing on April 28, 1990. Director William Deschenes, musical director Alex Tirrell and choreographer Jennifer Webb create a stunning, high energy and fabulous version of this musical at the historic Stadium Theatre.

ART’s “Hear Word!” Triumphant and Powerful

February 2, 2018February 2, 2018 Theater MirrorLeave a comment

By Michele Markarian

Hear Word! Naija Woman Talk True –Written by Ifeoma Fafunwa, Tunde Aladese, Mojisola Abijola, Wole Oguntokun, Princess Olufemi-Kayode, Ijeoma Ogwuegbu. Directed by Ifeoma Fufunwa. Presented by American Repertory Theater, 64 Brattle Street, Cambridge through February 11.

After seeing “Hear Word”, I spent the day texting friends, urging them to get tickets to this powerful, life-affirming show. Here’s my text to you –

“Hear Word” is a collection of vignettes written from interviews with Nigerian women and performed by a talented cast of ten women. Grounded in truth and accompanied by three talented drummers (Blessing Idireri, a.k.a. Kacomari, Emeka Anokwuru a.k.a. Make Beat, and Ebisidor Asiyai) the stories are funny and tragic, sometimes both at the same time. Living in a society where men hold all the cards, the women have to constantly fight to protect their bodies, their dignity and their right to be who they are. If that weren’t enough, relationships with their own sex, including mothers and mothers-in-laws, tend to be judgmental and without compassion. Which is why the piece is so powerful – it is compassionate, and compassion, when in short supply, doesn’t come easy.

The Show Must Go On in Trinity Rep’s Hilarious ‘INTO THE BREECHES’

February 2, 2018 Theater MirrorLeave a comment

Reviewed by Tony Annicone

The latest show at Trinity Repertory Theatre is “Into the Breeches” by George Brant. This show is set in Providence in 1942 and there is a problem at the Oberon Play House. The director and the leading men are all off to war. Determined to press on, the director’s wife sets out to produce an all female version of Shakespeare’s “Henry V”, assembling an increasingly unexpected team united in desire, if not in actual theatre experience. Together they deliver a delightful celebration of collaboration and persistence when the show must go on. It takes a delightful look at women’s experiences during World War II.

A Sobering “Statements After An Arrest Under the Immortality Act”

January 31, 2018 Theater MirrorLeave a comment

By Michele Markarian

‘Statements After An Arrest Under the Immortality Act’ – Written by Athol Fugard. Directed by Jim Petosa. Presented by New Repertory Theatre, co-produced with Boston Center for American Performance. At the Blackbox Theater, Arsenal Center for the Arts, 321 Arsenal Street, Watertown, MA through March 3.

All affairs end, and most of them end badly. One or both partners are usually married, so the possibility of happily ever after is slim. In due time, affairs run their course and with any luck, both parties escape moderately unscathed. Unless the affair itself is against the law.

Nora Theatre’s “Proof’ Delivers Perceptive Family Drama

January 25, 2018January 25, 2018 Theater MirrorLeave a comment

By Michele Markarian

“Proof” – Written by David Auburn. Directed by Michelle M. Aguillon. Set Design by Janie E. Howland. Sound Design by Grant Furgiuele. Presented by The Nora Theatre Company, Central Square Theater, 450 Massachusetts Avenue in Cambridge through February 18.

Nothing grows well under the shade of a big tree, as any relative or friend of a largely accomplished person will tell you. Robert (Michael Tow), a recently deceased mathematician and single father of two grown daughters, is that tree. Robert is a star at the University of Chicago, revered by the community there for formulas he discovered in his early twenties. Mental illness has incapacitated him in the years before he died, forcing his younger daughter, Catherine (Lisa Nguyen) to drop out of Northwestern and care for him. Older daughter Claire (Cheryl Daro), living in New York, has given financial support to the family but little else. As Claire returns to Chicago for the funeral, she and Catherine have very different ideas of the direction Catherine’s life needs to take. In the meantime, a former student of Robert’s, Hal (Avery Bargar) has offered to carefully comb through an extensive series of notebooks Robert has left behind, scribblings he composed while Catherine was taking care of him.

Merrimack Rep’s “Knyum” Goes Looking for the Self

January 23, 2018 Theater MirrorLeave a comment

Review by James Wilkinson

Knyum is written and performed by Vichet Chum. Presented by Merrimack Repertory Theatre. Directed by KJ Sanchez. Scenic Design by Dan Conway. Costume Design by Szu-Feng Chen. Lighting Design by Brian J. Lilienthal. Sound Design by David Remedios. Projection Design by Jon Haas. Presented by Merrimack Repertory Theatre, 50 East Merrimack Street, Lowell, through February 4

I find myself in an odd position, advocating for listening as a political action. Surely, some may argue, you’re not doing anything if you’re listening. However, as the #MeToo movement has proven in the last few months, there can be much to be gained by simply stopping what you are doing and letting someone else have their say. There’s a moment in Vichet Chum’s new play, Knyum, that keeps replaying in my mind now, two days after I have seen the show. The play’s lead (and only) character, Guy, describes a day when his Cambodian mother visits a supermarket in their Texas hometown. Both of his parents immigrated to the States following the Cambodian genocide. English is not his mother’s first language and not noticing the sign, checks out in the twelve items or fewer line with more than twelve items (oh the horror…). In the parking lot, another customer attempts to make a scene and shame Guy’s mother for such a heinous crime and at that point Guy realizes, “my mother did not survive a genocide to put up with this bullshit.”

But I am getting ahead of myself….

Lyric’s ‘Roadshow’ Showcases Lesser Known Sondheim Work

January 22, 2018January 22, 2018 Theater MirrorLeave a comment

by Mike Hoban

Music and lyrics by Stephen Sondheim; Book by John Weidman; Co-Directed by Spiro Veloudos and Ilyse Robbins; Music Direction by Jonathan Goldberg; Choreography by Ilyse Robbins; Scenic Design by Cristina Todesco; Lighting Design by John R. Malinowski; Sound Design by Elizabeth Cahill; Costume Design by Amanda Mujica. Presented by The Lyric stage Company of Boston, 40 Clarendon St., Boston through February 11

Watching Steven Sondheim’s Roadshow is a lot like listening to Magical Mystery Tour or Yellow Submarine by the Beatles. You know it’s not in the same league as say, Sgt. Pepper’s Lonely Hearts Club Band or Abbey Road, but there’s certainly enough good material there to warrant a listen. Such is the case with Roadshow, now being presented by the Lyric Stage Company. It’s no Into the Woods or A Little Night Music, but much like the lesser Beatles works, there are the flashes of brilliance that one would expect from any Sondheim musical.

THE BOYS NEXT DOOR (MMAS, Black Box Theatre, Mansfield)

January 10, 2018December 27, 2018 Theater MirrorLeave a comment

Reviewed by Tony Annicone

Mass Music and Arts Society’s opening show of their summer season is “The Boys Next Door” by Rhode Island native, Tom Griffin who recently passed away. It is a funny and touching play about four mentally handicapped men living in a communal residence under the guidance and watchful eye of a caring but burnt out social worker. The story is told by a series of vignettes and scenes, with some of the performers speaking directly to the audience. Director Kelly Crawford picks splendid and talented performers to fill these well written roles. She mixes the comic and dramatic moments together marvelously to a very appreciative audience who gives them a resounding standing ovation at the curtain call.

THE SKIN OF OUR TEETH (Wilbury Theatre Group, Providence, RI)

January 2, 2018December 27, 2018 Theater MirrorLeave a comment

by Tony Annicone

Wilbury Theatre Group’s current production is the 1943 Pulitzer Prize winning play “The Skin of Our Teeth” by Thornton Wilder. It opened on Broadway on November 18, 1942 and ran for 355 performances. The show also written in 1942 is an allegory on the history of mankind, told through the story of one family. It is a mixture of contemporary and biblical events and employs a farcical style seen in Wilder’s “The Matchmaker” as well as the presentational style seen in his “Our Town.” The phrase used as the title comes from the King James Bible, Job 19:20 “My bone cleaveth to my skin and to my flesh, and I am escaped with the skin of my teeth.” We meet the Antrobus family and their maid, Sabina who come from New Jersey. We barely escaped the depression by the skin of our teeth exclaims Sabina as Wilder works the title of the show into the dialogue. We also meet a woolly mammoth and a dinosaur in their home which helps give the show a theatrical mixture of farce, absurdism, satire and burlesque.