NSMT’s ‘YOUNG FRANKENSTEIN’ a Monstrously Riotous Musical Comedy

By Sheila Barth

BOX INFO: Two act musical comedy by Mel Brooks, appearing through August 27, at Bill Hanney’s North Shore Music Theatre, 62 Dunham Road, Beverly: Tuesday-Thursday, 7:30 p.m.; Friday, Saturday, 8 p.m.; Wednesday, Saturday, Sunday, 2 p.m. $57-$82. Kids ages 18-under, 50 percent off at all performances. 978-232-7200, nsmt.org.

 

A four-sided scrim bearing a large, foreboding, black and white image of a horror film-style castle on the hill greets theatergoers as they face North Shore Music Theater’s stage. Eerie sounds echo in surround-sound, while gusts of stage fog spurt around them, temporarily obfuscating their view. Chains rattle.  An ominous buzz saw whirrs. Voices groan, moan, howl, in the distance, while ancient-style lanterns set  intaglio in archways adorn the background of the theater-in-the-round. Cacophony abounds. Like an olden-style, black-and-white horror movie, the scrim beams a movie company logo, and announces the film, its stars, producers, directors, etc., then transforms live, in color, to a European village.

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“THE PRODUCERS” Theatre by the Sea, Matunuck, RI

Reviewed by Tony Annicone

The closing show of the 84th season of Theatre by the Sea is the Broadway sensation “The Producers” which is based on the Mel Brooks Academy Award winning 1968 film. This bawdy musical is the story of down on his luck theatrical producer, Max Bialystock and a mousy accountant, Leo Bloom. Their “sure fire” theatrical fiasco is none other than the musical “Springtime for Hitler” written by neo-Nazi, Franz Liebkind, an ex-Nazi storm trooper which tells of the rise of Hitler to power in song and dance.

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“Babes” Shine in Horovitz’s Latest at GSC

(Debra Wise, Paula Plum, and Sarah Hickler in GSC’s Out of the Mouths of Babes)

 

by Mike Hoban

 

Out of the Mouths of Babes – Written & Directed by Israel Horovitz; Set Design by Jenna McFarland Lord; Costume Design by Jane Alois Stein; Lighting Design by Russ Swift; Sound Design by David Remedios. Presented by the Gloucester Stage Company, 267 East Main Street, Gloucester through September 2

 

Can four women, each of whom was the live-in lover of the same recently deceased man for prolonged periods of time, co-exist under the same roof – even if it’s to attend his funeral?

 

That’s the premise of Israel Horovitz’s latest work, “Out of the Mouths of Babes,” an airy but laugh-filled comedy now making its New England premiere at Gloucester Stage after a sold-out Off-Broadway run last summer. Complicating matters is the fact that the deceased had cheated on and left all of the assembled women (except possibly the final wife) for other women now sharing the same apartment – the one in which they had all lived in with him. So if all that tension sounds like a springboard for a comedic jousting match, you’re correct, and Horovitz (who also directed) assembles some of Boston’s top female talent to deliver the goods.

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“YOUNG FRANKENSTEIN”

Reviewed by Tony Annicone

 

Welcome to the wild and crazy world of Mel Brooks at the North Shore Music Theatre. Their summer blockbuster hit musical is “Young Frankenstein” with no expense spared by owner and producer Bill Hanney to bring it to this 62 year old gem of a theatre. This hysterically funny musical is an inspired retelling of the Frankenstein legend based on Mel Brooks’s 1974 classic comedy movie masterpiece.

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“Bell Book and Candle” at 2nd Story, Warren RI

 

By Richard Pacheco

 

By Richard Pacheco

The 2nd Story Production of the classic John Van Druten play, “Bell, Book and Candle” is refreshing, spirited and well acted. Onstage attempts at efforts which involve magic can go badly awry, but not here. The Broadway play was turned into a film with Kim Novak and James Stewart and on Broadway with Rex Harrison and Lilli Palmer in the lead roles.

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Ogunquit’s Dark and Powerful ‘Ragtime’ Couldn’t Be More Well-Timed

 

by Mike Hoban

 

‘Ragtime’ – Based on a novel written by E. L. Doctorow. Book by Terrence McNally, Lyrics by Lynn Ahrens, and Music by Stephen Flaherty. Directed by Seth Sklar-Heyn; Scenic Design by Tim Mackabee; Lighting Design by Richard Latta; Sound Design by Kevin Heard. Costumes based on original designs by Santo Loquasto and Coordinated by Molly Walz. Music Direction by Jeffrey Campos; Choreography by Jesse Robb. Presented by the Ogunquit Playhouse, 102 Main St (Rte 1), Ogunquit, ME through August 26.

 

Towards the end of the second act of “Ragtime”, now being given an artistically brilliant and emotionally unsettling staging at the Ogunquit Playhouse, Kirsten Scott (as Mother) delivers a breathtaking version of one of the Tony Award-winning musical’s standout numbers, “Back to Before”. The final line, “We can never go back to before,” refers not only to her transformation from subservient wife to self-actualized woman, but also to the larger issues that were changing (for the better) at the turn of the 20th century, such as the strengthening labor and woman suffrage movements, as well as the notion that “negroes” and immigrants might actually be people too.

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“A CHORUS LINE” at the Ivoryton Playhouse

 

Reviewed by Tony Annicone

 

Ivoryton Playhouse’s latest musical is “A Chorus Line”, the 1976 winner of the Tony Award for Best Musical, Best Book and the Pulitzer Prize for Drama. It is a musical based on the lives and experiences of Broadway dancers. Original director/choreographer Michael Bennett wanted to do a show with the spotlight on the class of performers known as gypsies. The action takes place in an empty theatre, on a bare stage, where the casting for a new Broadway musical is almost complete. For 17 dancers, it is a chance of a lifetime. It’s the one opportunity to do what they always dreamed of, not only to be a star but to get a job, the chance to dance. Through a series of interviews from funny to heartbreaking, it ushers the audience into the lives of these dancers until the final 8 are chosen. The original show opened on April 15, 1975 and ran 6,137 performances, closing on April 28, 1990. Director/choreographer Todd Underwood directs and choreographs this show. Todd creates a topnotch version of this show with his talented cast and the fabulous musical direction of Michael Morris is the crowning touch to this show as they create a Broadway caliber musical in Ivoryton, CT.

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‘TARZAN” Stadium Theatre, Woonsocket, RI

 

Reviewed by Tony Annicone

 

Stadium Theatre’s current musical is “Tarzan” which is based on the 1999 Disney film and the classic story by Edgar Rice Burroughs. It features music and lyrics by Phil Collins and book by David Henry Hwang. The classic tale unfolds in the early 1900’s as a shipwreck leaves an infant orphaned on the West African shore. The helpless baby is taken under the protection of a Gorilla tribe and becomes part of their family. The helpless baby is adopted by the mate of the leader of this tribe who is mourning the loss of her own baby gorilla. As he grows and matures, the boy yearns for acceptance from his ape father and the reason for his uniqueness. When he eventually encounters his first human, Jane Porter, their worlds collide and transform forever. Director Rebecca Donald casts topnotch performers for these roles while music director Alex Tirrell taught the cast Phil Collins’ music and choreographer Jennifer Webb creates some athletic choreography. This heart warming musical also teaches us to accept others even thought their appearance is different from us. This high energy musical receives a well deserved resounding and thunderous standing ovation from the appreciative audience.

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“42ND STREET”

 

Reviewed by Tony Annicone

 

Reagle Music Theatre’s third show of their 49th summer season is the Tony Award winning musical “42nd Street.” It is loosely based on the movie with the same name. The stage musical version opened on Broadway on August 25, 1980 and ran until January 8, 1989 and starred Jerry Orbach as Julian Marsh and Tammy Grimes as Dorothy Brock.

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THE PRISONER OF SECOND AVENUE (Renaissance City Theatre, Westerly, RI)

Reviewed by Tony Annicone

 

The Renaissance City Theatre the producing entity at the Granite Theatre’s current show is “The Prisoner of Second Avenue” by Neil Simon. This dark comedy tells the story of Mel, a New York-based advertising executive, whose life takes a dramatic turn when he loses his job. As he attempts to cope with his new unemployment status, he becomes particularly depressed over the fact he must now depend on the income of his wife, Edna, who, out of necessity, has now taken on a job. When his apartment is burglarized and his psychiatrist dies with $23,000 of his money, Mel has a nervous breakdown. As the couple recovers together, the audience witnesses their resilience, and determination to survive. A Jewish family meeting with his brother, Harry and sisters, Pauline, Pearl and Jessie add lightness to the show.  Although having a nervous break down is a serious matter, Neil Simon reminds us even in the face of desperation and despair, there can be laughter. Director Jude Pescatello chooses the best cast for this show and blocks it splendidly on the beautiful set built and designed by David Jepson. He keeps the pace of the show in constant motion.

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