Oberon’s “The Fever” Brings Sense of Community to Theatrical Experience

November 16, 2017November 24, 2017 Theater MirrorLeave a comment

by Mike Hoban

The Fever – Written and Directed by Abigail Browde & Michael Silverstone. Created in collaboration with Brandon Wolcott, Emil Abramyan, and Eric Southern. Produced by Oberon in collaboration with 600 Highwaymen. Performed at the Ex at the Loeb Theatre, 64 Brattle St. Cambridge through November 19

If you’re one of those folks who is a little (or a lot) skittish about the thought of attending a show where audience participation is built into the theatrical experience, relax, The Fever is not that kind of a show. In fact, it’s not really a “show” at all, certainly not in any traditional theatrical sense. This oddly compelling piece plays more like a social experiment in unforced compliance than theater, but it works in a way that never feels forced or hokey.

Trinity Rep’s 40th Anniversary “A CHRISTMAS CAROL” A Holiday Gem

November 15, 2017 Theater MirrorLeave a comment

Reviewed by Tony Annicone

Trinity Repertory Company ushers in the holiday season for their 40th Anniversary of their production of “A Christmas Carol” by Charles Dickens and adapted by Adrian Hall and Richard Cumming. The show’s underlying themes of charity, forbearance and benevolence are universal and are equally relevant to people of all religions and backgrounds especially with the unsettling events in this country and around the world. This familiar tale is about the curmudgeonly miser, Ebenezer Scrooge, who is visited by the ghosts of Jacob Marley, Christmas Past, Present and Future who hope to change his destiny and save his soul to ultimately discover the true meaning of Christmas.

The Curious Incident of the Dog in Night-Time and the Mystery and Suspense Genre

November 12, 2017November 12, 2017 Theater MirrorLeave a comment

by Michael Cox

The Curious Incident of the Dog in Night-TimeAdapted by Simon Stephens from the novel by Mark Haddon. Produced by Speakeasy Stage Company and playing at the Stanford Calderwood Pavilion October 20 – November 25.

Just after midnight in Swindon, a town 71 miles West of London, fifteen-year-old Christopher John Francis Boone finds a dog brutally murdered in his neighbor’s garden. Wellington, a cherished family pet, has been impaled with a pitchfork and is still pinned to the ground. Mrs. Eileen Shears, the owner of the dog and the garden, calls the police. And when they arrive they’re looking for answers. But Christopher can’t provide them. Instead, he assaults the officer.

As The Curious Incident of the Dog in Night-Time unfolds, Christopher tells us his side of the story. He writes it down in a notebook as part of a school project, and he chooses to convey the experience as a murder mystery.

Sleeping Weazel Combines Thought-Provoking Message, Humor with “Traveling Minstrel Show”

November 6, 2017November 8, 2017 Theater MirrorLeave a comment

Review by James Wilkinson

3/Fifths’ Trapped in a Traveling Minstrel Show. Conceived and Written by James Scruggs. Directed by Mark Rayment. Scenic and Graphic Design by Michael O’Reilly. Video Design by Jason Batcheller. Lighting Design by Bridget K. Doyle. Sound Design by Mark Van Hare. Choreographed by Nejla Yatkin. Makeup Artist: Brian Strumwasser. Presented by Sleeping Weazel through November 11.

There’s an inherent irony present in this review which I cannot help but appreciate. A white male is going to tell you what he thinks about a show that is very concerned with examining what happens when black men do not have control over their own narratives. If this is the kind of scenario that bothers you, then feel free to check out after this paragraph (I promise that I won’t take it personally). I’ll boil the review down to this: You should go see Sleeping Weazel’s production of James Scrugg’s play, 3/Fifths’ Trapped in a Traveling Minstrel Show. You should see it, form your own opinion on the work and contribute to the conversation that Scruggs and his director, Mark Rayment are trying to start.

Still with me? Fantastic…

NSMT’s “42ND STREET”

November 5, 2017 Theater MirrorLeave a comment

Reviewed by Tony Annicone

Welcome back to 1933 and the wonderful world of tapping feet in “42nd Street” at North Shore Music Theatre with a huge cast of 30 performers. It is loosely based on the 1933 movie musical with the same name which starred Ruby Keeler and Dick Powell. The stage musical version opened on August 25, 1980 and ran until January 8, 1989, won the Tony Award for Best Musical. It starred Jerry Orbach as Julian Marsh and Tammy Grimes as Dorothy Brock and I was fortunate enough to catch that musical back in 1980. “42nd Street” is the tale of up and coming chorus girl, Peggy Sawyer who arrives in New York seeking a career on Broadway.

Read more “NSMT’s “42ND STREET””

“In the Heights” Soars at Wheelock Family Theatre

October 31, 2017October 31, 2017 Theater MirrorLeave a comment

By Michele Markarian

In the Heights. Music and Lyrics by Lin-Manuel Miranda, Book Quiara Alegria Hudes. Directed by Rachel Bertone. Presented by Wheelock Family Theatre, 200 The Riverway, Boston, MA, through November 19.

I don’t know if anyone remembers watching the 2008 Tony awards, but the winner of that year’s Best Musical, Lin-Manuel Miranda, rapped his acceptance speech. “What an odd little guy”, I thought, with a mixture of admiration and disdain (even for the Tonys, it was an unusual form of acceptance speech). I never felt compelled to see “In the Heights”, but given the quality of Wheelock Family Theatre’s musical productions, I figured, why not? This wonderful show, expertly directed and choreographed by Rachel Bertone, does not disappoint.

Lyric’s “Souvenir” a Keeper

October 29, 2017 Theater MirrorLeave a comment

By Michele Markarian

‘Souvenir’ – Written by Stephen Temperley. Directed by Spiro Veloudos. Presented by The Lyric Stage Company of Boston, 140 Clarendon Street, Boston, MA through November 19.

“How many people have already seen the show?” asked Producing Artistic Director Spiro Veloudos during his curtain speech. A large number of hands went up in the audience. “What the heck? Who sees a show twice?” I thought. After seeing “Souvenir” once, I get it. This is one of the funniest shows I’ve seen all year, with its two performers wonderfully in tune with each another.

Read more “Lyric’s “Souvenir” a Keeper”

Huntington’s “A Guide for the Homesick” Artfully Mixes Global Politics, Personal Pain

October 22, 2017October 28, 2017 Theater MirrorLeave a comment

by Mike Hoban

A Guide for the Homesick – Written by Ken Urban. Directed by Colman Domingo. Scenic Design by William Boles; Original Music and Sound Design by Lindsay Jones; Costume Design by Kara Harmon; Lighting Design by Russell H. Champa. Presented by Huntington Theatre Company at the Calderwood Pavilion, Boston Center for the Arts, through Nov. 4.

About a third of the way through A Guide for the Homesick, the outstanding new drama being presented by the Huntington Theatre Company, it becomes apparent that this is not going to be your typical “boy-meets-boy, boy-is-closeted, boy-gets-boy” story. Instead, what we get is an utterly engrossing new work that weaves religiopolitical and mental health issues into a tale of two men (who just met) sharing their guilt and remorse over their potentially life-destroying screw-ups in a place far from home. The play, written by Huntington Playwriting Fellow Ken Urban, features two Boston-born protagonists, and is fittingly receiving its premiere at the Boston Center for the Arts’ Calderwood Pavilion.

“Oleanna” Stirs a Disturbing Debate

October 21, 2017October 29, 2017 Theater MirrorLeave a comment

By Michele Markarian

‘Oleanna’ – Written by David Mamet. Directed by Elaine Vaan Hogue. Presented by New Repertory Theatre, Arsenal Center for the Arts, 321 Arsenal Street, Watertown, MA through November 5

I feel like I need to start this review off by saying that I am – absolutely – a feminist. Keep reading, and you’ll see why.

“Oleanna” takes place in the office of John (Johnny Lee Davenport), a professor at a college whose impending tenure has just been announced. The subsequent raise in pay is allowing him to purchase a new home. A series of phone calls negotiating the details of this real estate transaction is interrupted by the arrival of Carol (Obehi Janice), a student who claims to be having difficulty with his class and in particular, his textbook. The textbook, one that he has authored himself, refers to higher education as “systematic hazing”. As someone who has worked hard to get herself to college, Carol is deeply offended by this. As she despairs at being too “stupid” to understand what is going on in his classroom, John offers to give her an A, if she agrees to meet with him for tutoring sessions. This decision will ultimately be John’s downfall.

Trinity Rep’s “DEATH OF A SALESMAN” is a Masterpiece

October 21, 2017October 29, 2017 Theater MirrorLeave a comment

Reviewed by Tony Annicone

The opening show of Trinity Repertory Company’s 54th season is “Death of a Salesman”, a 1949 play by Arthur Miller. It was the 1949 recipient of the Pulitzer Prize for Drama and the Tony Award for Best Play. The play premiered on Broadway in February, 1949 and ran for 742 performances, and has been revived on Broadway four times, winning three Tony Awards for Best Revival. It is widely considered to be one of the greatest plays of the 20th Century. It explodes with poignancy and relevance. In 1947 Brooklyn, Willy Loman desperately craves success for himself and his two sons, but stark reality cannot live up to his dreams.The wall of delusions that he has constructed quietly crumbles around him while a devastated and demoralized man searches in vain for a hidden path to greatness. Director Brian McEleney takes this masterpiece of a show and makes it relevant to contemporary audiences so they can see each person’s struggle to achieve their ambitions and dreams is universal and not confined to the 1940’s. They can apply lessons learned from the past into their own lives during these uncertain and turbulent times. Beware of the past for if you don’t learn from it, it will come back and bite you on the butt. Brian not only blocks the show brilliantly but with his keen eye and insight into these characters brings out the best in his very talented cast, too. This show is electrifying and is the must see show of this season.