“A CHRISTMAS CAROL” (Arctic Playhouse, West Warwick, RI)

 

Reviewed by Tony Annicone

 

The Arctic Playhouse’s holiday presentation this year is the premiere production of “A Christmas Carol” adapted and directed by John Martorella with gorgeous and lush original music by his husband, Philip Martorella. John assembled a huge cast of 30. The underlying themes of charity, mercy, forbearance, and benevolence found in “A Christmas Carol” are universal and are relevant to people of all religions and backgrounds. In his version, John uses two different performers as the narrators of this familiar tale of miserly, curmudgeon, Ebenezer Scrooge. It is the classic tale of this stingy, miser on the road to his redemption. Originally written in the winter of 1843, this show still resonates with audiences, one hundred and seventy five years later. Scrooge is visited by his dead partner, Jacob Marley who has been dead for seven years on Christmas Eve as well as the ghosts of the Past, Present and Future. who hope to change his destiny and save his soul. This musical adaptation is full of lovely music, colorful sets and gorgeous costumes. This musical treat follows Scrooge on his strange and magical journey, where he finally discovers the true Christmas spirit at last.

John obtains laughter and some tears on Scrooge’s journey to redemption. He keeps the action of the show moving from scene to scene. He ends the show with the cast singing “God Bless Us All” to the audience. The music by Philip is magnificent and a recorded track is used for all these numbers. The three marvelous numbers are “Rise and Walk With Me” by Christmas Past, “With All the Dreams We Share” by Belle and “God Bless Us All” by Tiny Tim. Also well done is the chorus dance in the Fezziwig scene. The London sets are by Jim Belanger and Lloyd Felix while the fabulous, gorgeous authentic costumes are by Nancy Spirito and Johnny Cagno.

Terry Simpson plays Ebenezer Scrooge. He plays this miserly curmudgeon excellently and commands the stage in this role. Terry excels in the comic scenes especially when he yells at the carolers as well as when he yells at the two solicitors. However it is in the dramatic scenes that are the most memorable including Fan’s death, the break-up with Belle, the death of Tiny Tim and in his transformation that the pathos pours out to the audience.  His exuberance when he awakens on Christmas morning is stunning to behold as he dances with joyous rapture. The audience learns that Scrooge has become a better man by learning from the past, present and the future. The Turkey boy well played by Jacoby Messier helps Scrooge turn a new leaf by sending the turkey to the Cratchitts.

The four Ghosts do a marvelous job in this show, too. Geoff Monti is wonderful as Jacob Marley. He scares not only Scrooge but every person in the audience as he appears on the scene. The chains clang as he drag them across the floor.  Marley stands near Scrooge’s bed with huge chains and warns him to reform his miserly ways or suffer Marley’s fate these past seven years. Monti’s delivery of these lines is frightening to behold. Christmas Past is portrayed by Maria Tavorozzi, a beautiful brunette who has a lovely singing voice in her impressive song “Rise and Walk with Me”. She chides Scrooge as he watches his younger self enjoying and loving Christmas with his sister, Fan when she arrives to take him home and again at Fezziwig’s party when he fell in love with Belle. Maria delivers the goods as she takes Scrooge on his journey of enlightenment. Young Scrooge is wonderfully played by Mike Daniels as is Roxy Johnson as little Fan. Mike is also topnotch in the break up scene. Chantell Araial is terrific as Belle, playing it with a great deal of warmth and charm. Their break up scene is poignant to observe as she hands him back the engagement ring while she sings “With All the Dreams We Share” which is gut wrenching and very beautifully rendered. The jolly employer and his wife are splendidly played by Brian Lamothe and Peirson as Mr. and Mrs. Fezziwig. They lead the party festivities with gusto, bringing the necessary comic relief at this point of the show.

Christmas Present is wonderfully played by Geoff Monti. He is the dominant presence in this show while he spreads good cheer. He teaches Scrooge an important lesson on how to treat his fellow man and uses Scrooge’s words against him. The Ghost cajoles Scrooge while he shows him the plight of the Cratchit family and how his nephew, Fred is spending Christmas day. Mike Daniels is also marvelous as Fred. He brings a comic touch to the role, infusing him with energy. He is hilarious when he puts more coal in Scrooge’s heater and is comical during the party scene. His wife, Agnes is excellently played by gorgeous, brunette Chantell Araial. They have some clever banter during the party scene. Brian Lamothe also plays the Ghost of the Future and he scares the crap out of the audience as he shows Scrooge the fate that will befall him unless he repents his terrible ways. The Ghost accomplishes this by having Scrooge observe the Old Joe scene, the death of Tiny Tim and Scrooge’s own gravestone.

The Cratchit family members do a remarkable job, too.  Bob Mignari as Bob handles the comic moments like being shocked by Scrooge’s transformation in the last scene and also does a nice job in the death of Tiny Tim sequence. Kristen Allen plays Mrs. Cratchit and she shines in this role, as the caring, doting mother. She and Bob display their singing voices and dancing prowess, too. Kristen is very comical when she won’t toast the old miser but becomes properly dramatic and chokes you up during the Tim death scene. Other family members include her daughter, Harper Henning as Martha and Lily Legacy as Belinda. Young Roxy Johnson also plays Tiny Tim wonderfully and delivers the “God Bless Us, Everyone” song with gusto. Other comic performers include Laurie Crabtree as Mrs. Dilber, who delivers Scrooge’s gruel, shocks him at the door, walks slowly to deliver the food to him and sells his bed clothes while John Martorella plays Old Joe. So to get into the Christmas spirit, be sure to catch “A Christmas Carol” at West Warwick High School by The Arctic Playhouse.

A CHRISTMAS CAROL (6 to 9 December)

The Arctic Playhouse, West Warwick High School, 1 Webster Knight Drive, West Warwick, RI

1(401)573-3443 or www.thearcticplayhouse.com

 

 

Onward to Glory with “Man of La Mancha”

By Michele Markarian

 

Man of La Mancha, by Dale Wasserman. Music by Mitch Leigh, Lyrics by Joe Darion.  Directed by Antonio Ocampo-Guzman.  Presented by New Repertory Theatre, 321 Arsenal Street, Watertown through December 31.

 

“Man of La Mancha” is based on the story of Miguel de Cervantes, one of Spain’s – and the world’s – most eminent authors. Cervantes was imprisoned many times over the course of his lifetime, usually for financial reasons, and managed to survive five years in captivity by pirates during his early military career. Throughout his captivity, his love for literature kept him going, setting the stage for his creation, Don Quixote, the nobleman who wishes to restore chivalry by becoming a knight in a world that’s decidedly harsh. With the help of a recruit, poor dumb farmer Sancho Panza, who serves as his squire, and his courtly love towards the lowly born Aldonza (renamed Dulcinea), Don Quixote attempts to live out his reality in his world where chivalry thrives.

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Praxis’ Successfully Blends Comedy, Political Commentary in ‘Accidental Death of an Anarchist’

 

By Mike Hoban

 

Accidental Death of an Anarchist – Written by Dario Fo; Adapted/Translated by Gavin Richards & Gillian Hanna; Directed by James Peter Sotis. Presented by Praxis Stage at First Church Boston, 66 Marlborough Street, Boston through December 17

 

Who says political theater has to be dour?

Not Praxis Stage, which has updated Dario Fo’s 1970 farce, the Accidental Death of an Anarchist, to deliver a very funny take on how western capitalist political systems “deal with” dissent. The re-worked script also fires a few broadsides at the circus that is the current United States political debacle, with references to “alternative facts” and “Fake News” sprinkled throughout. The play is based on a real life case where an anarchist, who was being interrogated in connection with a 1969 bank bombing in Italy, either jumped or was thrown to his death from the fourth-story window of a Milan police station. If that sounds a little heavy-handed, don’t worry, there’s plenty of clever dialogue and physical comedy to keep the non-Democratic Socialists entertained.

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THE BUTTERFINGERS ANGEL – The Players, Providence, RI

Reviewed by Tony Annicone

 

The second show of The Players season is William Gibson’s “The Butterfingers Angel, Mary & Joseph, Herod the Nut and the Slaughter of 12 Hit Carols in a Pear Tree” originally written for a church pageant. Hard to believe that he also was the author of the dramatic “The Miracle Worker.” An imaginative retelling of the Christmas story brings new relevance to its timeless subject. Gibson combines a series of short scenes, traditional Christmas music, antic characterizations into a wholly original theatre piece. It deals with the story of Joseph, Mary and the birth of Jesus in an off kilter point of view. The flow of the action follows the Biblical events, but is enhanced by a tree, a sheep and a donkey who talk.  Gabriel is a klutzy apprentice angel facing a lay off if Gabriel messes up one more time. The angel is flustered most of the time. Mary is a feminist matchmaker who wasn’t interested in marriage or men while Joseph is a philosophy spouting wimp who proclaims he is too old for his intended. Herod is a drum beating nutcase who is the funniest one of the bunch. Director Vince Petronio picks 15 performers to play the various roles in this show.

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“Noises Off”, URI Theatre

 

Reviewed by Tony Annicone

 

The second show of URI’s season is “Noises Off”, a 1982 play by Michael Frayn. The idea for it was born in 1970 when Frayn was standing in the wings watching a performance of “Chinamen”, a farce he had written for Lynn Redgrave. According to Frayn, “It was funnier from behind then in front” and vowed to write a farce from behind. The term “noises off” refers to sounds that occur offstage. Frayn plays on the concept of a play within a play, in this case a play called “Nothing On” in which a young girl runs around in her underwear, men drop their trousers, and many doors continually open and shut. Each of the three acts contain a performance of the first act of the play within a play. Act 1 is set at the dress rehearsal, the night before opening with the cast still fumbling for entrances and exits, missed cues. misspoken lines and bothersome props, most notably several plates of sardines. Act 2 is seen from backstage, providing a view that reveals the deteriorating personal relationships of the cast that lead to offstage shenanigans and onstage bedlam. Act 3 is the end of their 10 week run where personal friction has increased and everyone is anxious for the show to be done with. They attempt to cover up a series of mishaps but end up compounding the problems and draw attention to the bungling performance. The slapstick in the latter two acts is hilarious and where the strength of this script lies. Director Christopher Simpson chose the nine best performers for each of these roles and infuses the farcical elements needed to leave the audience in stitches all evening long.

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“IT’S A WONDERFUL LIFE, THE MUSICAL” (The Community Players, Pawtucket, RI)

“IT’S A WONDERFUL LIFE, THE MUSICAL”

Reviewed by Tony Annicone

 

The holiday musical at Community Players this year is “It’s A Wonderful Life, The Musical”. Based on the beloved 1946 film, this family friendly musical faithfully follows the familiar story of George Bailey’s life from childhood dreams to midlife disappointments. After George wishes he had never been born, an angel is sent to earth to make his wish come true and we all take the journey to discover whether his time on earth has mattered at all. Cinematically scored, this musical adaptation breathes new life into a familiar story, while retaining the warmth, humor and pathos of the original. Director Vinnie Lupino picked a strong leading man to portray George Bailey in Duane Langley who is onstage the entire show. His comic timing as well as his dramatic acting as he wrings every bit of pathos from this role,leaving the audience in tears. So you have the necessary ingredients for a very successful Christmas musical that audiences of all ages can enjoy thoroughly from start to finish. The musical score adds layers to these well known characters from the movie version especially Mary Hatch’s character as the audience discovers she yearned for George all through high school by being madly in love with him as she reveals in “My George Bailey.” Bravo on a job well done!

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Women Stand Strong in Boch Center’s Magnificent ‘The Color Purple’

 

by Mike Hoban

 

The Color Purple – Based on the novel by Alice Walker; Book by Marsha Norman; Directed by John Doyle. Music and Lyrics by Brenda Russell, Allee Willis, and Stephen Bray; Set Design by John Doyle, Costumes by Ann Hould-Ward; Lighting by Jane Cox; Sound by Dan Moses Schreier. Presented by the Boch Center Shubert Theatre through December 3.

 

For those who believe that pain and suffering are indeed the gateways to a spiritual life, then Celie, the central character of The Color Purple, must surely be the poster girl for that philosophy. Celie suffers through presumed incest, teen pregnancy, and losing her children all by the time she turns 15, and the years that follow don’t get much better. But through persistence and prayer she endures her trials and tribulations and transforms herself into a strong woman of dignity and honor before our eyes.

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Greater Boston Stages’ ‘She Loves Me’ is a Delight

 

by Mike Hoban

 

‘She Loves Me’ – Book by Joe Masteroff; Music by Jerry Bock; Lyrics by Sheldon Harnick; Based on a play by Miklos Laszio. Directed by Ilyse Robbins; Music Direction by Matthew Stern; Scenic Design by Brynna Bloomfield; Lighting Design by Jeff Adelberg; Costume Design by Gail Astrid Buckley; Sound Design by John Stone. Presented by the Greater Boston Stage Company at 395 Main St, Stoneham through December 23rd

 

The Greater Boston Stage Company and director Ilyse Robbins have again mined gold from Broadway’s lesser known catalogue, following up the wonderfully campy season opener Dames at Sea with an utterly charming production of She Loves Me, which debuted on Broadway in 1963. Featuring two of Boston’s most gifted female musical theater actors (Jennifer Ellis and Aimee Doherty – both fresh off sterling performances in the Huntington’s Merrily We Roll Along) as well as a pair of Boston’s emerging leading men (Sam Simahk and Jared Troilo), She Loves Me is a delight.

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Laughter Abounds in Moonbox Productions’ “The 39 Steps”

(Cirone, Zahnzinger, Mussett and Gazdowicz in Moonbox Productions’ “The 39 Steps”)

 

by Michele Markarian

 

“The 39 Steps”. Written by Evan George Patrick Barlow. Directed by Allison Olivia Choat.  Presented by Moonbox Productions, the Plaza Theatre, Boston Center for the Arts, 539 Tremont Street, Boston through December 9.

 

“I was bored – no, more than bored, tired,” begins the play’s hapless, world weary protagonist, Richard Hannay (Kevin Cirrone), from a rented flat in London.  He decides to go to the theater, where he meets a mysterious woman (Sarah Gazdowicz, playing one of three roles) who, after shooting off a gun in the theater, asks if she can spend the night. When his guest is mysteriously murdered, Hannay is the suspect-at-large and goes on the run, but not before the dying woman gives him the address of a professor in Scotland with the cryptic phrase, “the 39 steps.” It is here that Hannay’s boredom ends and his adventure begins, as he journeys to Scotland. Along the way, he meets another young woman as well as a multitude of characters, some benign, some nefarious, many inept, and all played by Man 1 (Bob Mussett) and Man 2 (Matthew Zahnzinger).

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Company Theatre’s “Company for the Holidays” Sparks Holiday Spirit

 

by Evan McKenna

 

“Company for the Holidays: A Christmas Spectacular” – Directed by Zoe Bradford and Jordie Saucerman, Music arranged by Steve Bass and Chris Hansen, music direction and several original arrangements by Steve Bass, choreography by Sally Ashton Forrest, costume design by Kathryn Ridder, lighting design by Adam Clark, set design by Ryan Barrow and James A. Valentin. Through 12/17

 

While Black Friday deals and long lines at the Christmas Tree Shop remind us that December is almost here, gifts and Christmas decorations don’t always spark that genuine holiday spirit. It’s family, song, and traditions that give Christmas its true essence, and that’s what Company Theatre’s “Company for the Holidays: A Christmas Spectacular,” which premiered Friday, illustrates so well, making it the perfect entré into the Holiday season.

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