“Shirley Valentine” at 2nd Story Theatre

Reviewed by Tony Annicone

 

2nd Story Theatre’s current show is “Shirley Valentine”, a comedy by Willy Russell. Inside Mrs. Joe Bradshaw, a 42 year old mother of two grown children, is the former Shirley Valentine longing to get out. Her schoolgirl dreams have faded and she is reduced to talk to the kitchen wall while preparing her husband’s evening meal. It is to be on the table at the same time every night as he opens the front door. Her feminist friend, Jane offers her a trip to Greece, and with great trepidation, Shirley seizes the opportunity and goes, to encounter a totally new lifestyle there. This one person show contains humor, pathos, warm sympathy and human insight. It contains a tour de force performance by Joanne Fayan in the title role who captures the essence of this character perfectly. The whole audience rose to their feet at the end of her phenomenal performance. Brava!

Director Mark Peckham cast the right person for this role and elicits a stunning, multilayered performance from Joanne. He blends the comic and dramatic moments together splendidly. The show takes place in two acts. The first is set in a kitchen in Liverpool, England and the second is set on a secluded Greek island beach with a taverna. The sets by Max Ponticelli are superb. In the first act Shirley tells the problems of her life to the kitchen wall while drinking a glass of wine during scene one. The Nativity story with her son as Joseph is hilarious. In scene two, she tells the wall that she has decided to take the trip without telling her husband while running around getting ready to leave. She wants life beyond the wall and her neighbor gives a silk robe to take with her on her trip. The second act reveals how Shirley has become a free spirit again while recapturing her long lost youth. Shirley realizes it is what you want to do that is more important than what you have to do. Joanne runs the gamut of emotions in this role, keeping your attention during the whole 86 page script. She is absolutely brilliant in this role, making this one of the must see shows of this season. So for a powerhouse one woman show, be sure to catch “Shirley Valentine” at 2nd Story Theatre. Tell them Tony sent you.

SHIRLEY VALENTINE (10 March to 2 April)

2nd Story Theatre, 28 Market St, Warren, RI

1(401)847-4200 or www.2ndstorytheatre.com

 

“A Night of Durang” (Arctic Playhouse, West Warwick, Rhode Island)

Reviewed by Tony Annicone

 

The opening show of the Arctic Playhouse’s new season is “Sister Mary Ignatius/The Actor’s Nightmare” by Christopher Durang. They are two one act companion piece plays. Sister Mary Ignatius, a teaching nun who is more concerned with sin in all its various forms, delivers a cautionary lecture to her charges. One of them can quote the Ten Commandments on cue, and each time he does so Sister Mary rewards him with a cookie. But when several of her former students turn up the picture darkens, along with Sister Mary’s indignation. They confess the various paths their lives have taken after leaving her class and teachings. Sister highly disapproves their transgressions and a highly volatile and shocking conclusion to their meeting occurs. One of them is an unmarried mother of an illegitimate child, another is a homosexual, another is a woman who was raped on the night her mother died from cancer and the last one is an alcoholic who is suicidal. “The Actor’s Nightmare”, involves an accountant named George Spelvin, who is mistaken for an actor’s understudy and forced to perform in a play for which he doesn’t know any of the lines. He is dressed as Hamlet but then the show keeps changing from “Private Lives” to “Hamlet” and Beckett plays to “A Man for All Seasons” with a surprising realistic twist to it. Director Christopher Plonka casts these roles wonderfully, giving his 7 member cast the insight into these comic but deeply flawed characters to not only entertain you but to enlighten you along the way, too.

Mary Paolino delivers a tour de force performance as Sister Mary Ignatius. She delivers an enormous 40 minute monologue while speaking directly to the audience. Mary is strict in her lecture but comical at the same time, winning sustained laughter all night long. Her transformation into a tigress at the end  of the show by keeping the intruders at bay is hilarious as is her doting on the seven year old prize student, Thomas  wonderfully played by Nico Marschat. Another standout performer in this piece is Meg Taylor-Roth who delivers an impassioned speech about how her character felt abandoned by God when her mother was dying of cancer and how she had abortions after being raped on the night her mother died and the second when her therapist had sex with her. This is where this comic piece takes a dramatic turn. Olivia Sahlin plays the unwed mother who is a dumb blonde excellently but she shows great emotion at Meg’s poignant speech with tears in her eyes. She and Jeff Blanchette play a comic Camel who helps Mary and Joseph deliver Jesus in the stable. Jeff plays the alcoholic father who never was allowed to go to the bathroom and wet the floor at school because the nun never let him go to the bathroom. Mario Sasso also delivers the goods in the Nativity skit as St. Joseph as well as when he tells Sister that he slept with 500 men.

Jeff Blancette commands the stage as George Spelvin in “The Actor’s Nightmare.” From the first entrance as this befuddled, confused man who proclaims he is just an accountant not an actor, he delivers a well nuanced performance. As he moves from play to play from “Private Lives” to “Hamlet” to “Waiting for Godot” to Sir Thomas More in “A Man for All Seasons”, he shines at each transformation by calling for line, never knowing the dialogue or whether it’s a monologue for the character which he mixes up constantly in this absurdist play. Victoria Ezikovich is a hoot as  Amanda in the Noel Coward play by repeating her lines over again until he delivers the right line and slapping his face when he tries to unzip her dress. Olivia plays the stage manager who enters now and again to feed George his lines in an inaudible whisper. Mario plays Horatio in “Hamlet” and the Executioner in “Man for All Seasons”, delivering a powerful performance as both characters as does Meg who plays Sybil in “Private Lives” and a character in a garbage can in the Beckett play. She urges George to play the death scene as Thomas More to the climatic conclusion. So for a riotous night of comic antics with some serious undertones, be sure to catch “An Evening of Christopher Durang” at Arctic Playhouse. Also enjoy their free cookies, popcorn and coffee while watching these entertaining shows.

SISTER MARY IGNATIUS/THE ACTOR’S NIGHTMARE (22 February to 10 March)

The Arctic Playhouse, 117 Washington Street, West Warwick, RI

1(401)573-3443 or www.thearcticplayhouse.com

“URINETOWN” (Bristol Theatre Company)

Reviewed by Tony Annicone

 

Bristol Theatre Company’s current show is “Urinetown” which won three Tony Awards in 2002. “Urinetown” is set in the future where a drought of epic proportions has forced corrupt officials to come up with a unique way to conserve water: people may only use public restrooms and they must pay for the privilege. Fed-up citizens take to the streets, but those breaking the law are carted off to the mysterious “Urinetown” never to be seen or heard from again. The satirical musical pokes fun at and sends up “The Threepenny Opera”, “Annie”, “Fiddler on the Roof”, “West Side Story” and the Gershwin romances simultaneously. Director Chris Plonka casts all these roles beautifully and infuses the show with high energy from start to finish. He also brings out the light hearted side and brings the much needed tongue in cheek humor it deserves. Diane Campagna creates all the dance steps which spoofs the other shows wonderfully while musical director, Mario Sasso supplies the topnotch musical direction to pull off this unique and funny show.

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“CAROUSEL” (Swanhurst Chorus’ 23rd Annual Dinner Theater)

“CAROUSEL”

Reviewed by Tony Annicone

 

Swanhurst Chorus’ 23rd Annual Dinner Theater musical is “Carousel” by Rodgers and Hammerstein. Based on the play “Liliom”, this show takes place in a small New England fishing village in Maine between 1873 and 1888. The tale revolves around the love affair between Billy Bigelow, a traveling carnival man and Julie Jordan, a local factory worker. They end up getting and after learning he is to become a father, Billy kills himself in a botched robbery.

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Wheelock’s ‘Billy Elliott’ – the Next Best Thing to Broadway

 

By Michele Markarian

 

Billy Elliott the Musical, Music by Elton John, Book and Lyrics by Lee Hall. Directed by Susan Kosoff. Presented by Wheelock Family Theatre, 200 The Riverway, Boston, MA, through February 26.

 

This winter, you can take Amtrak or the GoBus to New York City to see one of the many fabulous musicals there that grace Broadway. Or you can make it easy on yourself by taking the D line to Wheelock Family Theatre to catch “Billy Elliott the Musical”. You won’t be disappointed.  From the sets to the choreography to the exceptional cast, “Billy Elliott” is a show that should not be missed.

 

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“Thriller of the Year” at Theatre One

 

By Richard Pacheco

Theatre One finishes its season with a production of Glyn Jones’ “Thriller of the Year,” a play about a thriller writer who suddenly finds her life in jeopardy after winning a major award find a copy of her latest award winning book has been delivered with no note and no indication as to who it is from.

As the evening unfolds, when a series of unfortunate accidents occur, she soon finds out why: someone is trying to kill her using methods from her own book. Will she be able to discover the identity of the murderer before it is too late, using her novel to stay one step ahead; she finally comes face to face with the murderer. In the last chapter of her book how did her heroine die? And will Gillian suffer the same fate!

Jones, was a South African writer who also wrote for Dr. Who which he not only wrote for but acted in several times.

 

The cast is strong and energetic. The have a solid chemistry between them and real verve. The award-winning writer, Gillian Howard, is played by Susan Salveston. Howard is smug, self-satisfied with her own importance and more than a bit of a bully. She likes to get her way at any and all costs, from anyone around her from her publisher to her assistant, her doctor to her soon to be former mother-in-law. None of them really matter in her universe unless they contribute to her goals and succumb to her wishes. Salveston handles it all with verve and aplomb, making the nastiness delicious and entertaining as she goes about verbally abusing people at her whim.

Holly Christian Cipriani is her publisher, Irene Knight, the woman who put Howard on the map in the writing world and now must endure Howard’s relentless attacks and threats to find another publisher for her next book. She likes her alcohol, and indulges in it liberally at the apartment, particularly when Howard is on the attack, knowing full well Howard is not suppo0swed to drink for health reasons. Cipriani is energetic and bold in the role, a solid presence fully able ton confront the rampaging Howard.

Vanessa Lima is Madge Robinson, Howard’s assistant and for all practical purposes indentured servant. Madge has a growing discontent with her job and her boss an wonders about leaving to find greener pastures in the job market. Madge is very efficient and has contributed a lot behind the scenes to Howard’s success, perhaps even adding something to her acclaimed novel, more than just typing it. She has an underlying resentment against her boss that is well justified. Lima is excellent in the role, a mixture of submission and self confidence in her abilities and contributions to her boss that is appealing and effective.

Elizabeth Goulart is the dedicated and determined Beryl Spence, Howard’s doctor at her beckon call. She is smart, dedicated and determined to be the most supportive doctor, even making house calls in the wee hours of the morning. She often battles Howard over health choices like drinking brandy. Goulart has a smart presence as the doctor. She is poised and in control at all times even faced with Howard’s often bombastic and relentless assaults on her and her advice. Goulart handles it all with confidence and conviction.

Finally there is Howard’s soon to be ex mother-in-law, Edith Howard who longs for Gillian to get back with her son and often hints very obviously in that direction. Edith is genuinely concerned and a bit of a meddler to achieve her goal of getting her son and Gillian back together again. She is not obnoxious it her quest, just very obvious. Linda Merritt is Edith. She is meek yet determined in her quest and she handles the role with sincerity and warmth. She is convincing.

Together this ensemble evokes a sense of impending doom, which mounts as the play progresses. All this under the sure and firm direction of Peg Holzemer, which keeps it all directly on track to build suspense and concern as the tension mounts.

The set by John Marzelli offers a fine sense of upper class presence with paintings on the wall and furniture.

All these elements offer a fun quest for a murder and mayhem as it all closes in and you wonder who is out to kill Gillian and why. It comes as a surprise which I will not spoil.

It will be presented again March 10 & 17, and Saturday evenings March 11 & 18 at 7:30pm. Sunday afternoons March 12 & March 19, at 2pm. Tickets are $20 for general admission, and $18 for seniors and students cash only at the door. We collect food donations at all our performances for the Middleboro COA Senior Pantry. Come join the fun with Theatre One, bringing a little bit of Broadway to your backyard. Info 1-774-213-5193.

“AROUND THE WORLD IN 80 DAYS” (Rhode Island Stage Ensemble)

Reviewed by Tony Annicone

 

Rhode Island Stage Ensemble’s current show is “Around the World in 80 Days” which is based on Jules Verne’s 1873 novel and this version is written by Mark Brown. In 1872, on a gentleman’s wager, Phileas Fogg and his French manservant, Passepartout attempt to traverse the globe in just eighty days. Fogg is an adventurer who bets he can circumnavigate the world in 80 days or less. The two of them encounter strange new countries, colorful and at times hostile characters, and even love.

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“GREASE” (Smithfield High School)

“GREASE”

Reviewed by Hen Zannini

The Smithfield High School Music Department’s current musical is “Grease.”

“Grease” opened off-Broadway in 1972 and moved to Broadway to run for another eight years. In 1978 it was made into a movie starring John Travolta and ‪Olivia Newton John and grossed nearly $400 million.

Aiden Travers opens the play singing “Grease,” the well know song from the movie, sung by Frankie Valli. Aiden’s energy and contagious smile sets the pace for what’s in store! We are welcomed to Rydell High School’s class of 1959 high school reunion and are greeted by the entire Company performing the “Alma Mata Parody.”

This musical is beautifully directed by Katherine Young, assisted by Cynthia Fontaine-Powers, Production Assistant, and Chloe Olean, Stage Manager. Katherine fully utilizes the stage and theatre to maximum potential. Her high-energy blocking of over fifty cast members is professional and highly entertaining. Band Director Kelly Chartier conducts the seven-piece student orchestra as they play the nearly two-hour score to perfection. It’s hard to believe the orchestra is comprised of high school students; their talent is top notch.

Kudos to the Set Design team–Patricia Bubis, Megan Anderson, Paul and Maria Duhamel, and Luana Towne-Stearns. Everything from the school exterior, lockers, bedroom, and malt shop complete with jukebox, to the “hunk of junk,” also known as “Greased Lightning,” were perfect and easily transported you to 1959. The transformation of the car is unbelievable. I’ve seen “Grease” close to a dozen times (and performed in it, as well!), and this is one of the best vehicles I’ve ever seen!

The hard work of choreographers Bethany Pierpaoli, Kerissa Roderick, Justina Mabray, and Carissa Charbonneau is evident and delightful to watch throughout the entire performance. The larger group numbers are so much fun—I didn’t want them to end! The costumes were true to the fifties, colorful, and beautifully made. To see them all together at one time in the ensemble numbers was like watching fireworks, only on the ground!

Bad boy Danny Zuko is well played by Alec Devine. He has lots of comic moments and lines, including his appearance in a “track suit” and being stranded at the drive-in. “No one walks out of the drive-in!” His delivery is spot on. He displays his voice and dancing in “Summer Nights,” “You’re the One That I Want,” and “Hand Jive.” Alec—I mean Danny—is every girl’s dreamboat!

Juliana Rivelli is good girl Sandy Dumbrowski. Good, that is, until she turns “bad” in Act 2. It’s a change that you have to see to believe! Juliana’s character runs the gamut of emotions, and you feel every one of them through her superb acting, be it happiness, anger, sadness, or frustration. Her beautiful voice simply soars in the poignant “Hopelessly Devoted,” which showcases her wide range and which left me with a lump in my throat. She also does a great job in her duets, “Summer Nights,” and “You’re the One That I Want.” Juliana totally captures the sweet essence of Sandy.

The Pink Ladies are a hoot, each with a distinctive personality. They wear the prettiest and pinkest Pink Lady jackets I’ve ever seen. Where can I get one?! Hope Sousa plays Pink Lady Betty Rizzo. Betty is hard hearted, but her true colors come through in her show-stopping solo, “There Are Worse Things I Could Do.” All I can say is “WOW.” I had tears in my eyes. This number won her thunderous applause. She also sings the comical, “Look at Me, I’m Sandra Dee,” which generates lots of well deserved laughter. Hope’s acting is excellent; you feel what she feels.

Sexy Pink Lady Marty is convincingly played by Nina Votolato. Her marvelous voice is heard in “Freddy My Love.” Jessica Lawton is Jan, whose primary focus is food! Jessica sings the hysterical “Mooning” with her boyfriend Roger, who is played by Michael Iannuccillo. They elicit lots of laughs and are just the most adorable couple! Frenchy is played by Emma McKay and is hilarious in this role. Poor Frenchy drops out of school to attend beauty school, only to flunk out. You truly feel for her. She is serenaded by Teen Angel, Benjamin Duhamel, in “Beauty School Dropout.” His falsetto is very much appreciated by the audience! Hailey Beaulieu plays Patty Simcox to the bubbly and bouncy hilt! She is a ball of energy with fabulous acting chops.

Bryce Moroni is suave and swaggering as Rizzo’s boyfriend Kenickie. He is awesome in his solo, “Greased Lightning,” where he sings and dances with the boys in one of my favorite numbers. How can you not love watching twelve guys in black leather jackets making love to their car?! Sonny Latierri is played by David O’Brien. Devin may be small in stature, but he is huge in character! He is fantastic playing the cad who is always in trouble. Andrey Kryschnuk, Doody, nails his naïve and nervous character. I found myself just wanting to hug him. I loved his guitar playing in “Those Magic Changes.”

“Born to Hand Jive” had me wanting to jump out of my seat and dance with the cast! Additional excellent musical numbers include “Shakin’ at the High School Hop,” It’s Raining on Prom Night” (beautiful harmony), and the energetic closing, “We Go Together.”

Rounding out this marvelous and talented high school cast are Renee Roy (Miss Lynch), Austin Sanderson (Eugene), Jonathan Twining (Vince Fontaine), Michael Russell (Johnny Casino), Adeline Schwartz (Cha-Cha DiGregorio), and Mary Edsall (Burger Palace Waitress), as well as the Cheerleaders, Angel Choir, and Ensemble. An additional shout-out to the Stage Crew and Sound and Lights Crew.

Don’t miss this lively and highly entertaining musical! There are just two performances remaining. I promise you will not be disappointed!

“GREASE”

‪Saturday, March 11 @ 7 pm‪ and Sunday, March 12 at 2 pm

Smithfield High School
‪90 Pleasant View Avenue‪
Smithfield, RI

“A MIDSUMMER NIGHT’S DREAM” (Dean College School for the Arts)

Reviewed by Tony Annicone

Dean College’s School for the Arts winter show of the year is “A Midsummer Night’s Dream”, a romantic comedy by William Shakespeare. It was suggested by “A Knight’s Tale” from Geoffrey Chaucer’s “The Canterbury Tales” and was written between 1594 and 1596. It portrays the adventures of four young Athenian lovers and a group of amateur performers. Moonlight, magic and midsummer madness infect the lovers, tradesmen and fairies in this tale.

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