Shreck’s fast-paced, 90-minute near monologue is as political and academic as it is intensely personal. It is also funny, appalling, and even more relevant than when it débuted.
Author: Shelley Sackett
‘To Kill a Mockingbird’ Is A Welcome Addition to Umbrella Theatre’s Season
‘To Kill a Mockingbird’ — Dramatized by Christopher Sergel. Based on the Book by Harper Lee. Directed by Scott Edmiston. Scenic Design by Janie Howland; Lighting Design by SeifAllah Salotto-Cristobal; Costumes by Rachel Padula-Shufelt; Sound Design by Chris Brousseau; Original Music on Cello by Valerie Thompson. Presented by The Umbrella Stage Company, 40 Stow St.,…
Apollinaire’s Impassioned ‘A View from the Bridge’ Reveals Troubled Waters Below
‘A View from the Bridge’ — Written by Arthur Miller. Directed by David R. Gammons. Scenic and Sound by Joseph Lark-Riley; Costumes by Elizabeth Rocha; Lighting by Kevin Fulton. Presented by Apollinaire Theatre, 189 Winnisimmet St., Chelsea, through March 22. By Shelley A. Sackett Arthur Miller, a prominent 20th century American playwright best known for…
It’s a Topsy-Turvy Life in The Huntington’s ‘We Had A World’
‘We Had A World’ — Written by Joshua Harmon. Directed by Keira Fromm. Scenic Design by Courtney O’Neill; Costume Design by Izumi Inaba; Lighting Design by Tyler Micoleau; Sound Design and Original Music by Melanie Chen Cole, Presented by The Huntington at Wimberly Theatre, Calderwood Pavilion, 527 Tremont St., Boston through March 15. By Shelley…
