Jordan Harrison’s play asks us to consider: what makes us human? How do we maintain our humanity in such a rapidly changing and increasingly violent world? How has technology changed us? And in creating that technology, have we unknowingly manufactured our own destruction?
Author: Julie-Anne Whitney
ASP Brings Modern and Relevant ‘Little Women’ to Watertown
Little Women by Kate Hamill; Directed by Shana Gozansky; Set Design by Jenna MacFarland Lord; Scenic Design by Danielle Ibrahim; Costume Design by Zoe Sundra; Lighting Design by Deb Sullivan; Sound Design by Julian Crocamo; Intimacy Direction by Liv Dumaine; Stage Managed by Dominique D. Burford. Produced by Actors’ Shakespeare Project (ASP) at the Dorothy…
ArtsEmerson’s ‘Noli Timere’ is Thoroughly Thrilling
By Julie-Anne Whitney Noli Timere − Conceived and Directed by Rebecca Lazier; Choreography by Rebecca Lazier in collaboration with the performers; Net sculpture by Janet Echelman; Music composed and performed by Jorane; Lighting Design by Leigh Ann Vardy; Costume Design by Mary Jo Mecca. Presented by ArtsEmerson at the Cutler Majestic Theatre in Boston, MA….
Yorick Ensemble’s ‘The Great Pistachio’ is a Modern Absurdist Gem
By Julie-Anne Whitney The Great Pistachio (Boston premiere), by Nicholas Cummings; Direction, Scenic, Costume, and Prop Design by Rachel Hall; Lighting Design by Michael Jay; Fight Choreography by Sydney T. Grant; Puppet Design by Em Sheeran; Stage Managed by Ben Cantor-Adams. Produced by Yorick Ensemble at the BCA Plaza Black Box Theatre in Boston, MA….



