NEW ENGLAND THEATER’S 2019 SEASON OF LOVE

Cast of Ogunquit’s ‘Cabaret’ Photo-by Gary Ng

How do you measure the year’s best moments?

by Linda Chin

The divisiveness that has defined American politics since 2016 (and hasn’t let up in 2020) has left me (and others) feeling anxious, depleted, fearful and hopeless. Theater has provided welcome (albeit temporary) respites from a pounding media headache as well as the longer-acting benefits of keeping empathy and understanding in our narratives and creativity and human connection in our lives. I was particularly grateful for last year’s abundance of productions with music and for the range of musical styles – 90s R&B, 60s psychedelic surf rock, gospel, classic show tunes – and for the musicians (in the orchestra pit or on stage) playing live, and for music’s healing qualities. And watching an ensemble erupt into dance – whether Fosse or gumboot, ballet, Asian-influenced or 21 pairs of tapping feet – can make my mood lighter and gray moments brighter for days.

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