Ancient Eastern Culture Meets Western Theater in A.R.T.’s ‘Endlings’

Emily Kuroda, Wai Ching Ho, and Jo Yang in A.R.T.’s ‘Endlings’

by Mike Hoban

Endlings – Written by Celine Song; Directed by Sammi Cannold; Scenic Design by Jason Sherwood; Costume Design by Linda Cho; Lighting Design by Bradley King; Sound Design by Elisheba Ittoop. Presented by the American Repertory Theater. At Loeb Drama Center, 64 Brattle St. Cambridge through March 17.

On the surface, Endlings – now being given its world premiere at the A.R.T’s Loeb Center in Cambridge – is about three older women who have spent nearly their entire lives earning a meager existence by diving for seafood from a tiny island off the coast of South Korea. While the subject matter sounds like it would make for an intriguing enough premise on its own, Korean-Canadian playwright Celine Song has chosen to expand her darkly comic play to include themes of her own family’s migration to Canada (and eventually New York City) in search of “better real estate”, as well as a wildly comic philosophical discussion of how much one’s ethnic/racial identity should inform their work. Staged on an absolutely gorgeous and cleverly constructed set, the play also smashes the fourth wall to pieces throughout, creating an uneven but highly entertaining and biting comic pastiche.

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