ASP’s Stripped Down ‘King Lear’ Yields Mixed Results

(Actors Shakespeare Project’s ‘King Lear’ Robert Walsh, Lear and Lydia Barnett-Mulligan, Regan. PHOTO CREDIT MAGGIE HALL)

‘King Lear’ – Written by William Shakespeare; Directed by Doug Lockwood. Scenic Design by Jon Savage; Lighting Design by Jeff Adelberg; Costume Design by Jesicca Pribble; Sound Design by David Reiffel. Presented by Actors’ Shakespeare Project at Chelsea Theatre Works, 189 Winnisimmet St, Chelsea, MA through October 27, 2019.

by Julie-Anne Whitney

Actors’ Shakespeare Project opens their 16th Season with a mystifying “near-future” production of King Lear at the Chelsea Theatre Works. The intimate black box theater in downtown Chelsea was the perfect space to stage this dark, ominous Shakespearean tragedy. 

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Rosencrantz and Guildenstern are Alive and Well at the Huntington Theatre

Will LeBow (Player), Jeremy Webb (Guildenstern), and Alex Hurt (Rosencrantz) in the Huntington Theatre Company’s production of Rosencrantz & Guildenstern Are Dead. Photo: T Charles Erickson

By Michele Markarian

“Rosencrantz & Guildenstern are Dead” – Written by Tom Stoppard. Directed by Peter DuBois. Scenic Design by Wilson Chin; Sound Design and Original Music by Obadiah Eaves; Costume Design by Ilona Somogyi; Lighting Design by David Lander; Projection Design by Zachary Borovay. Presented by Huntington Theatre Company, 264 Huntington Avenue, Boston through October 20.

“What do you think happens to them?” teased my theater companion at the first intermission of Tom Stoppard’s very funny, very imaginative fill-in-the-blanks back story of Shakespeare’s Hamlet’s university friends, Rosencrantz and Guildenstern. At the risk of sounding obtuse, even though I have seen and read “Hamlet” many times, the writing, acting and direction in “Rosencrantz and Guildenstern Are Dead” at the Huntington Theatre are so in the moment that I was, for a moment, not sure.

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21 Pairs of Dancing Feet Dazzle in Umbrella Stage Company’s 42nd Street

(Gillian Mariner Gordon and cast of 42nd Street – Photos by-Kai-Chao)

by Linda Chin

42nd Street – Music by Harry Warren; Lyrics by Al Dubin; Book by Michael Stewart and Mark Bramble; Directed by Brian Boruta; Music Direction by James Murphy; Musical Restaging and New Choreography by Lara Finn Banister; Scenic Design by Benjamin D. Rush; Lighting Design by Seifallah Sailotto-Cristobal; Sound Design by Elizabeth Havenor; Costume Design by Brian Simons, Properties Design by Sarajane Morse Mullins; Stage Managed by Michael Lacey. Presented by Umbrella Stage Company, 40 Stow St, Concord, MA through Oct 20th

With its stereotyped characters, dated dialogue, and thin plot, 42nd Street may not be representative of the bold, daring, innovative programming thatConcord’s Umbrella Stage Company promises to deliver (and has successfully shared with audiences for years). What is definitely daring, though, isproducing artistic director Brian Boruta’s decision to produce a show of this scale and complexity in a new facility that’s still unfamiliar and where the paint is  barely dry. Bravo to Boruta (also the show’s director) and company for making this bold move, as the 21-member cast (yup, that’s 42 dancing feet) succeeds in proving that 42nd Street is a fitting opener for the Umbrella Stage Company’s inaugural season. 

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7 Fingers’ Journeys to New Heights with ‘Passengers’

(Maude Parent and the cast of ‘Passengers’, now playing art ArtsEmerson’s Cutler Majestic Theatre – Photos by Alexandre Galliez)

By Mike Hoban

Passengers – Conceived, Directed and Choreographed by Shana Carroll. Music, Lyrics, Sound Design, and Arrangements by Colin Gagné. Presented by ArtsEmerson and performed by The 7 Fingers at Emerson Cutler Majestic Theatre, 219 Tremont Street, Boston, MA, through October 13

Montreal-based The 7 Fingers returns to the Cutler Majestic Theatre to kick off ArtsEmerson’s 10th season, and the latest offering from the circus arts troupe, Passengers, elevates the genre from mere circus performance to genuine art. While one surmises that this has long been the aim of the company, as someone who has seen most of the half-dozen 7 Fingers shows presented by ArtsEmerson in recent years, this is the one that truly fulfills that vision. And this in no way demeans previous shows. In addition to the oohs, ahhs, and nerve-wracking aerial stunts that any good circus arts show provides, 7 Fingers always reaches for something more in an artistic sense, but Passengers is in its own stratosphere.

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SOMETHING ROTTEN (Providence College Theatre)

SOMETHING ROTTEN
Reviewed by Tony Annicone

Providence College Theatre Department’s opening show is the regional College area premiere of “Something Rotten”, a very new and fresh musical from 2015. This hilarious original musical is set in 1595 and tells the story of Nick and Nigel Bottom and their arguments and disagreements with William Shakespeare who is a character in this play.

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Riveting ‘JQA’ at GAMM Theatre

(Candice Brown, Helena Tafuri in Gamm Theatre’s ‘JQA’)

Reviewed by Tony Annicone

The second show of GAMM Theatre’s 35th season is the New England premiere of “JQA” by Aaron Posner. “JQA” tells the story about the sixth president of the United States, John Quincy Adams. It unfolds in nine separate scenes and although it is the history of the man, Posner makes it applicable to current events. And it is a brilliant and excellently written play. Riveting and electrifying, the play shows great depth and emotion and isn’t dry as dust as one would expect from historical plays. It also has some famous people who knew JQA in each of the scenes including his father, John Adams, President George Washington, his British born wife, Louisa, his mother, Abigail Adams, his Secretary of State Henry Clay, his successor, Andrew Jackson, abolitionist Frederick Douglass and Abraham Lincoln. Director Tony Estrella casts this show with four strong performers to play multiple roles including each of them playing JQA himself. The adage “Do good and be good is required of every man in power” is told to JQA by his mother on her deathbed. And that is the lesson that needed to be learned back in the 1800’s as it needs to be learned now. Honor and dignity are what leaders of nations need back then and especially nowadays, too.

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VISITING MR. GREEN at Arctic Playhouse

Arctic Playhouse’s current show is “Visiting Mr. Green” by Jeff Baron. Eighty-six year old widower Mr. Green is almost hit by a car driven by young corporate executive Ross Gardiner. When Ross is found guilty of reckless driving, he is ordered to spend the next six months making weekly visits to Mr. Green. The show starts off as a comedy with the two characters bickering with each other and resenting being in the same room. It soon becomes more dramatic when family secrets are revealed and old wounds opened up. It deals with accepting the reality of life while dealing with one’s traditions, their family and accepting the changing world around us. Director Sandy Cerel keeps the comic moments flowing wonderfully at the start of the show during their arguments. However as their relationship continues to evolve the two men finally form a bond that turns things into a heartwarming moment between them.The audience is greatly moved by the acting prowess of both these superb actors in this thought provoking play.

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