Jesus Christ Superstar, Bristol Community College, Fall River
Janice MacDonald’s Studio Theatre Company
October 19-21, 2017
By Sue Nedar
Going into the theatre last night, I was filled with hopeful anticipation. Jesus Christ Superstar, Sir Andrew Lloyd Webber and Tim Rice’s crown jewel piece, is this reviewer’s all-time favorite show. It holds a very special sentimental place in my heart – but that’s another story.
For those who may have spent the last several decades under a rock, Jesus Christ Superstar is the story of Jesus of Nazareth’s last days on earth, and it’s told in the form of a rock opera. The story begins with Judas expressing his consternation that Jesus is drawing too much attention to himself and his apostles, and he fears that it will end badly. He’s right. It ends very badly. But, I’m sure you know the story of Jesus.
Under the direction of Roger Machado-Fournier, Studio Theatre Co has succeeded in mounting a visually stunning, and vocally beautiful version of this well-loved musical. It is worth mentioning that producing a show such as this, which has been done countless times, presents the challenge of creating originality. There are iconic scenes, which must be present, but last night I saw a broad and beautifully creative re-imagining of JCS – the likes of which I have yet to have witnessed. Congratulations to Machado-Fournier for his brilliant vision, and congratulations to the large cast for their excellent execution of it.
The music, which is EVERYTHING in this show, is under the direction of Maestro Bobby Perry. His rock band is rich and full, and the vocals are excellent.
A word about the costumes. Thank JESUS this production was done in traditional, biblical form. There are some things you just don’t mess with! By the talented creations of Johnny Cagno, these costumes were gorgeously impeccable! Brilliant work!
Jesus was masterfully played by Nick Kozak. This is a reprise role for Nick, and he doesn’t disappoint. With his beautiful voice and his acting chops, Nick brings the nuances to his character that we need to see. From loving Jesus to angry Jesus, to tired Jesus, to defeated Jesus, we are able to feel all the feels.
Jose Cabral plays the role of Judas; the tormented traitor. Vocally, this is the most demanding role in the show, as Judas sings a gazillion lyrics, and his notes soar off the score sheet. I have never seen Jose onstage before, and I thought he handled this demanding role with panache, and skill.
Mary Magdalene is skillfully portrayed by Nadine Goulet. With two of the show’s most iconic numbers, “I Don’t Know How To Love Him,” and “Everything’s Alright,” made famous on the pop charts by Yvonne Elliman, Nadine and her rich, beautiful voice did these numbers the highest of justice.
Kenny Ettress performs the role of Pontius Pilate. From Pilate’s dream, to the confrontation between Pilate and Jesus, Ettress is wonderful as the torn Prefect of Judaea. His stylized vocals are a lovely change from the norm, and his portrayal of his internal struggle; between the demands of the people, and his fear of condemning Jesus to die are palpable.
In the flamboyant role of King Herod is Alex Valentine. Herod’s big number is “Herod’s Song,” an irreverent, mocking by the arrogant king toward the captured Jesus. Valentine plays Herod to the hilt; with the right flamboyancy and the right arrogance. Herod’s Song is always a show-stopper, and this performance is no exception.
The named priests are played by, Roger Belanger as Ciaphas, Nishan Lawton as Annas, and the unnamed priests are played by Bobby Generau, Charley Haskins, and James Thomas. With Belanger’s deep rich bass voice, Ciaphas is perfectly villainous.
Peter, the Apostle who denies Jesus three times, is played by recent high school graduate Ian Sigman. Sigman delivers his beautiful baritone in the emotional duet with Mary, “Could We Start Again.”
With an ensemble too large to name individually, the stage is filled with beautiful costumes, choreography, and mood-setting tableaus.
Dear theatre-goers, my best advice to you is, not only go see this beautiful show, but pay attention to the nuances and creative touches that Machado-Fournier has cleverly included. I don’t want to give away any of the special moments, but there are many.
Jesus Christ Superstar – with two more chances to enjoy it. Tonight at 7pm, and tomorrow at 2pm.
Go! You won’t be sorry!
