“Lost Tempo” Hits All the Right Notes


Review by James Wilkinson


‘Lost Tempo’ – Written by Cliff Odle; Directed by Diego Arciniegas; Scenic Design by Jeffrey Petersen; Costume Design by Rachel Padula-Shufelt; Lighting Design by Evey Connerty-Marin; Sound Design by J Jumbelic. Presented by Boston Playwrights’ Theatre at 949 Commonwealth Avenue, Boston through October 22.


I’m a sucker for a truly immersive theater set. There’s something about the way it envelops you, inviting you in. You’re allowed to let everything outside of the theater fade away. Forget about where you parked the car, what you had for dinner, the work at home you’ve been putting off. The curtain hasn’t even risen and already you’ve been dropped into the world of the play. Read more ““Lost Tempo” Hits All the Right Notes”


Reviewed by Tony Annicone


The Renaissance City Theatre Inc., the producing entity of the Granite Theatre’s current show is “Jesus Christ Superstar”, Andrew Lloyd Webber and Tim Rice’s rock opera. The show chronicles the last seven days in the life of Jesus of Nazareth as seen through the eyes of his disciple Judas Iscariot, who became disillusioned by the movement. At the opening of the show, Judas agonizes over his perception that Jesus’ followers have become fanatical and unrealistic, hailing him as a god and twisting his words into monstrous prophecies.


Rod Ferguson Brings Music, Laughs with “Some Others I’ve Seen”


by Mike Hoban


Following a successful summer run in Provincetown, Rod Ferguson is bringing his unique cabaret style to Club Café in the South End for the next two Thursdays in October. His new show, “Some Others I’ve Seen: Stumbling Towards Love” combines musical selections from the 40’s (“You’d Be So Nice To Come Home To”, “You’re Nobody Till Somebody Loves You,” “Where or When”) with a series of well-crafted (and very funny) personal anecdotes to create an evening of cabaret that allows you to check your mind at the door, sing along – and laugh like hell.

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Theater Mirror Interviews Rod Ferguson on his one-man show, “Some Others I’ve Seen”


by Michael Cox


We sat down with the “wickedly funny” cabaret comedian Rod Ferguson to talk about his one-man show, “Some Others I’ve Seen,” the third in a series he has presented at Club Café featuring “the songs you love to hear with the stories I loves to tell.” This time the music is inspired by the swing era show tunes of the 1940s. Accompanied by Club Café’s own Brian Patton on the piano, “Some Others I’ve Seen” runs October 12, 19 and 26 at 7 PM. Tickets are available at clubcafe.com.


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THE GREAT GATSBY (Burbage Theatre Company, Pawtucket)


Reviewed by Tony Annicone


Burbage Theatre Company’s second show of their season is “The Great Gatsby” by F. Scott Fitzgerald. This is their first show in their new location in Pawtucket. This classic novel from 1925 has been adapted for the stage by Simon Levy, it remains the evocative story of the pursuit of wealth and romance in The Jazz Age of the roaring 1920’s. Enigmatic self-made millionaire Jay Gatsby pursues the married, moneyed Daisy Buchanan as his party guests drink and Charleston their frenzied way of life at his opulent Long Island mansion.

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Bill Hanney’s NSMT ‘EVITA’ Evokes Excitement and Tears


By Sheila Barth


BOX INFO: Under two-hour, two-act, multimedia musical production of Andrew Lloyd Webber and Tim Rice’s 1980 multi-Tony Award winner and others, appearing through October 8: Tuesday-Thursday, 7:30 p.m.; Friday, Saturday, 8 p.m.; matinees, Wednesday, Saturday Sunday, 2 p.m. Bill Hanney’s North Shore Music Theatre, 62 Dunham Road, Beverly. $57-$82; kids 18-under, 50 percent discount. nsmt.org, 978-232-7200.


While dynamic, dying, populist First Lady Eva Peron sings to the masses,”Don’t Cry for Me, Argentina,” members of Bill Hanney’s North Shore Music Theatre audiences stifled tears, identifying with the grieving masses who deified the beautiful performer-turned-political leader.

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Jesus Christ Superstar, Bristol Community College, Fall River

Jesus Christ Superstar, Bristol Community College, Fall River

Janice MacDonald’s Studio Theatre Company

October 19-21, 2017


By Sue Nedar


Going into the theatre last night, I was filled with hopeful anticipation.  Jesus Christ Superstar, Sir Andrew Lloyd Webber and Tim Rice’s crown jewel piece, is this reviewer’s all-time favorite show.  It holds a very special sentimental place in my heart – but that’s another story.

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ANNIE, (Pawtucket Community Players)

Reviewed by Tony Annicone


The first show of The Community Players 97th season is “Annie” which celebrates its 40th anniversary this year. This show is based on Harold Gray’s comic strip Little Orphan Annie, it won 7 Tony Awards and ran for 2,377 performances. With a combination of street smarts and optimism, Annie rises from next to nothing in 1930’s New York. She is determined to find her parents, who left her in the orphanage years ago in the clutches of the evil Miss Hannigan. With the help of the other orphans, Annie manages to foil Hannigan’s greedy plans and find a family with billionaire Oliver Warbucks, his secretary, Grace and Annie’s lovable dog, Sandy. It has insightful direction by Brian Mulvey, topnotch music direction by Ron Procopio who plays lead keyboards and conducts a 7 piece orchestra and some energetic dance numbers by Leslie Racine Vazquez. Their combined expertise wins the cast a resounding standing ovation at the close of the show.

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“SWEENEY TODD” – RISE Playhouse, Woonsocket, RI

Review by Tony Annicone


Rhode Island Stage Ensemble’s fall musical is Stephen Sondheim’s “Sweeney Todd” which opened on Broadway on March 1, 1979 and won 8 Tony Awards including Best Musical. This musical is a macabre tragicomedy based on the legend of a half mad 19th Century English barber who is driven to crime when his wife and his daughter are taken from him by an evil judge.

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‘From Silence’ at Marblehead Little Theatre


By Sheila Barth


Versatile Anne Marilyn Lucas never fails to surprise audiences with her theatrical prowess, whether she’s singing, acting, directing, or, in this case, with the newest play she wrote and successfully debuted off-Broadway.

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