
Reviewed by Tony Annicone
Welcome to the turn of the century with “Ragtime”, the closing musical of Trinity Rep’s season. This 1998 hit musical is based on E.L. Doctorow’s novel. Trinity begins the show in a contemporary room setting and from there we go back in time to 1905 with the epic sweep of this musical being captured in the opening prologue, a nine minute kaleidoscope of fictional characters mingling with historical figures from the early twentieth century. The cast is in current day costumes during most of Act 1 to reflect that what happened back then is happening now, too. As the story continues, we meet pianist Coalhouse Walker Jr. and his child’s mother, Sarah being taken in by a respectable WASP family in New Rochelle, NY. This family is ruled by “Father”, a patriarchal figure who dominates his household and submissive wife, “Mother” with his overbearing presence. Parallel storylines of the Jewish Latvian immigrant Tateh who unwittingly finds himself involved in the birth of the motion picture industry after inventing a flipbook for his young daughter as well as the real life entertainer, Evelyn Nesbit, the magician Harry Houdini, J.P. Morgan and the anarchist Emma Goldman eventually mingle and merge. This epic production boasts stellar performances from this talented cast with phenomenal insight and direction by Curt Columbus, Trinity’s artistic director, musical director, Michael Rice and choreographer, Sharon Jenkins as they capture the flavor and essence of the early 1900’s being comparable to current day happenings. Their combined expertise garners the entire cast a resounding standing ovation at the close of this breathtaking musical extravaganza.
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