ASP’s ‘Macbeth’ Is a Muddled Mashup of Time, Place and Tone

Omar Robinson, Brooke Hardman in Actors’ Shakespeare Project’s ‘Macbeth’
Photos by Benjamin Rose Photography.

‘Macbeth’ — Written by William Shakespeare. Directed by Christopher V. Edwards. Presented by Actors’ Shakespeare Project at Mosesian Center for the Arts, Watertown through October 26.

By Shelley A. Sackett

Ten minutes into ASP’s production of Macbeth, my friend leaned over and whispered, “I thought we were seeing Macbeth.”

He wasn’t being a smart aleck; he was astutely stating the obvious. While it seems au courant (at least in Boston) to catapult timeless Shakespeare into other eras with disco, hip hop, and gratuitous references to current headlines, Actors Shakespeare Project, under the direction of Christopher V. Edwards, proves definitively that it is possible to overreach and completely miss your mark.

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ASP’s ‘Macbeth’ is Imaginative, Disquieting

Cast of Actors’ Shakespeare Project’s ‘Macbeth’ Photos by Benjamin Rose Photography.

‘Macbeth’– Written by William Shakespeare; Directed by Christopher V. Edwards; Featuring Brooke Hardman, Jade Guerra, Jesse Hinson, Jennie Israel, Brian Demar Jones, Claire Mitchell, Vince Nguyen, Amanda Esmie Reynolds, Omar Robinson, Chingwe Padraig Sullivan, Dennis Trainor Jr.; Scenic Design Danielle Ibrahim; Sound Design by Julian Crocamo; Lighting Design Elmera Martinez; Costume Design Marissa Wolf; Sound Design Mackenzie Adamick;  Production Design Sue Rees; Audio Engineer Irene Wang; Fight Director Naomi Kim. Presented by Actors Shakespeare Project, Boston, MA, through October 26.

By C.J. Williams

Macbeth, as you know, is one of those plays that takes sanity and hope and puts them through a meat grinder. Once you’ve seen Macbeth, you’ve seen not only that blood will out, but that blood will douse, drench, and seep through skin into the deepest crevices of your heart, mind, and conscience. But what if you want to make it more disquieting? Perhaps this is what Director Christopher V. Edwards and the Actors’ Shakespeare Project team asked themselves as they planned this year’s production of the iconic play. How about staging the political and relational shenanigans during the Cold War? 

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ASP’s ‘The Piano Lesson’ is a Supernatural Theatrical Experience

Jade Guerra, “ranney”, Jonathan Kitt and Omar Robinson in Actors’ Shakespeare Project’s production of August Wilson’s The Piano Lesson. Photos by Nile Scott Studios.

‘The Piano Lesson’ – Play by August Wilson. Directed by Christopher V. Edwards. Scenic Design by Jon Savage; Costume Design by Nia Safarr Banks; Lighting Design by Isaak Olson; Sound Design by James Cannon. Presented by Actors’ Shakespeare Project in partnership with Hibernian Hall. At Hibernian Hall, Boston, through Feb. 23.

By Mike Hoban

As the cold January winds send a chill through the streets of Boston and the change in the nation’s political climate sends shivers through the hearts of our most vulnerable, Actors Shakespeare Project has delivered a masterpiece of a production – just when we need it most. For the third straight year, ASP has staged a selection from August Wilson’s 10-play American Century Cycle about the Black experience in 20th Century America, and while the previous offerings (Seven Guitars in 2023 and King Hedley II last year) were both on my (and most reviewers) annual ‘Best Of’ lists, ASPs The Piano Lesson catapults Wilson’s work into the stratosphere.

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