Tag: Megan Sandberg-Zakian

“Zabel in Exile”  An Emotional Journey of Oppression, Resistance and Faith

Michele Markarian1 Comment
Sarah Corey in Boston Playwrights’ Theatre’s “Zabel in Exile”
Photos by Scornavacca Photography

Zabel in Exile.  By R.N. Sandberg.  Directed by Megan Sandberg-Zakian.  Sponsored by Judith Saryan and Victor Zarougian.  Presented by Boston Playwrights’ Theatre, 949 Commonwealth Avenue, Boston, through March 8.

By Michele Markarian

For this audience member of Armenian heritage, Zabel in Exile is a cultural expedition into the Armenian psyche. The favoritism and privilege of boys and men. The devastation and tragedy of the death marches. The mystical visions of Death, dressed in garments of scarlet and black. My great-grandfather saw such a vision riding towards him on horseback and told his family it was coming for him. He was right; he died the next day along with his wife and three of his children.   My thirteen-year-old grandmother escaped. Zabel is a memory play based on the life of Armenian writer Zabel Yessayan. She’s a very compelling character, and her life, though hard and full of peril, embodies the bravery and compassion of the Armenian spirit.

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ASP’s ‘Bright Half Life’ Shines a Light on Lesbian Love

Julie-Anne WhitneyLeave a comment
Lyndsay Allyn Cox, Kelly Chick in ASP’s ‘Bright Half Life’ – PHOTO CREDIT NILE SCOTT STUDIOS

By Julie-Anne Whitney

‘Bright Half Life’ – Written by Tanya Barfield; Directed by Megan Sandberg-Zakian; Scenic Design by Cristina Todesco; Lighting Design by Aja Jackson; Sound Design by Elizabeth Cahill; Costume Design by Zoe Sundra; Stage-managed by Lauren Burke. Presented by Runs through February 16, 2020 at the Plaza Theatre, Boston Center for the Arts.

How many times have you been in the theater and seen two women on stage who happen to love each other? Think about it for a minute and you’ll probably realize it’s a pretty low number. 

There are several well-known plays which discuss or highlight LGBTQ+ characters such as The Children’s Hour (1934), The Boys in the Band (1968), The Normal Heart (1985), I Am My Own Wife (1992), Angels in America (1992), Stop Kiss (1998), The Laramie Project (2001), Indecent (2017), and The Inheritance (2018), among others. There are also a few popular musicals which feature LGBTQ+ characters such as La Cage aux Folles (1983), Falsettos (1992), Rent (1996), Hedwig and the Angry Inch (1998), The Color Purple (2005), Kinky Boots (2013), Fun Home (2015), and Jagged Little Pill (2018). But not one of these pieces features two women who love each other as the central focus of the story, and who are given the time to express their love for more than just a song or a couple of scenes. This is why Tanya Barfield’s Bright Half Life is an overdue breath of fresh air. A 65-minute play about the 40-year relationship between two women is a rare gift – one I have been waiting to receive nearly all of my life.

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