Short Take: Winston Churchill Comes to Life in “Churchill”

October 9, 2025April 8, 2026 Michele MarkarianLeave a comment

“Churchill” − Created and directed by David Payne. Presented by Emery Entertainment, Standford Calderwood Pavilion, 539 Tremont Street, through October 12.

by Michele Markarian

One-person shows are tricky in terms of verisimilitude – who is the person talking to? Why are they standing before us? Years ago, my grandmother, knowing I was fond of Emily Dickinson, took me to see “The Belle of Amherst” with Julie Harris. My twelve-year-old self didn’t buy the fact that Emily was willing to address a roomful of 650 strangers at Boston’s Colonial Theater for no apparent reason other than the fact that we were there. She even offered us cake when clearly there wasn’t enough to go around. It didn’t make for a credible suspension of disbelief.

‘The Ceremony’ Revisits and Rewrites the Ufot Legacy

September 30, 2025April 8, 2026 Shelley SackettLeave a comment

Lumanti Shrestha, Khadaj Bennett in CHUANG Stage’s ‘The Ceremony’
Photos by Ken Yotsukura

‘The Ceremony’ — Written by Mfoniso Udofia. Directed by Kevin R. Free. Presented by CHUANG Stage at Boston University’s Joan & Edgar Booth Theatre, 820 Commonwealth Ave., Boston through October 5.

By Shelley A. Sackett

Playwright Mfoniso Udofia’s nine-play Ufot Family Cycle follows the various members of the Nigerian Ufot family across three generations, starting with the brutal Nigerian Civil War (also known as the Biafran War) of 1967-1970. With the world premiere of The Ceremony, the sixth in the series, Udofia brings the family firmly into the present (2023) with all its contemporary social mores and cultural pressures.

Actor David Payne On His Solo Show, “Churchill”

September 24, 2025April 9, 2026 Theater MirrorLeave a comment

David Payne as “Churchill, coming to the BCA October 7-12

David Payne’s acting career began almost as a lark. An audition for a small part in a play led to his being cast in a much more major role. Later on, he wrote a play of his own — a solo show about the life of C.S. Lewis, the famously faithful author of the “Narnia” fantasy books. The success of that show almost sounds like a fantasy in itself: Payne has made a career of portraying Lewis for two decades.

But he also plays another significant historical figure: Namely, Winston Churchill, the stout, determined, and yet also flawed statesman who saw the danger presented by Adolf Hitler when other British politicians were apt to gloss over the dangers that Nazi Germany presented. He had a long military history, which included serving during the Boer War. He achieved fame as a war correspondent and author and received the Nobel Prize for his writings in 1953.

Strong Performances Lift Mystic Evidence Productions’ ‘Skazki: A Spell of Ice and Snow’

April 21, 2025April 8, 2026 CJ WilliamsLeave a comment

‘Skazki: Spell of Ice and Snow.’ Written by J.X.M. Corriss. Words and Music by Jonathan Blackshire. Musical Direction by Sam McLoughlin. Directed by Sean Robinson. Choreography by Katie Formosi. Costume Design by Kitty Prue. Lighting Design by Nick Tavares. Stage Management by Max Cavanaugh, assisted by Mason West. Presented by Mystic Evidence Productions at the Boston Center for the Arts, 539 Tremont St, Boston, MA 02116

By C.J. Williams

“Culture is also a casualty of war.” So what’s culture? And is its loss akin to losing a limb – or a family member?

Skazki: A Spell of Ice and Snow recently wrapped up its run at the Boston Center of the Arts. The brand-new musical, written by a first-time playwright (but veteran poet and novelist, X.M. Corriss), is a whimsical musical with a cold as steel fairy tale edge, and where it may falter in pacing, it more than evens out in its cast and crew’s passionate performances. If culture is indeed a casualty of war, Skazki is perhaps the result of artists who know that all art is a kind of healing.

Artist Zoë Kim’s ‘Did You Eat? (밥먹었니?)’ Hugs and Fills Your Soul

November 23, 2024April 9, 2026 Theater MirrorLeave a comment

Zoë Kim during a performance of her show “Did You Eat? (밥 먹었니?).” (Courtesy Maggie Hall)

CHUANG Stage and Seoulful Productions present ‘Did You Eat (밥 먹었니)?’ Written and performed by Zoë Kim. Directed by Chris Yejin. Choreography by Christopher Shin. Set and Costume Design by Szu-Fen Chen. Sound Design by Katie Kuan-Yu Chen. Lighting Design by Ari Kim. Projection Design by Michi Zaya. At Boston Center for the Arts, Black Box Theatre, 539 Tremont Street, through November 30, 2024.

By Linda Chin

As we transition into colder and darker winter weather and approach the holiday season and its accompanying triggers (stress, travel, grief, family dynamics, food, lack of belonging, anyone?), being in a room with other compassionate and kind humans can be an antidote to loneliness. In that respect, the timing of CHUANG Stage and Seoulful Productions’ world premiere of the new solo show Did You Eat?( 밥 먹었니 ?), stunningly penned and performed by Asian American storyteller Zoë Kim, couldn’t have been more perfectly planned. At the Black Box Theater in the depths of the Boston Center for the Arts, Kim shares her life journey from birth to now, transporting us to places and spaces in Korea and the US that have felt unsafe, while taking audiences on a deep dive into the complexities of identity, love, and family.

Not Your Parents’ ‘Romeo & Juliet’ by Actors Shakespeare Project

May 19, 2024May 25, 2024 Theater MirrorLeave a comment

Evan Taylor and Chloe McFarlane in Actors Shakespeare Project’s ‘Romeo & Juliet’

Actors Shakespeare Project presents ROMEO & JULIET. Written by William Shakespeare. Directed by Marianna Bassham. Movement Choreography by Ilya Vidrin. Lighting Design by Deb Sullivan. Costume Design by Lisa Coleman. Props Design by Grey Rung. Scenic Design by Saskia Martínez. Sound Design by Jesse Hinson. At the Roberts Studio Theater, Calderwood Pavilion, 527 Tremont Street, Boston, through June 2, 2024.

By Linda Chin

The works and words of William Shakespeare can be difficult to appreciate – and some may say, stay awake for – but after seeing their accessible production of Romeo and Juliet, I felt grateful that Actors Shakespeare Project chose to present this story this season (they last staged it a decade ago), and is part of the Boston arts and culture ecosystem in general. As seen in last year’s As You Like It, ASP intentionally blends stage (and Shakespearean) veterans with younger actors from local conservatories and communities, an ensemble of diverse storytellers playing diverse human characters – as I like it.

Theater Mirror interviews Emmy Award-winning Actor Gordon Clapp, who brings his one-man Robert Frost show to the BCA

April 8, 2024April 8, 2024 Theater MirrorLeave a comment

Emmy-winning actor Gordon Clapp (NYPD Blue) will bring his acclaimed portrayal of poet Robert Frost to Boston this Spring in the one-man show “Robert Frost: This Verse Business” by local playwright A.M. Dolan.The show portrays the great poet and platform legend whose public “talks” were hot tickets for nearly half a century. Theater Mirror spoke with Clapp as he prepared for the April 23-28 run at the Calderwood Pavilion in Boston.

by Mike Hoban

Theater Mirror: I understand that you’ve long had a love affair with Robert Frost’s work. How did you first discover him?

Gordon: It was the Kennedy inauguration (where Frost read “The Gift Outright”) – I’m that old – but I knew of him before that. Later in school, we were assigned “Out, Out,” which is a reference to “Out out brief candle!” (from Macbeth). It’s a very dark poem. In an idyllic setting, this horrific event happens. A boy gets his hand cut off by a buzzsaw in rural New England in the backyard of his home, and it really had an impact on me as a boy of that age in that setting, some fifty years later, and I just got addicted to Frost’s poetry. I would do little readings all through college, and a few years after college, I read his three-volume biography by Lawrence Thompson and said to myself, “I’ve got to bring this guy to the stage.” It took me thirty years to get around to it, but when I turned 60, I thought, “Now I can get away with playing the older Frost.”

Theater Mirror Speaks with Comedian Gabe Mollica, who is bringing his one-man show, “Solo: A Show About Friendship,” to the BCA

April 8, 2024April 9, 2024 Theater MirrorLeave a comment

Comedian Gabe Mollica brings his Off-Broadway comedy, “Solo: A Show About Friendship,” to the Calderwood Pavilion at the BCA from April 16-21^st. He dives deep into what it means to have friends in your 30s, his special relationship with Stephen Sondheim, working at a summer camp for children with chronic illnesses, and what happens when you break up with your best friend. Theater Mirror caught up with Gabe recently as he prepared for his Boston engagement.

Rapturous Applause for Anthony Rapp’s ‘Without You’

April 7, 2024April 7, 2024 Theater MirrorLeave a comment

Anthony Rapp in “Without You”. Photos by Russ Rowland

‘Without You,’ – Written and performed by Anthony Rapp. Songs by Jonathan Larson, Anthony Rapp, David Matos, and Joe Pisapia. Directed by Steven Maler. Scenic design and lighting design by Eric Southern. Costume design by Angela Vesco. Sound design by Brian Ronan. Projection design by David Bengali. Musical Director & Orchestrations: Daniel A. Weiss. Presented by Ambassador Theater Group at the BCA’s Wimberly Theater, Tremont Street, Boston, through April 14.

By Linda Chin

Since childhood, Anthony Rapp has loved singing, playing the lead in musicals such as Oliver, and delighting audiences in his hometown of Joliet, Illinois – especially his biggest fan, his mother, Mary Lee. After moving to NYC, Rapp appeared in a host of roles his mother wished were more “normal.” While working at Starbucks to, uh, pay the rent, Rapp got his big break at age 22 when he landed the principal role of Mark Cohen (the filmmaker and narrator) in the off-Broadway and Broadway productions of Jonathan Larson’s ground-breaking musical RENT.

Love and Loss Within “Without You”

April 7, 2024April 7, 2024 Theater MirrorLeave a comment

“Without You” by Anthony Rapp. Directed by Steven Maler. Presented by ATG Colonial at the Calderwood Pavilion, 527 Tremont Street, Boston, through April 14.

By Michele Markarian

At twenty-two, Anthony Rapp, hailing from Joliet, Illinois, and living in the East Village with his brother, Adam, was broke. A chance audition, for which he was late, led him to be cast in a workshop production of a new musical called “Rent.” The composer, Jonathan Larson, was a quirky, friendly person who soon became a good friend to Rapp. “Rent,” Rapp told his young cast right before thanking them for being his new friends, was about his friends, most of them dead. He also infuriated one of Rapp’s party guests, who had asked Larson, “What do you do for a living?’ and was told, “I am the future of musical theater.” “Rent” was Larson’s labor of love based on one of his favorite operas, “La Boheme”; tragically, Larson did not live to see the musical mounted on Broadway or off after the success of its studio production. He died suddenly and unexpectedly the night before the show was supposed to have its Off-Broadway premiere.