Short Take: “Our Town” A Poignant, Sobering Reminder of Gratitude

September 24, 2025April 10, 2026 Michele MarkarianLeave a comment

“Our Town” – Written by Thornton Wilder. Directed by Courtney O’Connor; Scenic Design by Shelley Barish; Costume Design by Rachel Padula-Shufelt; Lighting Design by Deb Sullivan; Sound Design by Andrew Duncan Will. Presented by The Lyric Stage Company of Boston, 140 Clarendon Street, Boston, through October 19.

By Michele Markarian

I first saw “Our Town” on television as a teenager, and I have to say, it freaked me out. As a young person, I didn’t understand the piece for its depth; I thought that it was about death. With some perspective, it is very much a play about life, a point that the superb production at the Lyric Stage subtly brings home.

Actor David Payne On His Solo Show, “Churchill”

September 24, 2025April 10, 2026 Theater MirrorLeave a comment

David Payne as “Churchill, coming to the BCA October 7-12

David Payne’s acting career began almost as a lark. An audition for a small part in a play led to his being cast in a much more major role. Later on, he wrote a play of his own — a solo show about the life of C.S. Lewis, the famously faithful author of the “Narnia” fantasy books. The success of that show almost sounds like a fantasy in itself: Payne has made a career of portraying Lewis for two decades.

But he also plays another significant historical figure: Namely, Winston Churchill, the stout, determined, and yet also flawed statesman who saw the danger presented by Adolf Hitler when other British politicians were apt to gloss over the dangers that Nazi Germany presented. He had a long military history, which included serving during the Boer War. He achieved fame as a war correspondent and author and received the Nobel Prize for his writings in 1953.

SpeakEasy’s ‘Primary Trust’ a Warm Bath of Compassion

September 24, 2025April 10, 2026 Theater MirrorLeave a comment

Arthur Gomez and David J. Castillo in Speakeasy’s “Primary Trust”.
Photos by Benjamin Rose

SpeakEasy Stage presents ‘Primary Trust.’ Written by Eboni Booth. Directed by Dawn M. Simmons. Scenic Design by Shelley Barish. Lighting Design by Karen Perlow. Costume Design by Chelsea Kerl. Sound Design by Anna Drummond. At the Roberts Studio Theatre, Calderwood/BCA, 527 Tremont Street, Boston, through October 11, 2025.

By Linda Chin

Trust me – SpeakEasy Stage’s production of the 2024 Pulitzer Prize-winning play Primary Trust by Eboni Booth is a warm bath worth indulging in. For 100 minutes without intermission, expect to be immersed in a sweet and uplifting story told by a fabulous four-person cast and deftly directed by Dawn M. Simmons.

Set in the small fictional town of Cranberry, New York, Primary Trust centers on Kenneth (played to perfection by David J. Castillo), an emotionally reserved 38-year-old man whose simple, quiet, relatively isolated life routine – working in a bookstore, going to happy hours at Wally’s, the local tiki bar – is suddenly upended.

CST’s ‘Silent Sky’ Aims for The Stars But Falls Short

September 22, 2025April 10, 2026 Shelley SackettLeave a comment

Lee Mikeska Gardner, Jenny S. Lee, Erica Cruz Hernández in Central Square’s ‘Silent Sky’
Photos by Nile Scott Studios

‘Silent Sky.’ Written by Lauren Gunderson. Directed by Sarah Shin. Scenic Design by Qingan Zhang; Costume Design by Leslie Held; Lighting Design by Eduardo M. Ramirez; Sound Design and Composition by Kai Bohlman. A Catalyst Collaborative@MIT Production. Presented by Central Square Theater, 450 Massachusetts Ave., Cambridge through October 5.

By Shelley A. Sackett

Lauren Gunderson’s career as a playwright (she is also a screenwriter and short story author) has largely focused on stories about iconoclastic women in history, science and literature. She is one of the top 20 most produced playwrights in the country, with over twenty plays produced. (Lyric Stage Boston’s 2022 production of her The Book of Will was a knockout).

With Silent Sky, a Catalyst Collaborative@MIT Production presented by Central Square Theater through October 5, she turns her attention to the story of Henrietta Swan Leavitt, a young astronomer whose scientific brilliance and curiosity led to her discovery of the relationship between luminosity and the period of Cepheid variables (a star that pulsates).

Director Livy Scanlon on how ‘Doubt’ Weighs Cynicism Against Faith

September 22, 2025April 10, 2026 Theater MirrorLeave a comment

Livy Scanlon, artistic director of The Hanover Theatre Repertory (THT Rep)

More than two decades ago, the sexual abuse scandal that rocked the Catholic church exploded into headlines by way of articles published by The Boston Globe. The allegations were beyond shocking, with people coming forward to share stories of abuse at the hands of priests their families had seen as the virtual personification of God. As more details came to light and more people came forward with their stories, a horrifying pattern emerged of a church hierarchy that simply shuffled alleged abusers from one parish to another — a practice guaranteed to put more young people in harm’s way.

Wilbury Theatre Group’s ‘From Here to Where’ Offers Strangely Fascinating Reflections on Being Alive

September 21, 2025April 10, 2026 Julie-Anne WhitneyLeave a comment

Cast of Wilbury Theatre Group’s ‘From Here to Where’. Photos by Erin X. Smithers

From Here to Where (world premiere), Book by Umberto Crenca, Music by The Gillen Street Ensemble; Video Design by Jacob Dixon, Lighting Design by Andy Russ, Set Design by Monica Shinn, Stage Managed by Maxime Hendrikse Liu. Produced by Wilbury Theatre Group (WTG) at 475 Valley Street in Providence, RI. Plays through October 5, 2025.

by Julie-Anne Whitney

When you walk through the door at the Wilbury Theatre, you are drawn in by the soulful, bluesy, rock-like sounds of The Gillen Street Ensemble (GSE), a Providence-based music collaborative. You have been invited to their basement jam session, which has a definite mood. The vibe is loose and cool as the musicians playfully improvise. In this basement of curiosities, designed by Monica Shinn, you find many strange and quirky objects: a dinosaur-sized egg on wheels, a rubber chicken, a comically large skeleton, a giant light bulb, a megaphone, a gong, and dozens of other unusual items. What does this mean, you wonder. What is this about?

SpeakEasy’s Outstanding ‘Primary Trust’ Simmers Slowly Until It Boils Over

September 21, 2025April 10, 2026 Shelley SackettLeave a comment

David J. Castillo, Luis Negrón and Arthur Gomez in Speakeasy’s “Primary Trust”.
Photos by Benjamin Rose

‘Primary Trust’ — Written by Eboni Booth. Directed by Dawn Simmons. Scenic Design by Shelley Barish; Lighting Design by Karen Perlow; Costume Design by Chelsea Kerl; Sound Design by Anna Drummond. Presented by SpeakEasy Stage Company at Boston Center for the Arts, 527 Tremont St., Boston through October 11.

By Shelley A. Sackett

Like homesickness and old age, some things just “creep up” on us. A feeling that might start suddenly and imperceptibly, the sensation gradually builds until reaching a tipping point, after which we are acutely aware of and significantly affected by it.

Such is the case with SpeakEasy’s first production of the 2025/2026 season, Primary Trust, now enjoying a long run through October 11 (so there’s plenty of time to catch this gem).

“The Hills of California” Offers Family Dysfunction and Healing

September 20, 2025April 10, 2026 Michele MarkarianLeave a comment

Meghan Carey, Kate Fitzgerald, Alison Jean White, Chloé Kolbenhyer, Nicole Mulready (on floor) in Huntington’s ‘The Hills of California’. Photos by Liza Voll

“The Hills of California”, by Jez Butterworth. Directed by Loretta Greco. Presented by The Huntington in association with Berkeley Repertory Theatre, The Huntington, 264 Huntington Avenue, Boston, through October 12.

By Michele Markarian

Full disclosure: I love Jez Butterworth’s writing – psychological without being heavy-handed. I saw Jerusalem with Mark Rylance in 2011; it was magnificent, as was The Ferryman. The Hills of California is no exception – it is a remarkable and moving work that skillfully weaves the lives of four sisters and their mother through their shaky past and fractured present and makes them whole again.

NSMT’s ‘Rent’ Is Timely Entertainment

September 19, 2025April 10, 2026 Shelley SackettLeave a comment

The cast of “Rent” at North Shore Music Theatre. Photos by Paul Lyden

‘Rent’ — Book, Music and Lyrics by Jonathan Larson. Musical Arrangements by Steve Skinner. Direction and Choreography by Marcos Santana. Scenic Design by Jeffrey D. Kmiec; Costume Design by Rebecca Glick; Lighting Design by José Santiago; Sound Design by Alex Berg; Video Design by Beth Truax. Presented by North Shore Music Theatre through September 28.

By Shelley A. Sackett

North Shore Music Theatre is tailor-made for musicals with its theatre-in-the-round, signature creative set designs and talented casts. With Rent, the Pulitzer Prize and Tony Award-winning musical set in New York City’s East Village from 1989 to 1990, it manages to pay homage to a classic that defined an era while also spotlighting its relevance to today.

Paul Melendy Soars in GBSC’s Fabulous ‘Featherbaby’

September 18, 2025April 10, 2026 Shelley SackettLeave a comment

Gabriel Graetz, Paul Melendy and Liv Dumaine in GBSC’s ‘Featherbaby’

‘Featherbaby’ — Written by David Templeton. Directed by Weylin Symes. Scenic Design by Katy Monthei; Lighting Design by Matt Cost; Costume Design by Deirdre Gerrard; Sound Design by Mackenzie Adamick. 1 hour 45 minutes, one intermission. Presented by Greater Boston Stage Company at 395 Main St, Stoneham, MA, through September 28.

By Shelley A. Sackett

There are not enough words of praise to describe Paul Melendy’s sublime performance as the insightful, unfiltered and outrageously funny trash-talking parrot, Featherbaby, in the eponymous play now running in its co-world premiere through September 28 at Greater Boston Stage Company in Stoneham. If you only see one production this entire season, this is the one that should be at the top of your list.